Adapting to Change, Loss, and Possibilities: Knives, Lightning, and Awe

October 20, 2020

Sometimes the real gift is hidden deeply within the gift we think we have received—or the tragedy we have experienced.

A case in point: a few years ago, a friend gave me a couple of beautiful, exquisitely crafted knives far sharper and far more beautiful than any I had ever owned. Because I love to cook and because I love working with good-quality tools, I immediately fell in love with those knives and looked for opportunities to use them as often as I could. But the more significant gift, it turns out, was something included with the knives, not the knives themselves: a simple sheet of instructions emphasizing the benefits of sharpening those knives after each use rather than sporadically.

So, like any good trainer-teacher-learner, I adopted that tip and applied it to all the terribly-dull, far-less-efficient knives we own. And, after months of after-each-use sharpening, I had an entire kitchen full of knives that were far more useful—and required far more attention and caution if I wanted to avoid inadvertently slicing something I would rather not have sliced. And I also experience cherished, rekindled memories of this friend—who is no longer with us—every time I use the knives she gave me…and all the others I own. As if her spirit had become embedded within the knives themselves.

The often-unnoticed gift within a gift—and its corollary, the initially unnoticed (potential) tragedy within something that initially is pleasurable—is something that has been on my mind quite frequently this year. We have the gift of opportunity (the opportunity to build a “new and better normal”) mixed in with the terrible tragedy of the losses caused by the coronavirus pandemic and our radically-different environment resulting from the shelter-in-place guidelines implemented in response to that pandemic. We have the pandemic-inspired opportunity to better explore and use our online resources in response to the sense of social isolation many of us are feeling while continuing to follow modified shelter-in-place guidelines.

And, for those of us who find comfort and inspiration (in challenging times) in the work of writers, musicians, and other artists we admire, we have the gift of finding ourselves able to carve out time to revisit that work—and finding the work of additional writers, musicians, and other artists—because of some of the experiences we are currently having.

Scott Russell Sanders

This becomes completely circular for me through what I continue to see as an ever-expanding “extended pandemic/wildfire moment” that began a couple of months ago during an hours-long bombardment of lightning and thunder here in the San Francisco Bay Area and other parts of California. My initial reaction to the pre-dawn visual and audible bursts was a rekindling of a sense of awe—a rekindling that sent me back to Scott Russell Sanders’ memories (in his book A Private History of Awe) of being a four-year-old and feeling awe at the sight of lightning striking and splitting a beautiful old oak. The lightning filled me with a positive sense of awe; the wildfires that spread rapidly over the subsequent days and weeks grounded me in a sense of loss and grief I hadn’t been astute enough to anticipate initially. And, in the middle of the grief and loss friends and so many others experienced from the wildfires, I found a bit of comfort in re-exploring Sanders’ work and absorbing much more of it than I had ever before taken the time to read.

The result, as I devoured his most recent collection—The Way of Imagination—was to more fully and viscerally immerse myself into the idea of lightning as a metaphor for creativity/creation/acts of creation. As a force that lights our nights. And as a force that carries the potential for and reality of tremendously devastating destruction. Something reminding us of by the double-edged sword of creativity and destruction, opportunity and loss.

Sanders’ richly complex and lyrically stunning body of work and the interviews he has given over a long period of time weave together all of that, and so much more. His appreciation for and love of nature. His commitment to place and community. His dedication to taking principled stands that are rooted in a belief that we should be looking far into the future to be sure what we do lays the most positive foundations for a future we can be proud of helping to create. And his invitation to us, as readers, to share the moments of awe and the moments of tragedy he and those around him have experienced during his own lifetime of writing about life, love, community, and place in ways that inspire us to join him for as much of that journey as we care to take with him.

The gifts are obvious, complex, and ever-expanding. We see the world through the eyes of one of our master storytellers. We feel a bit more connected to him and to the world he describes. We feel inspired by what he reveals and what he unleashes in us. And we feel a bit less isolated, less overwhelmed, than we might have felt without hm.

–N.B.: This is the twenty-third in a series of reflections inspired by coronavirus/ shelter-in-place experiences.


Adapting to Change, Loss, and Possibilities: Virtual Collaborative Learning (and Doing) With ShapingEDU

October 16, 2020

Suzanne Lipsett, a writer I very much admired, insisted at the beginning of Surviving a Writer’s Life that what we do with our experiences—i.e., write about them—is as important as having those experiences in the first place.

Living and then sharing our lived experiences through storytelling is at the heart of the communities I most adore. I see it in my continuing interactions with colleagues in the #etmooc and #lrnchat communities. I consistently look forward to it within the context of the biweekly gatherings of Maurice Coleman’s T is for Training podcast community. It’s what keeps me connected to Jonathan Nalder’s FutureWe community. And it is an idea that resurfaced for me earlier this week—and, of course made me immediately want to write about it—when members of one of those communities (ShapingEDU) released a free online “Toolkit for Producing Collaborative Events to Shape the Future,” the third in a continuing series of online publications that celebrate what we accomplish together by documenting those successes.

Formally (and playfully) titled ASU [Arizona State University] ShapingED-YOU!, the ASU ShapingEDU toolkit follows the pattern employed in the earlier online resources: Stakeholder Inclusion Framework, an online inclusivity and access resource jointly produced with the Penn State CoAction Learning Lab to help those involved in the technology planning process, and a second ShapingEDU/CoAction Learning Lab collaborative resource, Building Effective Communities of Practice, which included contributions from more than 20 co-authors drawn from the ShapingEDU community and working together—often asynchronously—online. The publications, like the community itself, are dynamic examples of the commitment to playfulness and collaboration that runs through and nourishes this community of “dreamers, doers, and drivers shaping the future of learning in the Digital Age.”

More importantly, the publications and the ongoing work produced through ShapingEDU are tremendous, positive examples of how some communities entered this social-distancing/sheltering-in-place/pandemic-plagued world creatively and positively and continue to thrive in spite of the tremendous challenges and tragedies we face every day. Thriving because of the commitment to positive action. To creativity. To playfulness. To collaboration. And to looking forward to creating a new and better future without ignoring a far-from-perfect past and present.

A glance at the table of contents for ASU ShapingED-YOU! sets the tenor for what awaits you. The publication begins with an introduction to this “value-led,” “action-oriented,” “community-driven” community’s work, and then focuses on two of the community’s most engaging, productive gatherings: the annual “unconference” which began as a yearly face-to-face working session to dream and drive and do before switching, in the middle of the 2020 unconference, to an online working session/virtual conference, and the newly-established online Learning(Hu)Man weeklong campy summer camp for teacher-trainer-learners exploring concrete possibilities for shaping the future of learning.

And that’s where the entire endeavor becomes tremendously, wonderfully, twistingly “meta” in the sense that the events themselves become examples of how creative blended communities can and are thriving as much because of the challenges they face as because of their commitment to exploring and addressing those challenges. Using both events as case studies, the writers of the toolkit begin with four “top tips”: “Identify your North Stars” in terms of what those guiding stars are for your event; “Foster Interaction” by creating “spaces and mechanisms for community members to connect”—connections are the center of the ShapingEDU universe; “Set Everyone up for Success” by setting expectations and making every possible effort to “empower the community with resources, templates, support systems and clear instructions”; and “Tell Your Story…though focused emails, social media, and multimedia” along with graphic facilitation as “a co-creation tool.”

The case study centered around the unconferences takes us engagingly through the process of setting the stage through interactive exercises before the events even begin: community members submitting questions/suggestions, community members being invited to serve as event participants/designers/facilitators—and much more. The importance of fostering high levels of face-to-face and/or online interactions that are meaningful to participants and conducive to achieving the concrete goals the gatherings are designed to pursue. And the need to end the gatherings with a significant, community-developed catalyzing action (e.g., a communique that serves as a roadmap for continuing collaboration) that offers everyone a clear view of how the event fits into the community’s long-term, results-oriented work.

Moving into the theme of “community camp” as a way to energize changemakers and catalyze action, the Learning(Hu)Man virtual summer camp becomes another inspiring story for any teacher-trainer-learner seeking ways to creatively foster productive, positive learning experiences within the learning communities we serve. The combination of tips, photos, screenshots, and descriptions provides a concise roadmap that can easily be adapted for use by a variety of educator-trainer-learning activists.

And, in the spirt of collaboration and resource-sharing that is at the heart of this publication, it concludes with an invitation to contact ShapingEDU community members for further information and opportunities for collaboration—which is, when you think about it, the greatest gift of all to anyone struggling to survive and thrive in a rapidly-changing topsy-turvy pandemic-driven world.

–N.B.: 1) This is the twenty-second in a series of reflections inspired by coronavirus/ shelter-in-place experiences. 2) Paul is serving as one of three Storytellers in Residence for ShapingEDU (July 2020-June 2021), which includes producing articles for the ShapingEDU blog.


Adapting to Change, Loss, and Possibilities: Voice, Collaboration, Virtual Choirs, and Rising Up

October 10, 2020

There’s a heartbreakingly beautiful story to be told here—the story of how online interactions involving music, collaboration, the human voice, and activism are creating light and fostering positive action in times of darkness. The story of how online collaborations are drawing us together at a time when “social distances” are overwhelming so many people. And the story of why the arts remain an essential part of the human experience.

The story is rooted in the realization that there is something primally comforting and deeply inspirational about musical collaboration involving the human voice. It flows from the recognition that singing together can be a language of community. Creativity. And hope. Singing together and hearing others sing together in our online/social-distancing/sheltering-in-place/pandemic-plagued world are proving to be ways—for those of us not facing barriers to our access to the Internet and the tools needed to use it effectively—to build or further develop strong social connections rather than succumbing to isolation and social distances. Singing together and/or hearing others sing online are ways of using technology to overcome rather than to create distances, to bring us together in ways that allow us to build upon our shared interests and social needs rather than being dispirited by challenges that appear to be too large to tackle.

My own introduction to the concept of virtual choirs and online performances came a little more than a year ago (in May 2019), in a pre-coronavirus world, when I was lucky enough to see and hear virtual-choir pioneer Eric Whitacre demonstrating and embracing us with the power of global online choral collaborations in a closing keynote session presented during the ATD (Association of Talent Development) annual International Conference & Exposition (in San Diego). Hearing Whitacre describe and demonstrate what was involved in creating and nurturing virtual choirs and producing online performances was world-changing; it was a first-rate example of what we foster when we use technology as a tool and focus on the beauty of our creative spirit in the arts and many other endeavors—including training-teaching-learning, which draws the thousands of ATD members globally together.

Thoughts of virtual choirs and online performances receded into the inner recesses of my mind for several months. Then, in March 2020, we entered the “three-week” (now seven-month) period of sheltering-in-place guidelines put into place here in a six-county coalition within the San Francisco Bay Area and, soon thereafter, in other parts of the United States, in response to the arrival of the coronavirus pandemic on our shores.

It was a recommendation from friend/colleague/co-conspirator in training-teaching-learning Jill Hurst-Wahl that rekindled my interest that month in virtual choirs and what they suggest in terms of online collaborative possibilities for all of us: the recommendation to watch a virtual-choir rendition of “Helplessly Hoping,” performed and recorded by Italy’s Il coro che non c’è (The Choir That Isn’t There). As was the case with seeing and hearing Whitacre’s virtual choir a year earlier, the experience of hearing and seeing the students in Il coro was transformative. Encouraging. Emotionally-engaging. Inspiring. Tremendously moving. And it made me want to hear more. Which led me to the work of Canada’s Phoenix Chamber Choir. The playfully creative online performances of musicians involved in a live virtual “coffee house” concert, complete with audience interactions via a conference backchannel, during the ShapingEDU Learning(Hu)Man weeklong summer camp in July 2020 for dreamer-doer-drivers working to shape the future of learning in the digital age. The virtual sing-along videos (including two versions of “Vote Him Way (the Liar Tweets Tonight”) created by singer-songwriter-satirist-activist Roy Zimmerman and his co-writer/wife Melanie Harby. And so many more.

But it’s Zimmerman’s work that most effectively shows us how we might use social media and online interactions to create that intersection of music, collaboration, the human voice, and activism. Because he is engaging. Because he is part of that ever-growing group of first-rate artist-activists who are exploring online alternatives and environments in response to the loss of the onsite venues and interactions that were their lifeblood before the coronavirus arrived. Because he is effectively using Facebook and YouTube, through his “Live from the Left Coast” performances, to not only to stay in touch with and further cultivate his audience, but to nurture relationships between those audience members through his use of online chat within those platforms. Because he is among those participating in the new “Trumped By Music” project initiated by a Dutch/American team “that wants to provide a platform for anti-Trump musicians to be seen and heard… We want to provide maximum exposure for this passionate and vocal community! Our aim is to help our featured artists gain exposure for their message, as well as stimulate musicians to send us new content.” And because his work is reaching and inspiring others equally committed to using music in deeply-emotional ways to foster social change—as was the case with Wilmington Academy Explorations teacher Sandy Errante and her husband, Wilmington Symphony Orchestra conductor Steven Errante.

The pre-coronavirus virtual meeting of Zimmerman and the Errantes is centered around Zimmerman’s incredibly moving song “Rise Up” (co-written with Harby). It was inspired by the students who survived the shooting at Marjory Stoneman Douglas High School [Parkland, Florida] on Valentine’s Day in 2018 and who turned their experience into the March for Our Lives/Vote for Our Lives/Never Again movement that, six weeks later, inspired marches in more than 500 cities around the world. His rendition of the song as a duet with Laura Love was included on his Rize Up CD in 2018. And that’s where the story becomes very interesting, as Sandy Errante explained in a recent email exchange we had:

“My husband and I had heard Roy perform at the Unitarian Church in Wilmington before. We loved his satire, his energy, his passion, his humor and his music. And then…

“One Thursday evening after my rehearsal with the Girls’ Choir of Wilmington, I was on the way home when our local radio station, WHQR, started advertising an upcoming concert at the UU with Roy. The radio announcer, George Sheibner, played a song I had not heard before—Rise Up. As I drove along listening, I was captivated by the lyrics, the music, the harmonies and suspensions, and the message. By the end of the song and the final chorus, I was in tears. I knew the Girls’ Choir had to sing this piece. But how to make that happen? 

“I reached out to my husband, who was on his way to a rehearsal with the Wilmington Youth Orchestra. Steve is an arranger and a composer, and I needed him to know right away that this was something we absolutely HAD to do. He asked me to find a recording of the song. I did. And I hunted down the contact info for Roy, using my contacts at the UU church. Once we had permission from Roy to proceed, we started imagining this song as told from the children’s perspective. We altered the lyrics just a bit [changing it from the point of view of adults addressing the Parkland survivors to the point of view of the students themselves]. Now we had a song that the girls could sing from their hearts. We had a youth orchestra that could accompany. We had a performance in the making.­

“After all was said and done, we concurred, this IS their world and this was their song.”

And it remains our song—our anthem—in this pandemic, shelter-in-place world, through its availability on YouTube (with the girls’ choir) and on the CD. It’s there for them—and for us—as we continue seeking light and inspiration while living through devastatingly tragic times. Times of great division and conflict. Times that are, for many, overwhelming. And, as is often the case in tragic, divisive, conflict-ridden times, times that are also inspiring tremendous levels of creativity and opportunities for collaboration designed to foster positive change—which we nurture through our support and engagement in any and every way we can.

Update: Roy Zimmerman and Melanie Harby have posted a piece about the collaboration that produced their recent “My Vote, My Voice, My Right” video and included links to other virtual collaborations of that particular song: https://www.royzimmerman.com/blog/my-vote-my-voice-my-right.

–N.B.: This is the twenty-first in a series of reflections inspired by coronavirus/ shelter-in-place experiences.


Adapting to Change, Loss, and Possibilities: “And I Am…”

September 13, 2020

Our most challenging times are generally the times when I am most drawn to the arts for comfort, solace, and inspiration. It is, therefore, no surprise to me that as I continue adapting to and working within shelter-in-place guidelines implemented in response to a coronavirus pandemic, I am spending inordinate amounts of time lately returning to and exploring, more deeply than ever before, authors I admire and adore—people like Scott Russell Sanders, who over a long period of time, has consistently produced lyrical, thoughtful essays and much more, including his newly-released collection, The Way of Imagination. I was drawn back to Sander’ A Private History of Awe a few weeks ago when intense, hours-long lightning and thunder storms reminded me of the stunning opening of that book, in which Sanders recalls being four years old, standing with his father, and watching lightning shatter a magnificent, stately old oak tree.

My re-immersion into the arts has also brought me into contact with the work of wonderful singer-songwriter-satirists like Roy Zimmerman, who in the most dazzling yet down-to-earth ways mixes humor, biting social satire, and a sense of humanity that runs deeper than any river upon which I have ever rafted. Watching videos that capture his work spanning nearly a couple of decades has given me a strong appreciation for what he does and offers. Seeing some of his latest videos—including new, powerfully poignant collaborations along the lines of what he does in “Driving While Black” with Clovice Lewis, Jr. and the two versions he has recorded of “The Liar Tweets Tonight”—suggests to me that no matter how much recognition he receives for his work, he will always deserve even more. And catching a few of his free online “Live from the Left Coast” concerts over the past few weeks on Facebook and YouTube makes me wonder what rock I have been sleeping under while he has been out there entertainingly, provocatively, and lovingly shining light so effectively where it needs to be shone, how I could have missed, for so long, wonderful songs like “I Approve This Message,” which is as funny, poignant, and moving a song as any “protest” song I have ever heard, with its litany of “I ams” beginning with “I am the doughnut lady, I am the civil engineer, I am the tractor salesman who is a stand-up comic at his own daughter’s wedding…” and becoming more engaging as the song continues.

What has been most rewarding and transformative, however, is spotting the artistry in places where I usually do not seek it, as in letters from friends and colleagues. Those letters, like the one I received via email a couple of days ago from someone who is married to a firefighter in a rural part of Northern California devastated by wildfires, absolutely floor me through their combination of honesty, poignancy, and razer-sharp focus. They remind me of the inner artist each of us carriers and so often fails to take the time to nurture. And they further awaken the storyteller in me who wants to highlight other people’s stories as much as, if not more than, I tend to highlight my own.

With that in mind, I contacted the friend for permission to reprint a lightly-edited version of her story here—edited not because it needed any sort of rewriting, but because she and her husband are incredibly private people who do not, in any way, want to call attention to themselves at a time when so many others need our attention and support. The edits, therefore, remove references by specific name to the people she is describing and to the area in which they are living. But even with those omissions, the piece stands out to me as an example of the “…and I am…” approach Zimmerman adopts in singing about those people we mistakenly think of as “average Americans” when, in reality, they are so much more than the word “average” can ever begin to convey:

“It’s been an absolute life-changing devastation for almost everyone in our lives. And it’s so layered it’s hard to stay focused these days. My husband’s parents lost absolutely everything. He and I and his sister had a lot of belongings there too because we all still had our two “bedrooms” to stay in while visiting and store stuff. Not to mention all their childhood stuff. All the pictures and mementos. Not to mention hundreds of thousands of dollars’ worth of items and equipment and vehicles. They had been in that house for over 30 years. When the house got surrounded and his parents had left, my husband got there right after and tried to turn the sprinklers on, but the power was out, so the water pump wouldn’t work. My heart aches for him having to watch it all go up. And then he had to watch his aunt and uncle’s house go up. His dad’s sister and husband’s. And then watch all of our friends lose all of their homes. He was working with four of our close friends who are also firefighters, and they all lost their homes too. I believe two lives (an older gentleman who wouldn’t leave his home, and a lady who got trapped) and 150+ houses were lost so far.

“So much has been lost. There are so many displaced families and people. So many people with just the shirts on their backs. And, sadly, many people down there couldn’t afford fire insurance, so that adds a whole other problem to the list of problems. Almost everyone we know with family and friends is completely homeless. So many animals lost, too, which is absolutely heartbreaking. Many died and many are just missing. Thankfully, people from local agencies have gone down, collected, and are housing a lot of displaced animals until they can reunite.

“It’s an absolute chaotic nightmare. But there’s some things to be thankful for as well. My mother and her husband have not lost anything so far. And I’m so happy everyone we know and love is safe and alive. Stuff is just stuff. Lives matter more and cannot be replaced. If that had happened in the middle of the night on that one way in-one way out creek road, in the dark, people confused from sleep, in a fire going 50+ mph, it could have been even worse. When we lose one or two people in town it’s horrific. But to think we could have 20-30+ people missing or dead right now would make it so much worse. And to see everyone help one another and pull together brings hope. We can always rebuild.

“There’s so much hurt right now, I’m trying to just stay focused on my husband. Because he’s my priority, and I know how much family and friends mean to him, and he’s the biggest softie sweetie in the world. He’s being exceptionally hard on himself, feeling like as a firefighter he should have been able to save everything or anything. Feels like he’s failed his whole family and all our friends. But he’s so exhausted he hasn’t had a moment to process or grieve in any way. And everyone grieves differently, so I just have to give him time. He worked for over 40 hours straight before finally getting four hours of sleep. Hopefully, he will get a little more tonight.”

I devour Sanders’ work. I sink into Zimmerman’s music. And I immerse myself into my friend’s powerful description of how the current wildfires are affecting her and the people around her. And because they all are so compelling in their ability to capture essential truths and inspire empathy, Zimmerman’s refrain “…and I am…” makes me more of whom I am than I otherwise would be.

–N.B.: This is the twentieth in a series of reflections inspired by coronavirus/ shelter-in-place experiences.


Adapting to Change, Loss, and Possibilities: Awe, Night Skies, and Inspiration

August 16, 2020

Loudly-rattling windows in our home suggest a raging conversation between those windows and the howling wind. An unexpected downpour of rain starting at 3:30 a.m. offers relief to our thirsty garden and sends water flowing in streams though gutters along the street. Lightning ripping through the San Francisco fog illuminates the west-facing rooms of our home, looking out toward the Pacific Ocean. Thunder careens across San Francisco Bay, roars through the city’s numerous hills and valleys, and reverberates for several very long seconds before fading, only to be followed by more bursts of lightning and thunder.

Memories flow from and through the unexpected, rare summer storm here—one unlike any I can recall experiencing in nearly 35 years of living in the city. Memories of being awakened long before dawn to watch and hear and revel in similar primal screams and bursts of nature from hotel rooms in Austin while I was there to attend conferences with cherished colleagues long before any of us imagined a time when adapting to shelter-in-place guidelines implemented in response to a coronavirus pandemic would become a way of life for us. Memories of pleasurable, complete immersion in and surrender to similar storms blazing across mid-summer skies in the Tuscan hills surrounding Florence and Siena. Memories of being so overwhelmed by a mid-evening autumn deluge accompanied by lightning and thunder while I was driving on a poorly-lit rural road outside of West Palm Beach, Florida, that my wife and I decided to pull off to the side of the road and wait it out because we couldn’t see far enough to continue driving in those conditions.

A word comes to mind as those memories flow into one cohesive moment: “awe.” And that, in turn, inspires another memory: first encountering the work of one of my favorite essayists, Scott Russell Sanders, more than a decade ago through his book A Private History of Awe. Being completely captivated by his recollection of being wrapped in his father’s arms during a booming blowing thunderstorm and being there to see a magisterial oak “snapped like a stick, its top shattered on the ground, a charred streak running down the wet gray stub of the trunk,” I raced through that book. And have, many times since then, returned to reread large chunks of that lovely, literary exploration broken into sections under the subtitles “Fire,” “Air,” “Water,” and “Earth.”

“Awe” is not a word we seem to hear or use very much these days. “Anger,” “discord,” “strife,” and social and political “gridlock” are much more frequently the terms and topics around which our conversations are centered. We frame conversations as either-or choices around “personal rights” (e.g., the “right” to not wear a mask in the middle of a pandemic) or “public health” (the need to slow the spread of the coronavirus so hundreds of thousands of people won’t die—as is already the case).  Or around the need to “flatten the fear” because we have already allegedly flattened the pandemic (a proposal hard to defend at a time when the death rate in hotspots in the United States have again been increasing). “Awe” is not something I experience when I see colleagues inaccurately using the word “fear” rather than the term “social responsibility” or “commitment to community” in response to our choices to wash our hands, wear masks, and, as much as we can, engage in social distancing in an attempt to slow the spread of the coronavirus; some of us believe it’s among the options we can be pursuing to collectively work together to address a tragically challenging situation that has already killed more than 775,000 people globally and more than 170,000 in the United States in less than a year.   

“Awe” is not a word we seem to hear or use very much these days. “Anger,” “discord,” “strife,” and social and political “gridlock” are much more frequently the terms and topics around which our conversations are centered. We frame conversations as either-or choices around “personal rights” (e.g., the “right” to not wear a mask in the middle of a pandemic) or “public health” (the need to slow the spread of the coronavirus so hundreds of thousands of people won’t die—as is already the case).  Or around the need to “flatten the fear” because we have already allegedly flattened the pandemic (a proposal hard to defend at a time when the death rate in hotspots in the United States have again been increasing). “Awe” is not something I experience when I see colleagues inaccurately using the word “fear” rather than the term “social responsibility” or “commitment to community” in response to our choices to wash our hands, wear masks, and, as much as we can, engage in social distancing in an attempt to slow the spread of the coronavirus; some of us believe it’s among the options we can be pursuing to collectively work together to address a tragically challenging situation that has already killed more than 775,000 people globally and more than 170,000 in the United States in less than a year.   

I feel sadness—not awe or fear—when I see a friend lose his mother to COVID-19 and know that if we had all taken a different approach to the coronavirus, she might still be alive. I feel sadness, disbelief, and frustration when I see a skeptical member of my extended family ended up close to death in a hospital intensive care unit because he didn’t see the need to take any sort of protection to avoid succumbing to the coronavirus, and am further saddened and frustrated knowing he is now facing the possibility of a year-long “recovery” period that may still leave him permanently disabled. And I feel sadness, disbelief, and frustration knowing that another skeptical member of my extended family who, after testing positive, blithely ignored the likelihood that she would spread the virus, so ended up gifting it to two additional generations of relatives in that one household. What makes these up-close exposures to the human impact of COVID-19 as well as to the economic tragedies so many people are suffering difficult to accept are comments I read from wonderful friends who have a much different view of the situation than I do—insisting that we’re making a mistake by not letting nature run its course so that we, collectively, develop herd immunity (a term that bothers me tremendously because it seems to dehumanize the situation by hiding individual deaths behind a term that groups individuals into “herds” rather than members of our communities). Their contention is that we’re causing more harm through economic devastation than the coronavirus causes through illness and death. From their perspective, the high unemployment rate—impacting millions of people—could have been avoided and still could be remedied if we reacted to that rather than reacting to the “small percentage” of deaths caused by COVID-19.

So, we’re stuck on opposite sides of what appears, for now, to be an uncrossable chasm: millions of Americans devastated by loss of jobs/income compared to “only a small percentage” of people who have died (775,000 globally/170,000 in the U.S.) as a result of contracting COVID-19—their perception that “only a small percentage of people” will die from COVID-19 and my perception that hundreds of thousands of deaths is a national/global tragedy requiring the best, most creative efforts we can pursue collectively to try to avoid additional deaths and avoid the pain and suffering millions of people are facing in the United States because we can’t, legislatively or in any other way, find approaches that address both sides of that awful divide.

Hours have passed since that pre-dawn combination of wind and lightning and thunder drew me to a window, where I stood transfixed. And months have passed since I was, along with so many others, drawn into a much-altered world I had not taken the time to ever contemplate. I’m back to the concept of “awe” and all that it suggests about us being able to notice—and to react to in the most productive, positive, inspired way possible. To remember that there are forces far bigger than we can ever hope to be. To remember that the momentary, tragically painful challenges that produce life-changing results (e.g., loss of cherished loved ones regardless of how small or large a percentage of our communities those people were; loss of the income needed to survive in a wealthy country that can’t find ways to guarantee minimum subsistence for every member—every member—of its communities; acquiring permanent disabilities that in their own way obviously add to the economic challenges we are facing) require that we set aside the differences that divide us so we can work together to find solutions based on our belief that we are stronger and more awesome together than we will ever be alone.

It is now midafternoon. The windows are no longer rattling. The lightning and thunder from that hours-long storm have finally subsided. Clouds and the sun seem to be engaged in a playful dance that sends dappled light upon leaves shimmering in the maturity of a midsummer afternoon. Offering hints of the beauty that surrounds us. The beauty that needs to be nurtured to be sustained. The beauty that reminds us that numbers tell only part of the story of what sometimes makes our world awe-inspiring when we look to something bigger than ourselves and, against all odds and against all likelihood of failure, embrace it.

–N.B.: This is the nineteenth in a series of reflections inspired by coronavirus/ shelter-in-place experiences.


Learning(Hu)Man Virtual Summer Camp: Merging Work and Play and Learning

July 25, 2020

The Arizona State University ShapingEDU Learning(Hu)Man campy virtual summer camp Mess Hall is relatively quiet this afternoon as I sit here writing this fourth in a series of “letters home from camp.” The camper-teacher-trainer-learners at this week-long online conference for dreamer-driver-doers committed to shaping the future of learning in the digital age are sleeping in very late. Or taking virtual nature walks to reflect on all we have seen and done and learned together this week. Or chatting, in small groups, around the virtual campgrounds via access to our Slack channels. Or sitting in the Camp multiplex movie theaters watching Camp Movies (archived recordings of some of some of the archived recordings of sessions recorded throughout the week and available on the ShapingEDU Community YouTube channel). Or taking an online immersive dive into the ocean to explore another lovely part of our world. And a few of us are taking advantage of some unscheduled time to create pages on the Camp Learning(Hu)Man virtual scrapbook, as I just finished doing.

 

Even at its most quiet, this is community in motion. A community committed to fostering and engaging in lifelong learning—learning that never stops and learning that responds to current events and wants and needs—and even social injustices that prevent some within our communities from having access to the best of the lifelong learning we all are seeking, creating, and promoting. A community engaged in a seamless interweaving of work and play and learning online as well as onsite or in blended (onsite-online) environments that was already taking place within the ShapingEDU community long before we began following shelter-in-place social distancing guidelines implemented in response to the current coronavirus pandemic); we have, if anything, only become more intensely creatively, innovatively, collaboratively immersed in exploring, fostering, documenting, and embracing examples of productive approaches to learning within the larger context of what is happening in the communities we inhabit.

So here we are on Saturday afternoon, mostly taking time for reflection after a stunningly intense, inspirational, exhaustive and regenerative week of learning with and from each other; continuing our creative endeavors individually and collectively through contributions to the virtual scrapbook and through interactions in those Slack virtual hallways; and thinking ahead to our final Camp Gathering Around the Flagpole Monday morning to try to make sense of all we’ve said and heard and done so we can transform the myriad narratives flowing all round us into some sort of plan for action for the weeks and months ahead of us until our next large-scale community gathering.

[graphic image by Karina Branson/ConverSketch]

The entire challenge of trying to shape a cohesive, community-wide narrative out of all the learning threads we have been working with is, as a cherished friend and colleague noted yesterday, “challenging.” My narrative—very much based on a commitment to connecting representatives of learning organizations (and the learners they serve) with representatives of workplace organizations that will work with those learners in their capacities as employees/managers/supervisors/CEOs—can and probably should be different from the narratives being shaped by many of our colleagues. That personal narrative, for me, is what my colleague Kim Flintoff (a self-declared “provocateur, educational change agent, futurist, speaker, researcher, writer, teacher, catalyst, and sustainability advocate”) and I consistently attempt to facilitate as “mayors” (aka committee chairs) in the neighborhood (aka committee/taskforce) committed to connecting education and the workforce of the future; it’s what we highlighted during our Learning(Hu)Man session yesterday on connecting learning and workplace representatives. But that’s just one of the narratives flowing through Camp Learning(Hu)Man and ShapingEDU overall. There are narratives/neighborhoods around bolstering intergenerational leadership and learning futures; personalizing learning; recognizing all forms of learning; promoting access & equity in learning; embedding data-driven approaches in student success; humanizing learning, innovating artificial intelligence applications, building constellations of innovations, and fostering immersive learning. There is a community-developed communique providing an outline for dreaming, doing, and driving the future of learning—a document that has provided the underpinnings of much of what we’ve done together this week while camping out together. There are projects and resources in various stages of development. 

And, most of all, there is the continual commitment to drawing new campers into the campgrounds with us. If that appeals to you, please join us in the ShapingEDU community by requesting access to our online community in Slack.  

–N.B.: 1) This is the eighteenth in a series of reflections inspired by colleagues’ reactions to the coronavirus and shelter-in-place experiences, and the fourth in a series of posts inspired by Learning(Hu)Man.


Learning(Hu)Man Virtual Summer Camp: Spreading Our Love Wings

July 24, 2020

I’m sensing growth. Rapid change and evolution. A blossoming of gorgeous flowers that were aching to unfold their petals, reach for the sun, and revel in a summer day they suspected that they would, one day, experience—even if they lacked a sense of when that day would ultimately arrive. It’s the sort of blossoming that we can never fully anticipate in all its myriad permutations. The sort of blossoming we question while it is actually underway. But when it does arrive, it is clear. Tangible. And nothing around it will ever seem the same to any of us present for the wonderfully explosive moment.

We are more than halfway through a week of campy virtual summer camp as I write this third in a series of “letters home from camp” (camp, in this case, being the playful online Arizona State University ShapingEDU Learning(Hu)Man conference for dreamer-driver-doers committed to shaping the future of learning in the digital age, where we participate via Zoom, or through the VirBELA virtual platform). While joining others who continue to follow shelter-in-place social distancing guidelines implemented in response to the current coronavirus pandemic), we have been flipping scary stories around the campfire online, artfully crafting learning experiences, and—following the theme for today’s activities—“swimming (a)synchronously” through discussions and demos of student success experiences, programs, and products with direct application for live or anytime learning

The tremendously engaging and wonderfully transformative activities have been overwhelming positive and well worth describing even if at only the most cursory of levels—you’ll be able to more fully see and experience some of those events and activities online as members of the Camp Team continue posting recordings on the ShapingEDU Community YouTube channel. The real story well worth telling late this evening is how the ShapingEDU community is rapidly becoming so much more than any of us thought it might become even a few months ago.

It’s the sort of community that under expert leadership and with a firm commitment to collaborative effort and action produces the kind of extraordinary day we have had again today. It began with an early-morning breakfast in the virtual Mess Hall—a Zoom meeting room created as a gathering place for camper-colleagues interested in beginning-of-day breakfast and warm-up activities. That Mess Hall gathering today included an exploration of mindfulness combined with a brief yoga session led in that online environment by wonderful facilitators, and was followed immediately by a dynamic panel discussion exploring “The Rise of the Digital Campus.”

The community is also one that produces the daily Learning(Hu)Man sessions along the lines of what we were able to chose from today: explorations of Slack in collaborative learning, Zoom as a learning platform, storytelling in learning, and so much more. Deciding to begin my dive into those sessions by attending one (“Surfing Chaos: Narratives Across the Digital Divide”) facilitated by my fellow ShapingEDU Storyteller in Residence Tom Haymes, I again found myself learning in layers: Tom’s amazing ability to lead us through some explorations of how to tell the stories we need to tell to promote the best possible responses to teachers’ and learners’ struggles with the rapid transformation of onsite learning into online learning for so many contemporary learners was layered over demonstrations of and hands-on experience with how to effectively use online collaborative tools such as Google docs to fast-forward discussions and planning sessions we need to be completing now. The result is that we walked away with usable ideas and, at the same time, had begun developing relationships with colleagues with whom we can continue to learn and work long after this first offering of Learning(Hu)Man formally concludes four days from now.

[Image by Karina Branson/ConverSketch]

This is also a community that, even though firmly grounded in a commitment to effectively incorporating educational technology into lifelong learning while never losing its learner-centric approach, seems to be in the middle of an important pivotal moment—that moment in which we are overtly acknowledging and beginning to grapple with some of the toughest social challenges facing anyone involved in lifelong learning. That became a bit more clear to me as I sat through the third of the three end-of-day plenary sessions Learning(Hu)Man has offered during the current virtual conference. The first plenary session—two days ago—was centered around a highly-interactive panel discussion on the theme of “Digital Equity, Social + Racial Justice”—something far removed from the sort of tech-based sessions which have been a staple of our previous ShapingEDU onsite gatherings and online offerings in the form of webinars. The session late this afternoon was equally compelling, thoughtful, and inspiring: “Digital Education and Tribal Rights,” a session masterfully led by Leah Gazan, Matt Rantanen, Traci Morris, and Brian McKinley Jones Brayboy. They framed what easily could have been an educational-technology conversation much more deeply—in terms of Internet access as a “human rights issue,” something integrally intertwined with the issue of “sovereignty” for indigenous peoples, and centered on “self-determination” as those lacking access to work and learning opportunities online work together to gain that access. Listening to them and briefly interacting with them within Zoom provided an expansion of the reach of the ShapingEDU I had really not seen coming even though I’ve seen several of us, over the past few months, taking on challenges including seeking solutions to the student debt crisis and fostering universal broadband access for work and learning throughout the United States.

[Image by Karina Branson/ConverSketch]

Rather than immediately following my fellow campers into the evening play and entertainment session, I stepped away from camp long enough to meet a friend here in San Francisco. As I returned home and made a spur-of-the-moment decision to join the last portion of the evening activity—a live concert, via Zoom, featuring several performers—I continued thinking about how completely immersive and transformative Learning(Hu)man has been in its first few days. And as I settled in to watch the last few performers, I again began chatting (through the chat window Zoom provides) with other campers who were attending that lovely series of performances—having exactly the sort of chats I would have had face-to-face with colleagues at any of the onsite conferences I have ever attended. And as we continued to chat and enjoy the music, I realized how completely the Learning(Hu)Man summer camp was providing the same richly rewarding experiences I have had onsite—which prompted me to remark to a colleague (via chat) that after this week of camping out at Learning(Hu)Man, I’m not going to be at all patient with anyone who tries to tell me we can’t be completely engaged, moved, and together in online settings. The comment drew agreement from a few others, and then we turned our attention back to one of the performers, who had just sung the line “Your purple mountain majesty is only for the free…”—a wonderfully poetic line that somehow seemed to fit right in with all the attention we had increasingly been giving to the social-issue side of the work we are pursuing together. That, in turn, prompted me to float the idea, in the ongoing chat, about how rapidly this community seems to be evolving/maturing. At which point the singer, Terra Naomi, was drawing to the end of a song that included the line “I believe in love more than I want to hate.” And then Walt Richardson took the virtual stage to sing “Light Revolution” (a song written by his brother), which made me think even more about the “revolution” I am sensing in this community.

The ongoing backchannel discussion quickly led me to respond to a colleague’s comment about our last community gathering, just days before many of us began officially sheltering in place in March 2020, with the observation that the moment when our last onsite gathering switched overnight into an online gathering “came at such a difficult time for so many people [and] really set the tone for much of happiness and success I’ve had in spite of and because of sheltering in place. We might, at some point, look back and see that as a pivotal moment–at many levels–in the development (at light speed) of this community and other dynamically blended, creative communities.

“When I’m at onsite conferences, I attend sessions, sometimes facilitate sessions, have hallway conversations (like we are having here and now), share meals, sometimes draft some writing while sitting with others and then stay up late fine-tuning fragments into blog pieces—just like I’m doing right now [and continued to do well after midnight to finish this piece before going back to camp in the morning].

“I suspect my next ‘letter home from camp’ is going to feel somewhat familiar to anyone watching this rough draft of it taking shape here in a chat window….And, being really meta about this: I often thought it was fun to watch writers who would sit in bookstore windows and write as people walked by and watched a bit of the creative process in progress…and here I am, knowing I’m on camera, writing in front of colleagues without the slightest bit of self-consciousness.”

At which point I began to laugh, because Walt had just sung the line “there will never be a time so right,” prompting me to add to the chat: “See? Now even Walt has worked his way into the piece-in-progress. It’s all about timing.”

His final song, “Love Wings,” seemed to hold all of us spellbound, but I broke away from the spell long enough to react to the line “We’ve got to share our battle scars” and observe that “it feels as if Walt is offering us the balm to soothe and heal those battle scars. If we came to Learning(Hu)Man feeling a bit beaten and scarred, at least we will go home having been provided with a bit of what we need to sustain us.

Two more lines from the song then floated across the virtual concert hall:

“With Love Wings we can fly

Into the clear blue open sky…”

As I draw to the end of my third letter home from camp, I’m among those who feel as if Walt’s beautifully poignant and wonderfully-delivered song has lifted us up; reminded us of what is possible online as well as face-to-face; and given us our own set of love wings to carry us through the rest of Learning(Hu)Man and into the work and challenges we face and willingly are going to work to address.

–N.B.: 1) This is the seventeenth in a series of reflections inspired by colleagues’ reactions to the coronavirus and shelter-in-place experiences, and the third in a series of posts inspired by Learning(Hu)Man.


Learning(Hu)Man Virtual Summer Camp: Arts & Crafting Learning Experiences

July 22, 2020

If I really were the eight-year-old that I so frequently still feel I am, I would be crafting a letter home from summer camp to my parents right now. Telling them how cool the other kids at the week-long Arizona State University ShapingEDU Learning(Hu)Man campy virtual summer camp are. How inspiring the Camp Counselors (aka, session facilitators) are. How much I’m enjoying singing the Learning(Hu)Man Theme Song. How much fun I’m having during Day 2, which is “Arts & Crafting Learning Experience Day”—a nice switch from yesterday’s “Flipping Scary Stories Day.” How much I’m learning through hands-on virtual experiences. And how proud I am of having earned two of the four badges I need to earn to return home with an “Education Changemaker Digital Credential.”

But I’m obviously not really eight years old anymore. And one of my parents has been gone for more than three years, so I can’t write home to her. And letter-writing with pen (or pencil) and paper was long ago replaced, for me, by online communication, including love letters in the form of blog posts. So here’s my second daily love letter capturing much of the joy of camping out with dreamer-driver-doers committed to shaping the future of learning in the digital age (while currently following shelter-in-place social distancing guidelines implemented in response to the current coronavirus pandemic) thanks to Camp Director Laura Geringer and the rest of the Arizona State University ShapingEDU Learning(Hu)Man Camp Team:

Morning comes early around here. We again gathered in the Mess Hall for virtual breakfast via Zoom, at 7:30 a.m., hosted by Day 2 Head Happy Camper (HHC) Allan Novak, who is renowned for his work as an executive producer, director, writer, and editor—in addition to being a first-rate facilitator, as was obvious by the way he engaged us in conversation and activities during the time we had together. HHC Novak fostered a wonderful warm-up conversation that had us learning experientially as he incorporated an innovative online presentation and polling tool—Mentimeter—into the conversation. Watching and participating in that setting made me again realize how quickly and how far we are moving from a world in which we can (mistakenly) assert that it is always impossible to craft conference experiences online that are as engaging as those we create onsite. We have to admit that it takes a lot to design and run an engaging online conference. But then again, it’s far from easy to accomplish the same onsite; you have to work with what you have. When you have a group as comfortable as Learning(Hu)Man participants are with technology, as willing as we are to experiment with a variety of online tools in the moment without being flustered by the occasional failures that come when learning about and using any form of technology, and as well supported as we are by those in charge of the event, magic can and does happen.

The sort of unexpected and wonderfully rewarding hallway and workshop conversations that draw us to onsite conferences are increasingly possible and likely to happen through the use of the chat window in Zoom and the willingness of people like HHC Novak to draw people in visibly and audibly through the videoconferencing capabilities of platforms like Zoom. The all-important act of meeting new people and unexpectedly running into long-term cherished friends and colleagues, chatting with them, and planning on how we will maintain (or continue to maintain) contact after the conference ends has been as common for me here at Learning(Hu)Man as it has been at the best of the onsite conferences I have attended over a very long period of time. In some ways, this part of it really doesn’t take much—just a willingness to leap at opportunities and a commitment to action. Those unexpected initial and recurring encounters are among the highlights of any conference I attend, and Learning(Hu)Man has already provided plenty of them. The idea that “what I most look forward to at conferences is that which I am not expecting to find” remains true in this virtual setting, too.

After enjoying an hour-long “around the flagpole” gathering for a first-rate panel discussion on “The What, Why, and How of Learner-Centered Everything” and still cherishing what I had seen and learned from Novak, I followed him into the first of two morning sessions I attended—his workshop on “Video Post-production: Good, Fast, and Cheap in the 2020s”—and was extremely happy that I did. Using the same facilitation and organizational skills he had displayed in the Mess Hall, he took a highly playful, interactive approach to a session that was built upon the premise that all of us could learn enough about a platform he was introducing to us—WeVideo—to craft a short public service announcement promoting online learning—in less than an hour. The learning here was layered: we did learn enough to produce part of that video announcement online—which Novak apparently finished up after the session ended—and we also learned how to design and facilitate a session like the one he was leading—just by watching him lead ours. To speed up production, he had prepared a template for the script and made it available to us in a shared document online. He then used Mentimeter to help us craft some of the vocabulary we would incorporate into the script. He asked each of us to volunteer to produce very short (several-second) videos we would upload to a shared folder he made available online. And he showed us how to edit all that content into the announcement-in-progress. It was an amazing display of training-teaching-learning in action, and I left that session feeling as if I were one very happy camper.

The day, as days at camp often do, is already becoming a blur. More wonderful learning. More time to take a virtual walk in the woods, reflect on what we were seeing-doing-learning. Time for a quick refresher nap. And, at the end of the day, after additional opportunities to learn and craft and dream, we reconvened in the camp Mess Hall for an evening of game-playing-with-a-purpose.

[Image from Opening Night Session by Karina Branson/ConverSketch]

Joined by Second City star Linda Kash, Novak set the stage for 90 minutes of Zoom-prov—familiar improvisation-based games all conducted via Zoom rather than face-to-face. We started with “Blind Portrait,” a game in which we each had to try to draw the face of someone else we could see in that Zoom gathering—without ever looking away from the screen. Kash played it for all it was worth, cajoling anyone who made the mistake of breaking eye contact with the webcam, and brought it all home by reminding us that as an educational tool, the game reminded everyone that we are all in the same pool and need not be embarrassed by what we produce. A series of equally entertaining challenges all drawing upon the best techniques employed in improv had all of us laughing out loud, collaborating wildly in friendly competitions, and achieving what any evening around the learning campfire is meant to achieve: an opportunity to bask in community, friendship, shared experiences, and the promise of more to come when the sun reappears above the grounds of our virtual summer camp tomorrow.

–N.B.: 1) This is the sixteenth in a series of reflections inspired by colleagues’ reactions to the coronavirus and shelter-in-place experiences, and the second in a series of posts inspired by Learning(Hu)Man. 2) Paul is one of two ShapingEDU Storytellers in Residence, serving from July 2020 – June 2021.


Learning(Hu)Man Virtual Summer Camp: Flipping Scary Stories

July 21, 2020

Going to summer camp was something I thought was long behind me—particularly at a time when I am joining so many others in following shelter-in-place social distancing guidelines implemented in response to the current coronavirus pandemic. But I had that wrong. I’m back at camp. A newly-organized virtual summer camp. As a participant, facilitator, and occasional volunteer monitoring and fostering online conversations via Slack during the week-long Arizona State University ShapingEDU Learning(Hu)Man campy virtual summer camp.

It’s only one day old, and already it is an extraordinary experience produced by leadership and volunteers within a community of dreamer-doer-drivers who consistently demonstrate an unbelievable ability to plan and bring to fruition the most complex of endeavors within incredibly brief periods of time.

Some of the more than 2,000 of us who have registered joined the opening ceremony around the virtual campfire last night, and more of us continued to participate today through a series of dynamic, highly-interactive sessions featuring colleagues and a variety of visionary guests working together to shape the future of learning in the digital era. The theme for our first full day together has been “flipping scary stories,” and there certainly are plenty of scary stories to tell and flip. Virtual campers began the day with some early-morning online Mess Hall interactions, then gathered around the flag pole for an inspiring keynote presentation by Arizona State University President Michael Crow, who spoke eloquently and movingly of this moment in time when we have a chance for the first-ever full release of human potential through egalitarian access to education. A panel discussion on “the next normal” in learning—“the one we’re creating together” in response to the tremendously scary stories that are continuing to unfold around us—kept all of us standing virtually at attention for the remainder of that early-morning gathering.

[Image by Karina Branson/ConverSketch]

We then went to our own smaller online camp sites to choose from more than a dozen 50-minute sessions slotted into two consecutive time periods for the next couple of hours; among the choices were “Learning Futures: Avoiding the Zombie Apocalypse to Create the Brave New World”; “Using Data Science, Data, and the Power of Community to Address the Student Loan Crisis”; and the “Using Design Thinking to Close the Digital Divide” session I co-facilitated with ShapingEDU Innovator in Residence Lisa Gustinelli, FutureWe Founder Jonathan Nalder, and educational technologist Gordon Shupe (centered on the ShapingEDU “Connected for Work and Learning: Universal Broadband Access in the United States” initiative that is beginning to attract attention and support from a variety of collaborators). Other subsequent Learning(Hu)Man activities throughout the morning and early afternoon gave everyone plenty of options for playing, learning, interacting, dreaming, and plotting before we had an afternoon break to step away from the structured events and to reflect while taking virtual walks through the woods or much-needed naps.

[Image by Karina Branson/ConverSketch]

Refreshed from our walks and naps, many of us came back together for two overwhelmingly and richly dynamic sessions—the first featuring a live interview with Zoom Founder/CEO Eric Yuan, the second featuring three over-the-top brilliantly passionately engaging presenters (Nicol Turner-Lee, Director of the Brookings Institution’s Center for Technology Innovation; Larry Irving, President and CEO of the Irving Information Group; and Joshua Edmonds, University of Michigan’s Poverty Solutions initiative and City of Detroit Digital Inclusion Fellow). Yuan, responding to deeply thoughtful questions from Zoom Chief Diversity Officer Damien Hooper-Campbell, addressed a variety of topics including Zoom’s commitment to quality, communities served, and willingness to collaborate with others seeking positive responses to some of our most challenging social issues; he assured Learning(Hu)Man campers that a priority for Zoom, post-pandemic, will be how to unleash the power of the Zoom platform in continuing to serve a variety of educational, artistic, and socially-diverse communities.

[Image by Karina Branson/ConverSketch]

Just when it appeared there was no way to top the momentum and excitement of what Learning(Hu)Man and its partners had produced, it did exactly that. The final session with Turner-Lee, Irving, and Edmonds showed virtual conferencing at its finest. The formal question-and-answer segments between those inspiring presenters was accompanied, seamlessly, by session audience members interacting with each other and the presenters, via a live-chat window, in a positively overwhelming flow of give-and-take. One of the many comments that stood out to me came from a fellow participant and, in a heartbeat, changed the way I have been viewing the challenge of the digital divide and overcoming less-than-ideal broadband access throughout our country: “Frankly, getting so tired of hearing ‘Digital Divide’…it’s a social, economic, social justice, bandwidth divide and it’s been going on for decades. So, despite funding from the FCC, state governments, private foundations, etc. We are Still Discussing…so what’s the solution? It’s not just technology, it’s a reflection of the inequities in our society.”

Both exhausted and exhilarated, I decided to skip the set of live conversations and playful activities that were scheduled to continue via Zoom before camp shut down for the evening and we began recharging our creative batteries in anticipation of reconvening early tomorrow morning in the camp Mess Hall for another day of thoughtfully engaging interactions designed to spur us toward positive action.

What remains for me this evening is to acknowledge the absolutely stunning accomplishment represented by the first full day of summer camp—an achievement in virtual conferencing described eloquently online by “Camp Groundskeeper” Samantha Becker on behalf of the entire Camp Team:

“Learning(Hu)Man 2020 is an experimental fusion of hands-on learning, storytelling, tech hacks and the good kind of shenanigans. In short, it’s total camp. Summer camp! This weeklong series of events will convene a global community of education changemakers to push the creative envelope for how we serve students and advance learner success.

“Interactive experiences led by a cohort of camp counselors (read: education and industry leaders) will uncover best practices in learning design, edtech tools and development, and emergent thinking around the art of the possible—all with the shared mission for enabling student success in all of its dimensions.

Thank you to [Camp Chef] Lev Gonick, who started passing me ‘back of the napkin’ ideas over Slack on this—and then never stopped.”

There are still several more days of camping ahead of all of us. And when everything formally wraps up next Monday morning with a two-hour session to summarize what we have experienced and what we hope to accomplish as a result of having gone to camp together, it still will not be over. There will be weeks, if not months, of reflections and follow-up interactions synchronously and asynchronously. There will be opportunities to view archived recordings as they are posted on the ShapingEDU YouTube channel. There will be continuing discussions on the ShapingEDU Slack site. There will be unforeseeable positive concrete actions. And, most of all, there will be that dynamic, unique ShapingEDU community “dreaming, driving, and doing” together in one long, uninterrupted moment that began long before we arrived at Learning(Hu)Man summer camp and will extend long after we “leave.”

–N.B.: 1) This is the fifteenth in a series of reflections inspired by colleagues’ reactions to the coronavirus and shelter-in-place experiences, and to our continuing interactions online. 2) Paul is one of two ShapingEDU Storytellers in Residence, serving from July 2020 – June 2021.


Adapting to Change, Loss, and Possibilities: Social Distancing and Doing Lunch(club)

July 13, 2020

The commonly-understood practice of “doing lunch” has, for some of us, quickly evolved through our efforts to adapt to shelter-in-place guidelines implemented in response to the current coronavirus pandemic. Weekly meals with friends at a local diner switched over to weekly gatherings by phone on the same day and time of week as soon as shelter-in-place became the norm here in San Francisco four months ago; we began by preparing meals in our own homes and eating together virtually while having our usual conversations by phone, then moved those weekly virtual gatherings into Zoom when a key member of that Saturday Morning Brunch Club obtained a webcam and headset, and most recently recreated a bit more of those weekly pre-coronavirus meals by ordering food from the original diner—which recently reopened for take-out service—and picking it up in time for our Brunch Club gatherings.

A few of us have had family gatherings, e.g., for birthday parties, via Zoom; used FaceTime to stay in touch with people we cannot currently visit onsite; and have made arrangements with other friends to meet online for dinners where we all cook within our own homes and then eat together via Zoom.

Recognizing that part of what keeps us all fresh and vibrant is the act of meeting new people and cultivating new relationships in our professional settings has led to some fruitful exchanges via conferences that were once primarily onsite and have now moved into online environments, as happened with the third annual ShapingEDU Unconference (April 2020) for “dreamers, doers, and drivers shaping the future of learning in the digital age”; through onsite meetings of association colleagues, as ATD South Florida Chapter members have innovatively and effectively been doing; and finding and joining long-standing online conference, as was the case for those of us attending a Learning Revolution miniconference on “Emergency Remote Teaching and Learning” in April 2020.

And that’s where LunchClub—described on its website as “an AI [Artificial Intelligence] superconnector that makes introductions for 1:1 video meetings to advance your career” comes into the picture. The unsolicited invitation arrived in my email inbox May 22, 2020, and the note is worth quoting as an indication of the approach taken by those running the service; I’ve added links to the key resources mentioned in that note:

“You’ve been selected to join Lunchclub, a free service that matches professionals for 1:1 video meetings. Lunchclub has a long waitlist, but we found your LinkedIn profile particularly compelling and wanted to reach out. We have been featured in TechCrunch and Forbes and are backed by Andreessen Horowitz.

“Every week, our users explore opportunities and collaborate with people they meet through Lunchclub. If you’d like to skip the waitlist and join them, click on your special link below.

“Not interested? Simply ignore this e-mail and we’ll stop reaching out.”

What intrigued me immediately was the combination of a lack of hard sell; the use of artificial intelligence to foster connections through the service; the financial backing it was already attracting; and the positive documentation provided through the TechCrunch and Forbes articles. The background I found on the three people—Vladimir Novakovski, Hayley Leibson, and Scott Wu—who founded Lunchclub also made it sound very interesting.

Accepting the offer and becoming registered was easy. I filled out a simple form online asking for information about my professional interests and goals in joining the service—in essence, making it extremely clear up front what I hoped to gain from Lunchclub. I responded to a follow-up message asking if/when I would be available for a Lunchclub match that week; how many 45-­minute sessions I wanted to schedule—I’ve consistently opted for one per week to keep things manageable; and any preferences I had in terms of whether I would be connected to someone locally or someone outside of my own community.

The match came quickly. I had my first conversation (via Google Meet, which offered me the additional benefit of being introduced to that tool while actually using it for something potentially productive) a few days later, and had the fantastic experience of being in touch with a local writer and researcher working in UX writing and content strategy. My second outing did not go so well; even though we had both indicated times and days we were available, my match wrote twice to reschedule, then failed to show up at all. Things were quickly back on track with my third match—a copywriter who writes branded content about entertainment, tourism, and finance; blogs about films; had shared a strong interest in journalism, having served an internship with the Columbia Journalism Review fresh out of college. Next up was a writer, actor, and teacher creating socially-conscious, progressive entertainment—including a well-received, fabulous short film currently streaming on HBO. Week Five put me in touch with a freelance copywriter and content strategist who also is a musician. Week Six brought me together with a writer-producer helping companies with creative solutions. And my Week Seven conversation was with a product manager at Google who also works as an interview/career coach in addition to writing a blog, giving workshops, speaking at events, and painting.

All of this would simply be an interesting period-of-pandemic diversion if all we did was meet, chat, say good-bye, and then go our own ways—and there would be absolutely nothing wrong with that. But it’s not was really appeals to me; I already struggle to stay in touch adequately with people I know through the various projects I do and associations I support. What really intrigues me is what these conversation might produce beyond the initial point of contact.

The results, after seven weeks, have been fascinating. I’ve already begun interacting with a few of those Lunchclub matches via social media postings (LinkedIn as well as Facebook). I’ve taken the time to look at some of the work they discussed during our online sessions. To go deeper into what they have posted online. Reading some of what they have produced. And even watching and loving the short film written by and featuring, in an acting role, my Week Four Lunchclub match. I’m in the early stages of collaborating with one of my Lunchclub contacts on what may become a new online course we would produce together.

Most importantly, I take a bit of time at the end of each week to prepare a short set of updates I can send to each of those people I have met—which, of course, has further seeded our ongoing conversations in ways that may produce positive results far beyond what any of us imagined when we first accepted that wonderful invitation to “do Lunchclub” in a time of pandemic-induced social distancing.

–N.B.: This is the fourteenth in a series of reflections inspired by colleagues’ reactions to the coronavirus and shelter-in-place experiences, and to our continuing interactions online.


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