Hidden Garden Steps: Celebrating Our Moments of Transformation

September 16, 2012

There have been plenty of transformative moments since the Hidden Garden Steps project in San Francisco’s Inner Sunset District began in early 2010. But none have been so encouraging and rewarding than what we saw earlier this month at a community celebration centered around the signing of contracts with Steps artists Aileen Barr and Colette Crutcher—pictured here working on the life-size design they have begun creating in their homes and studios.

It’s more than just the acknowledgement that we’ve raised enough money ($100,000 in cash and approximately $20,000 in services completed or soon to be completed) to begin building the 148-step ceramic-tile mosaic that is at the heart of the project. It’s the gathering of a community that through working on this project is even stronger than it was before, and will be even stronger by the time we finish this project that creates a second set of ceramic-tiled steps along with gardens and murals in the neighborhood. And the celebration itself was completely sponsored and hosted by one of our business supporters: the Crepevine at 624 Irving Street here in San Francisco.

The Inner Sunset District, like so many of San Francisco’s individual neighborhoods, is a surprisingly vibrant combination of businesses; cultural (e.g., the de Young Museum, the California Academy of Sciences, the Conservatory of Flowers, and the San Francisco Botanical Garden, just to mention a few) and educational (the University of California, San Francisco) organizations; physical beauty (the numerous paths through Golden Gate Park and the hills that are in the heart of the district; and residents and visitors who cherish the area and sustain a variety of organizations including the Inner Sunset Park Neighbors to continually foster collaboration.

As members of the Hidden Garden Steps organizing committee have repeatedly acknowledged, we’re drawn not only by the sense of immediate community that exists here, but by the extended community that is interwoven into all we do. The Steps project alone has partners including the San Francisco Parks Alliance; the San Francisco DPW Street Parks program; Nature in the City’s Green Hairstreak [Butterfly] Corridor; administrators, an art instructor, and art students from the nearby Woodside International School; members of the Inner Sunset Lesbian, Gay, Bisexual, and Transgender community; and the Golden Gate Heights Neighborhood Association, with more partners expressing interest in joining us so we can bring this $300,000 community project to a successful conclusion. We’ve also had tremendous support from City/County Supervisor Sean Elsbernd and his legislative aide, Alex Volberding; the San Francisco Arts Commission; and members of the San Francisco Department of Public Works who have announced that onsite repairs will be underway in the very near future.

With all that support in place, it was tremendously gratifying not only to have coverage of the Crepevine event by KCBS radio reporter Anna Duckworth the following morning, but to also find the Steps featured on the cover of our neighborhood newspaper—the Sunset Beacon this month—and in a prominently-displayed letter to the editor in the San Francisco Chronicle Insight section recently.

As we move into the production phase on the ceramic-tile mural, we’ll continue to rely on the efforts of volunteers who help us do onsite clean-up on the second Saturday of each month, from 1 – 3 pm on 16th Avenue between Kirkham and Lawton here in San Francisco; donations from individuals, community groups, businesses, and other supporters that now extend not only across the United State but also include a couple of people from the U.K.; and those who can help us build relations with other prospective donors drawn to the mission of creating a new, sustainable community meeting place in a city known for its commitment to communities. For additional information in how you can become part of our community, please visit our website at http://hiddengardensteps.org.

N.B.: This is the thirteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco. 


Hidden Garden Steps: Community, Collaboration, Volunteerism, and Benches

August 23, 2012

I hope I won’t offend anyone if I offer the heartfelt hope that you’ll just sit on it. The bench, I mean. The one now at the foot of the Hidden Garden Steps, where Kirkham Street and 16th Avenue intersect in San Francisco’s Inner Sunset District.

And while you’re sitting on it, I hope you’ll reflect on how that one little bench—one of more than a dozen now spread throughout the neighborhood—says so much about the spirit of community, collaboration, and volunteerism that is at the heart of any dream that starts with one or two people and quickly becomes a self-seeding endeavor that makes our world considerably better—and a lot more visually interesting and playful.

The innovators, in this case, are Adam Greenfield and Chris Duderstadt, two wonderful neighborhood activists who are key players in the Inner Sunset Park Neighbors; love the idea of nurturing public spaces and “maximizing personal interactions”; and are slowly but surely adding to San Francisco’s vibrant street scene though their playful Public Bench Project.

Their idea is simple, as they note on their website: “We will give a bench to anybody who wants to put a bench outside their building in the public realm. Contact us and we’d be happy to give you a bench.” The results are exquisite and inspiring; from the initial bench, which features a wonderful design by artist Devin Keller, to the latest bench, added this week and featuring a beautiful display of sunflowers, you can’t walk by without involuntarily having a smile find its way onto your face. And, more importantly, even the most hurried of us feel the invitation to stop, sit, and enjoy our neighborhood a bit more rather than simply racing through it on our way to our next appointment.

Which is exactly what we’re hoping will happen with the bench now at the foot of the Hidden Garden Steps—and which will become even more colorful when a group of our supporters return to make the bench even more colorful by connecting it visually to the mural painted onsite by art instructor Angie Crabtree and students from the Woodside International School. Ever since we began making the onsite improvements that are creating the foundation for the 148-step ceramic-tile mosaic that will eventually cover the concrete steps, we’ve noticed more neighbors and visitors spending time lingering onsite rather than hurrying past what was formerly a somewhat secluded and less-than-inviting space. The volunteers who gather on the second Saturday of each month from 1 – 3 pm to sweep the steps, continue adding to the garden that is beginning to take shape on a few parts of the site, and enjoy the growing sense of camaraderie, talk openly about how our work together is creating a greater sense of community. And the bench now provides yet another gathering place for conversation, idea exchanges, and friendship.

With the addition of the bench, we’re hoping you and many others will join us there. To help create the vision. To strengthen the sense of community that already exists. And to simply enjoy one of the many lovely settings that make life worth living.

For more information about the Public Bench Project, please contact Greenfield and Duderstadt at publicbenchproject@gmail.com. For more information about the Hidden Garden Steps project, please visit our website at http://hiddengardensteps.org, follow us on Facebook and Twitter (@gardensteps), check out the videos on our YouTube channel, or look for us on the Steps.

N.B.: This is the twelfth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


Hidden Garden Steps: Hoops and Hopes and Aspirations

July 12, 2012

Hidden Garden Steps volunteer Sherry Boschert has once again outdone herself. Working with us to film a playful fundraising video that is now posted on Indiegogo, she is helping us make our current and prospective supporters aware of one of those routine yet essential elements of any successful fundraising campaign: attracting money for something as basic as a set of permits allowing us to carry to the project to completion.

After confirming that we would need nearly $8,000 in application fees from the City/County of San Francisco, Sherry and I met to discuss the latest hoops that project volunteers would have to jump through to create a ceramic-tiled mosaic similar to what exists on the Moraga Steps here in San Francisco’s  Inner Sunset District and surround it with attractive gardens and murals.

Appreciative for all the support we have received from colleagues in the San Francisco Department of Public Works as well as in the San Francisco DPW Street Parks Program, City Hall, and the San Francisco Arts Commission, we wanted to emphasize that this particular fundraising effort is grounded in a real need and in full partnership with our City/County colleagues.

“Our $8,000 goal will cover a $3,379 fee set by the San Francisco Planning Commission for permit applications as well as other Department of Public Works fees established by the San Francisco Board of Supervisors based upon the number of hours it takes to process applications for a project of this scale,” we explain on our Indiegogo site. “We don’t begrudge the City this money—we know that these departments provide valuable services, and we couldn’t do this without their help. A small portion of funds raised will go towards Indiegogo and banking fees.”

Efforts to seek fee waivers were unsuccessful—our colleagues in City/County government are, of course, facing the same financial challenges so many of us face—so we’re moving ahead to publicize this particular need in the hope that project supporters will step up to the plate and push us closer to our goal.

Campaigns like this one—drawing from any level of contribution our current and prospective supporters care to offer—obviously rise or fall on our ability to engage the level of community support and collaboration that has been at the heart of all our successful efforts to date. That clearly means we need help raising the funds within the next 60 days to meet our latest campaign deadline, to reach the widest possible audience, and to foster action by everyone who has been touched and inspired by our vision for taking simple steps to create another magnificent set of Steps here in San Francisco—an effort supported not only by neighborhood residents but by donors from seven states beyond California and, as of last week, our first donor from London.

If you can help us by forwarding information to those you know, please do. If you can donate any amount to help us raise funds for the application fees, even better. And if you’re inspired by the sense of community and collaboration the project is helping to create, we hope you’ll join us in our efforts to clean up the site (second Saturday of each month, from 1 – 3 pm on 16th Avenue between Kirkham and Lawton here in San Francisco), prepare it for the structural repairs our DPW colleagues are about to begin, and continue helping us reach the current and prospective volunteers who are making this project soar.

N.B.: This is the eleventh in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco. 


ALA Annual Conference 2012: Volunteers, Irresistibly Doing What They Do Well

June 27, 2012

Offering librarians a chance to provide information to their peers is like offering learning facilitators a chance to facilitate a learning experience for other trainer-teacher-learners: irresistible. Which is why the opportunity to serve as an Ambassador providing information to thousands of attendees at the 2012 American Library Association (ALA) Annual Conference that ended yesterday in Anaheim drew far more volunteers than we could place.

The role is simple: after attending a 30-minute orientation session online or onsite, conference attendees each serve a two-hour shift at a highly visible information kiosk directly outside the main exhibits hall or at the ALA Membership Pavilion in the center of that huge expanse of vendor exhibits. Working alongside ALA staff and paid greeters who live here in Anaheim, the Ambassadors were part of a seamless team that made life much easier for frantic conference-goers than would otherwise have been the case.

Watching those volunteer Ambassadors at work is to see artists engaged in their art. As is the case with any volunteer matched with an appropriate assignment, the Ambassadors were completely at ease, quick on their feet, calm under pressure, and amazing in their ability to find and share what their colleagues might not so easily have found without their assistance, e.g., locations for sessions; information about programs; pointers about how to take advantage of the free shuttle service that ferried attendees from the convention center to the various hotels where conference events were taking place; and, in a few cases, assistance in loading the conference app onto attendees’ tablets—which, by the way was spectacular for those of us who wanted not only to be able to track the sessions we planned to attend, but to also integrate our own privately-scheduled meetings into that central scheduling aide).

Even more worth noting is what motivates them—something that came to my attention when a colleague asked “What do they get?”, and I was temporarily flummoxed because those of us who recruited, oriented, placed, and checked in with them didn’t offer them anything tangible. The answer, however, is clear to anyone who has ever volunteered, worked with volunteers, and/or read Daniel Pink’s Drive: The Surprising Truth About What Motivates Us. There is what he calls Motivation 3.0—Motivation 1.0 is survival-based motivation, Motivation 2.0 is a carrot-and-stick rewards-and-punishment model, and Motivation 3.0 uses autonomy, engagement, purpose, and mastery—which was clearly on display among the Ambassadors as they worked with little supervision, were completely engaged in what they were doing, understood the purpose of the assignment they had taken, and felt comfortable in their mastery of the skills required to excel at what they were doing. And asked, as they left their shifts this year, how they can return to the assignment next year when the conference is held in Chicago.

It really was a stunning example to anyone interested in designing, implementing, and nurturing a volunteer program: trust volunteers, don’t micromanage them, provide them with work that appeals to them and uses their skills effectively, and they’ll match what you receive from the best members of your paid staff.

By definition, volunteer opportunities are going to attract those who are willing to provide something without expectation of receiving tangible rewards. But those oh-so-intangible Motivation 3.0 rewards will always attract a first-rate group of volunteers who excel at what they do. Serve the constituencies they have agreed to serve. And contribute to the continuing development of the communities we all so clearly crave.


ALA Annual Conference 2012: Learning, Leading, Engaging, and Transforming

June 23, 2012

If you were in the right room but weren’t paying attention yesterday at the American Library Association (ALA) Annual Conference here in Anaheim, you easily could have missed one of the best examples I’ve ever seen of experiential and transformative learning and leadership in action.

The set-up was simple. Members of ALA staff, along with members of ALA’s Training, Orientation, and Leadership Development Committee (TOLD) and incoming ALA president Maureen Sullivan, worked together seamlessly to deliver the association’s annual orientation session for volunteers who will be serving as chairs of ALA committees for the next 12 months. The traditional set-up for the session, according to those familiar with it, has been for the incoming president to offer a few words of welcome and then leave others to conduct the session.

Sullivan, as the association’s lead volunteer for 2012-2013, suggested a different model for this year’s offering. And program organizers immediately agreed, she noted at the beginning of the session as an example of how change can sometimes easily be implemented. The standard “orientation” became a “strategic leadership meeting.” We were active participants in determining how we all will work together and with others during the next 12 months. And, by time we left that room three and a half hours later, we had not only become familiar with what was expected of each of us as volunteers, leaders, and potential facilitators of change within an association we very much love and admire, we had been reminded by a master trainer-leader-consultant/change agent that the first step in being effective is believing that we can be effective in the roles we choose to play.

Because I’ve known Sullivan for several years and have had a few opportunities to work with her and see her in action, I wasn’t surprised by any of this. When she facilitated a two-day conference for students who had not yet completed their graduate-level work to enter the library workforce, she completely inspired those participants—and her work has paid off as we’ve seen several of those conference attendees begin working their way into management positions with libraries across the country. And when I was struggling with a less-than-satisfying educational experience, Sullivan was there not only as a willing and sympathetic set of ears, she was among a small and cherished group of people who helped me find a way to turn a bad situation into something full of potential—and tremendous results.

So as I sat with other incoming ALA committee chairs yesterday; was engaged by the energy, dedication, and inspiration that Sullivan, author-consultant-presenter Eli Mina (101 Boardroom Problems [and How to Solve Them]) provided; and saw how my volunteer efforts might effectively make a difference in further supporting ALA and all it serves, I realized how lucky I was to be in that particular windowless room—with the most spectacular view of what a few involved people can accomplish under the tutelage of a trainer-leader-consultant who sets the best example possible through her own efforts as an association volunteer.

Others may have been enjoying quality time by a pool. Or preparing to visit the conference exhibits hall. Or tweeting wonderful (or snarky) observations about the conference. Or frantically trying to decide which sessions they wanted to attend and which ones they reluctantly will miss. Or trying to acquire another ribbon to attach to their conference badges. And I have to admit I hope to make time for all of those activities myself.

But being in that room, with that group of people, with that level of inspiration, reminded me once again of the absolute pleasures and rewards we find through volunteering to support those causes that appeal to us. We all know that it’s easy to make commitments. Set high standards and goals for ourselves, and encourage others to set high standards and goals they believe they too can achieve. And then, with the best of intentions, return to our day-to-day work and lose sight of the essential elements of what we set out to do. This, however, is an opportunity where I don’t think that’s going to happen.

It’s completely possible that the association will, a year from now, look exactly as it does today; and the average member will continue to pay dues, attend conferences, complain about bureaucracy, and wonder why nothing ever changes. But those of us inspired by Sullivan certainly hope that won’t be the case. And if we’re effective in reaching out to foster an even greater sense of engagement than already exists within ALA—remembering to listen and to act—we may actually have a report card well worth taking home when the time for our final exam as learner-leader/change agents is administered a year from now.

N.B.: Sharon Morris and I, on Sunday, June 24, 2012, will be facilitating a 90-minute workshop on how to engage workplace learners and others in libraries. The session, under the auspices of the ALA Learning Round Table, begins at 10:30 am at the ALA Annual Conference here in Anaheim, in Convention Center Room 203B. Hope you’ll join us for what promises to be an engaging discussion.


Hidden Garden Steps: Clean-ups, Collaboration, and Volunteers

March 15, 2012

We had the most wonderful of problems last week as we prepared for our monthly Hidden Garden Steps project onsite clean-up: the possibility of having more volunteers than could be effectively put to work for the two-hour Saturday afternoon event.

And we quickly found a winning solution for everyone by invoking one of our main vision statements for the project: collaborating with as many partners as possible to complete a $300,000 volunteer-driven community art and garden project.

Our monthly efforts to remove graffiti, sweep the 148 steps on 16th Avenue between Kirkham and Lawton streets, develop gardens with donated plants (please see our online wish list for more information about specific donations needed for those gardens), clean clogged gutters and drains, and prepare the site for installation of a ceramic-tiled mosaic similar to what exists on the Moraga Steps here in San Francisco’s Inner Sunset District has steadily gained attention, support, and recognition since our first clean-up event was held less than a year ago and trees were trimmed free of charge by a generous donation of time and services from Tree Shapers, LLC.

Promotions through our San Francisco DPW Street Parks Program and San Francisco Parks Alliance partners (particularly Nancy Wong from DPW, who routinely delivers the gloves, tools, and other supplies needed, and Maria D’Angelico and Julia Brashares at the Alliance) help draw new volunteers to us each month. And a photo and blurb in San Francisco City/County Supervisor Carmen Chu’s latest newsletter inspired Elvina Fan (pictured here) and her fellow Lincoln High School Change SF members to contact us less than two days before the March clean-up to see how they could help.

This created a bit of a dilemma since nearly 10 members of Better Homes & Gardens Mason-McDuffie Realty here in San Francisco (pictured above, left) had already promised to join us for work that required no more than 15 people. But it was a dilemma quickly resolved through early-morning email exchanges with Andrea Jadwin, co-president of the Inner Sunset Park Neighbors board. She had a perfect project in place—and was willing to make arrangements with the Change SF volunteers on short notice.

“ISPN won a Community Challenge Grant in 2010 to make improvements to the parking lot in the heart of the Inner Sunset commercial district,” Jadwin recalled during a recent exchange. “The parking lot is home every Sunday to the Inner Sunset Farmers’ Market and other community events throughout the year.  Volunteers planted native and climate-adapted plants and painted the surrounding walls with coordinating colors and a simple design. Community Challenge Grants award funding is based on volunteer hours, so we try to organize several maintenance projects throughout the year—cleaning trash, weeding, replanting, and covering graffiti”—exactly what the Change SF students were offering to do for Hidden Garden Steps.

“It was great to have the students from Lincoln High’s Change SF service club come out and provide some much needed plant care and graffiti abatement. The neighbors, merchants and farmers will be so pleased with the results,” Jadwin concluded.

We sometimes hear, from those who are misinformed, that people are too busy to volunteer and that organizations need to compete rather than collaborate in attracting great volunteers and other supporters. But we certainly aren’t seeing either of those issues here in San Francisco’s Inner Sunset District. Volunteers from the Hidden Garden Steps project, the Inner Sunset Park Neighbors, Nature in the City’s Green Hairstreak [Butterfly] Corridor project, and other groups are working together toward our common goal of nurturing a sense of community that makes our neighborhood a place where we all belong. And we have the volunteers and other partners to prove it.

N.B.: This is the tenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco. 


Communities of Learning: SF DPW Street Parks and Hidden Garden Steps

February 25, 2012

We don’t normally think of a local department of public works (DPW) as a provider of learning opportunities. But that’s exactly what colleagues at the San Francisco DPW created late last month, and it’s completely consistent with what many of us as community-based volunteers here in San Francisco are producing.

Through a day-long Street Parks Program workshop, DPW and San Francisco Parks Alliance colleagues (Sandra Zuniga and Julia Brashares) created an opportunity for local volunteers to learn about funding opportunities and successful projects-in-progress. And, by educating us a bit about what is available in our own community, it inspired community-changing conversations that will continue much longer than the brief workshop lasted.

Designed as a collaborative learning opportunity for participants from the more than 140 Street Parks Program projects formally adopted up to this point by DPW, the workshop attracted a surprisingly small number of program representatives. The four of us from the Hidden Garden Steps project in San Francisco’s Inner Sunset District made up around 15 percent of that group. And yet this wasn’t about numbers; it was a chance for that relatively small group of us to meet each other, prospective project funders, and others involved in neighborhood-based efforts to transform neglected, unsightly pockets of our city into beautiful community meeting places that further contribute to the city’s feeling of City-with-a-big-C.

And by the end of the day, we were already developing ways to nurture the connections the Street Parks program has created between us. We took steps to create our own onsite-online community of learning by setting up a LinkedIn discussion group and a Facebook group as ways to continue sharing resources, suggesting solutions to the challenges many of us face, and fostering an even greater sense of community than already exists here in San Francisco among those involved in Street Parks Program projects.

What really pushed the development of this new community of learning forward was the event organizers’ decision to feature a couple of projects as part of the workshop presentations. Turning to two of us from projects called “Street Park superstars” for our “creative fund-raising ideas” that are building and sustaining community support for greening projects, they asked us to describe the steps we took to reach the levels of success we have already achieved.

Pam Axelson, from the Athens/Avalon Garden project, recalled that the project started because of a murder in the neighborhood:  “The crime problem was significant,” she recalled. “The site was a night-time hang-out—a total dump site” where mattresses and other objects were discarded. Neighbors began asking, “Why don’t we make that a better-looking site?” A core group of neighbors came together, found out who owned the property, contacted DPW for approval, and also gained support from a group of planning students at the University of San Francisco.

Identifying a similarly depressing yet potentially beautiful area in our own neighborhood, those of us who initiated the Hidden Garden Steps project saw it as an opportunity to transform an overgrown, poorly maintained set of 148 concrete steps into a neighborhood gem and community meeting place similar to the ceramic tiled steps completed on Moraga, between 15th and 16th avenues. And in describing the success we had in raising $10,000 during a very simple two-hour fundraising effort in December 2011—selling some of the tiles that will become part of the ceramic-tiled Hidden Garden Steps—we told our colleagues that it was a two-hour event backed up with two years of effort similar to what was developed in the Athens/Avalon Garden project: building a strong and collaborative organizing committee; attracting an increasingly large, enthusiastic, and reliable group of volunteers; creating a visible presence for the project both onsite and online (a website, a Twitter account, a Facebook page, blog postings like this one, and, most recently, a YouTube channel); and an ever-growing set of partners from existing groups with goals that are complementary to our own (the Inner Sunset Park Neighbors, Nature in the City’s Green Hairstreak [Butterfly] Corridor, the San Francisco Parks Alliance and DPW Street Parks Program, Woodside International School, and others where our work together makes every group much stronger).

The short-term result, we noted, was an event that brought us $10,000 closer to our $300,000 fundraising goal; the more significant result, we added, is that we’re continuing to create a sense of community designed to rival the projected longevity of the Hidden Garden Steps themselves once they are completed. And the latest cause for celebration is this newfound opportunity to learn while working together with our Street Parks Program colleagues.

N.B.: This is the ninth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


Hidden Garden Steps: Volunteerism, Partnership, Community—and Success!

December 6, 2011

It’s magnificent to watch a community develop. It’s even more rewarding to be part of the group of volunteers contributing to that growth. So those of us involved in nurturing the Hidden Garden Steps project, designed to create a second ceramic-tile staircase surrounded by gardens (with  murals thrown in for good measure) in San Francisco’s Inner Sunset District, are feeling absolutely giddy at the sense of community that is springing up around us.

Working with an ever-growing group of individual and organizational partners including the San Francisco Parks Alliance and the City and County of San Francisco Department of Public Works Street Parks Program, we managed to obtain another $10,000 toward our $300,000 project goal during a two-hour onsite fundraising event that drew generous and enthusiastic supporters to the Steps last Saturday. We attracted our 100th donor (organizing committee member Barbara Meli, pictured here) contributing to the individual tiles that will be installed up and down the entire stairway. We have also received donations to support installation of five of the 22 multi-tile elements that are a key part of project artists Colette Crutcher and Aileen Barr’s stairs design, with another two sets of donors committing to underwriting additional multi-tile elements.

And, the day before, we met with our colleagues in Nature in the City’s Green Hairstreak [Butterfly] Corridor project to explore ways we can work even more closely together to restore and extend a little of the area’s natural beauty and wildlife habitats throughout those Inner Sunset District hills.

Our monthly organizing committee meeting Saturday morning, furthermore, gave us a chance to catch up with each other briefly as we continued outlining our plans for more events, more onsite improvements, and additional steady growth toward completing the project. And we even took a few minutes to relish the increased sense of collaboration each new volunteer brings to this endeavor at long-term community-building.

Encouraging signs are springing up nearly everywhere we look. The trimming of the trees by Tree Shapers, LLC last spring and our efforts to remove considerable amounts of graffiti, debris and overgrown brush allowed us to begin installing the first a series of gardens combining California native plants, succulents, and other treasures. Our work is attracting an increasing number of birds and animals—including a squirrel that was sunning itself from the top of a telephone pole on a particularly sunny morning a few days ago hours after we added nearly two dozen Monkey Flower bushes–to that garden-in-progress at the top of the steps.

We’re continuing to work toward having structural repairs to the stairs completed as soon as possible so we can further prepare the habitat for the Green Hairstreak butterflies next spring and begin creating the tiles and tile elements that will adorn the steps. In the meantime, we continue to welcome interested members of our extended community to join us at the monthly plantings and clean-ups (second Saturday of each month from 1-3 pm if rain doesn’t prevent us from working), jump into the myriad volunteer opportunities available, or simply walk the Steps and join us in celebrating our accomplishments to date.

For information about purchasing a tile or becoming involved in the Hidden Garden Steps project, please visit our website at http://hiddengardensteps.org or write to us at hiddengardensteps@gmail.com. You’ll also find us on Facebook and Twitter (@gardensteps).

N.B.: This is the eighth in an ongoing series to document the Hidden Garden Steps project in San Francisco.


Hidden Garden Steps: Growth

November 14, 2011

Who would have thought that Mark Twain’s timeless story of Tom Sawyer convincing others to paint a fence for him would find a parallel in San
Francisco’s Inner Sunset District? And yet, that’s what has been happening among the ever-growing group of dedicated, creative community volunteers collaborating on the Hidden Garden Steps project at 16th Avenue between Kirkham and Lawton streets.

Those of us who have been involved in monthly clean-ups (second Saturday of each month, from 1 – 3 pm) since April 2011—painting walls and fences marred by graffiti, pulling weeds, sweeping steps, and planting the first small sections of what will eventually be a splendid set of community gardens around a ceramic-tiled stairway—are finding our ranks growing each time we spend a couple of hours on the stairs.

Last Saturday was no exception; a couple of new volunteers who learned about us through our participation in the Inner Sunset Street Fair in October and our latest reception at Crepevine joined us to weed around the succulents, California natives, and other drought-tolerant plants we’ve been putting into the ground as part of our effort to support Nature in the City’s Green Hairstreak (Butterfly) Ecosystem Corridor project. And while all of us were having fun cleaning up and putting a few new plants into the ground—including a small freemontodendron that will eventually be one of the signature elements of the garden near the top of the stairs—more people stopped to chat, offer encouragement, and ask how they could become involved in painting those walls and fences, pulling those weeds, and adding more plants to the garden.

It really is exactly what we all hoped it would be: a community project that thrives on the generosity of other members of our extended community. The initial plantings have been a combination of donations from our colleagues in the Green Hairstreak Butterfly project, neighbors donating cuttings from their own gardens, and nature’s own donations in the form of natives coming up  by themselves—ferns, a poppy that was one of the most colorful volunteers to pop up earlier this year, and a newly spotted lupine that broke ground within the past couple of weeks and will eventually add even more color and draw more wildlife to the site.

We’ve had a spectacular year of successes, including $60,000 in cash support and more than $20,000 in donated and promised services to push us toward our $300,000 goal. A colorful mural has already been painted at the foot of the steps by artist/art and mural instructor Angie Crabtree and a few of her Woodside International School students and alums as an example of how the project will beautify the neighborhood. Substantial tree-trimming was completed free of charge by Tree Shapers, LLC to enhance the views toward and from the stairway. The clean-ups and plantings are already transforming the site in ways that are attracting birds, butterflies, other wildlife—we even had a black-and-orange-winged butterfly rest on the hat of one of our volunteers while we were working last Saturday.

Next steps in preparing to tile the stairway will be to fix an off-center section and adjoining small wall at the top of the steps; colleagues at the City/County of San Francisco Department of Public Works are drawing up plans to complete that work at no charge to the project. Then, under the direction of project artists Aileen Barr and Colette Crutcher, the mosaic tile designs will be constructed by volunteers. Under the direction of the artists, professional tile setters will then apply the mosaic risers and grey tread tiles to the steps.

For information about purchasing a tile or becoming involved in the Hidden Garden Steps project, please visit our website at http://hiddengardensteps.org or write to us at hiddengardensteps@gmail.com. You’ll also find us on Facebook and Twitter (@gardensteps).

N.B.: This is the seventh in an ongoing series to document the Hidden Garden Steps project in San Francisco.


Hidden Garden Steps: A Work of Community, Art, and Community Art in Progress

July 8, 2011

When artist/art and mural instructor Angie Crabtree and a few of her Woodside International School students and alums began their Hidden Garden Steps mural here in San Francisco’s Inner Sunset District  late last week, there was more than art in action. Their work provided the latest physical confirmation that the volunteer-driven effort to create a set of ceramic tiled steps with complementary gardens and at least one wall mural, strengthen the existing sense of community, and create long-term sustainable collaborations in a city known for its sense of vibrantly diverse and collaborative neighborhoods was bearing fruit.

And spending time this afternoon with Crabtree and Itzel, one of the student-muralists, reminded me once again why the entire effort to transform that set of steps on 16th Avenue between Kirkham and Lawton streets was honored with a “Best Community Art—2011” Award in SF Weekly’s 2011 edition of its annual Best of San Francisco issue. Hidden Garden Steps really is, as writer Joe Eskenazi wrote, a project that is “poignant in its sweetness,” and that sweetness was on display while Crabtree, Itzel, and a Woodside alum worked side by side today to continue bringing their colorfully playful mural to life.

Crabtree was first drawn to the project by the sight of its stunningly beautiful predecessor on Moraga between 15th and 16th avenues, just two blocks away from the Hidden Garden Steps: “I was in awe…I wanted to be part of this project,” she recalled.

Itzel—a Woodside high school student who lives in San Francisco’s Tenderloin district, is about to begin her junior year at Woodside, and dreams of somebody becoming an obstetrician—initially heard about the project while completing her second year as a Woodside student in Crabtree’s mural class before beginning her summer break.

“I love painting. We did a mural at school last year,” she said during our conversation this afternoon. The chance to work on the Hidden Garden Steps mural was tremendously appealing to her, she added: “When you do creative things, you can express yourself through art…you can draw whatever you want. It reduces your stress. It takes all your problems away.”

And while Crabtree herself is already a working artist whose involvement extends to working through the nonprofit Root Division group dedicated to improving appreciation and access to the visual arts by connecting personal inspiration and community participation, she is also finding unexpectedly exciting opportunities in the Hidden Garden Steps mural.

“This is unusual for me in the Sunset District,” she noted. “The [Woodside] students do murals [including a set of five currently in progress on the Woodside buildings themselves to highlight scenes from various San Francisco neighborhoods], but they have never done a community mural.”

Support for her work has been strong at Woodside, she added. School headmaster John Edwards not only has supported the school’s involvement in the mural project since its inception, but also arranged for funding for the class, the materials needed to complete the mural, and the permit fees required to gain approval for the project through the San Francisco Arts Commission.

Transformation of the site along with marketing and fundraising efforts to complete the project, are continuing in collaboration with project partners from the San Francisco Department of Public Works Street Parks Program, who have been providing tools and support for monthly onsite clean-up sessions, and the San Francisco Parks Trust, along with an ever-growing of group of financial supporters and volunteers. The Woodside effort will continue on Mondays, Wednesdays, and Fridays from 1 – 3 pm through the end of July 2011.

For information about supporting or becoming involved in the Hidden Garden Steps project, please visit our website at http://hiddengardensteps.org or write to us at hiddengardensteps@gmail.com,

N.B.: This is the sixth in an ongoing series to document the Hidden Garden Steps project in San Francisco. Photographs of mural design provided by Gilbert Johnson.


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