Synthesis, Shifting Perspectives, and Storytelling: Hidden Garden Steps and #etmooc

February 12, 2013

Sometimes the slightest shift in perspective reveals the presence of stunningly beautiful interweavings that moments earlier hadn’t been obvious between various elements of our lives. That moment came for me this morning while viewing a colleague’s newly-posted video on YouTube.

etmoocCommunity, collaboration, and creativity in a variety of venues seemed to be coalescing into an incredibly beautiful tapestry as I watched  the video prepared by Hidden Garden Steps organizing committee co-chair Liz McLoughlin. I was initially captivated simply by what Liz had produced: a chronicle of the community collaborations between Steps volunteers, elected officials and civil servants here in San Francisco, and partners including the San Francisco Parks Alliance and the San Francisco Department of Public Works Street Parks Program; cash and in-kind donation successes; and community workshops designed to allow hands-on involvement in the actual construction of the mosaic that is at the heart of the project.

I became even more enchanted and emotionally moved when I shifted my perspective slightly so that the connections between Liz’s work and other elements of my own current explorations in online  and blended learning as well as with building abundant communities became obvious. What made me see that video in the larger context of creative interactions, collaborations, and community-building was the fact that that Liz, as one of many who are pushing this volunteer-driven community based effort to create a second set of ceramic-tiled steps along with gardens and murals  in San Francisco’s Inner Sunset District, had perfectly captured the playful spirit and energy of the Hidden Garden Steps effort. There was also the simultaneous realization that Liz, in the context of documenting successes for the Hidden Garden Steps project, had produced a wonderful example of digital storytelling. By combining enticing music, wonderful images, a set of PowerPoint slides, and an engaging story into a video, Liz had, all at once, produced an attractively positive story of how members of communities work together to bring dreams to fruition; an update to current and prospective project supporters; and a great example of what thousands of us are currently studying in #etmooc, the Education Technology and Media MOOC (Massive Open Online Course) organized by University of Regina professor of educational technology and media Alec Couros and several co-conspirators.”

As I’ve documented in two interrelated posts here on Building Creative Bridges, digital storytelling draws upon archetypal elements at the heart of vibrant, creative communities by enticingly documenting what is most important to us. And the experience of exploring digital storytelling within such a dynamically stimulating community as the one developed by those who have organized and are facilitating #etmooc has certainly been inspiring me to look more deeply about how the stories we tell are at the heart of nearly every successful effort that attracts my attention. I see this in my various roles as a volunteer, in the work I do as a trainer-teacher-learner, and in the writing that puts me in touch with creative colleagues worldwide through our promotion and use of social media tools—including those we routinely use to complete assignments within #etmooc and the Social Media Basics course I just finished facilitating again.

The more I think about the interwoven threads of these various stories that are unfolding in my life (the Hidden Garden Steps project, #etmooc and digital storytelling, the Social Media Basics course, my face-to-face and online interactions with colleagues at conferences and in social media platforms, and my ongoing efforts as a trainer-teacher-learner), the more fascinated I become at how the smallest part of any of them sends out tendrils along the lines of the rhizomatic learning concepts we’ve also been studying in #etmooc.

But then I also realize that I’m falling into the trap of making all of this too complex. What it really comes down to is that we’re incredibly social and interconnected people living in an incredibly interconnected onsite-online world. We live socially, we learn socially, we dine socially, we thrive socially, and we build socially. And, at least for me, one of the key pleasures comes from the leaning that occurs in each of these personal and shared short stories that become the extended stories—the novels—that we are creating by living them.

With that act of circling back to learning as a key element of our individual stories, we find one more thread that ties this all together. Given that learning is a process of responding to an immediate need by engaging in positive transformation, we can all continue learning—and creating the stories that give meaning to our lives—through our involvement with challenges along the lines of nurturing the Hidden Garden Steps project, finding community in #etmooc, and becoming active participants in a variety of other collaborative and community-based efforts. The more we look for and document interweavings between these seemingly disparate endeavors, the better learners—and storytellers—we become.

N.B.: This is the fifteenth in a series of posts responding to the assignments and explorations fostered through #etmooc and the fifteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


Hidden Garden Steps: Libraries, Community, and Collaboration

March 30, 2011

Most people use public libraries to check out books or access other onsite and online resources. A few of us sometimes walk into libraries with much less focused goals in mind, and walk away with unexpected opportunities beyond our wildest dreams.

When Licia Wells and I joined a friend at the reopening celebration for the Bernal Heights Branch Library here in San Francisco on January 30, 2010, we had no idea that we were about to become involved in a community-based, volunteer-managed, neighborhood beautification project in an entirely different part of San Francisco.

As a former San Francisco Public Library employee and ongoing fan of what libraries offer all of us, I was excited about visiting the newly renovated branch and having a chance to see the branch manager and other colleagues that afternoon. And when Branch Manager Lisa Dunseth—who now is working in the Main Library San Francisco History Center—asked if we wanted to meet Colette Crutcher, an artist who lives in the Bernal Heights neighborhood, none of us could have imagined where our introductions and conversations were about to lead us.

Within a few minutes of meeting Colette, we all realized we had something in common: the Inner Sunset District’s Tiled Steps project connecting 15th and 16th avenues on Moraga Street. Colette and Aileen Barr had designed and overseen installation of that project; Licia and I were among the many admirers of that much-loved neighborhood landmark which attracts visitors from all over the world, so we had one question for Colette: If we could pull together another group of interested neighbors as Alice Xavier and Jessie Audette had done for the Moraga Steps, would she and Aileen be interested in working on a second tiled-steps project near the original site?

Colette, as we learned later, had had conversations like that one many times. Nothing had ever come of them. But this was to be a different set of circumstances, starting with a few of us who loved the non-tiled steps near our homes and wondered what we could do to stop the vandalism and deterioration that was making them a less-than-inviting walkway.

The thought turned into action a few days later when I saw Liz McLoughlin, who lives at the top of the 16th Avenue steps that connect Kirkham and Lawton streets. Liz and her husband Tom had spent countless hours sweeping debris from the steps and painting over graffiti which continually reappeared on a large wall near the top of the walkway. She immediately expressed interest in and enthusiasm for the idea of trying to form an organizing committee that could bring the project to fruition while creating a stronger sense of community within the Inner Sunset District.

With little more than a vague awareness of how Alice and Jessie had ceaselessly worked to lead the Moraga Steps project to fruition—and with a lot of information generously and graciously provided by Alice in the early stages of our discussions—Liz and I agreed to serve as co-chairs for a new organizing committee, Licia agreed to help oversee the effort to raise the $300,000 we eventually determined we would need to bring the effort to completion, and Colette and Aileen started working on designs for what became the Hidden Garden Steps.

The year-long process of creating the infrastructure to make the project work is a story for another day. What remains to be done here is to draw a line from that initial conversation at the Bernal Heights Branch Library right back to the San Francisco Public Library system’s continuing  role as a community resource that helps foster the creation and growth of communities and community efforts.

When we officially began our fundraising and marketing efforts early in 2011, I visited with a colleague at the Sunset Branch Library—a few blocks away from the proposed site for the Hidden Garden Steps installation—to see whether a public presentation by the artists would be of interest to the library’s community of users. A few hours later, a second colleague—Robert Crabill, who was unaware of that initial conversation but had just come across an online description of the project—contacted me about the possibility of having the artists do exactly what I had proposed. And the event, held earlier this week, drew 30 people into the library’s small community meeting room to hear about both tiled-steps projects from the artists; see sample tiles; and learn how they could become engaged in our efforts if they wanted to be part of what we are well on the way to accomplishing.

We have received other requests for similar presentations, are planning more events, and are delighted that new volunteers are joining the effort to continue what Alice, Jessie, Aileen, and Colette started. And those of us who are continuing to work on the Hidden Garden Steps and add to the existing sense of community that exists here in the Inner Sunset District couldn’t be happier than to have such wonderful informal and formal partners.

N.B.: This is the third in an ongoing series to document the Hidden Garden Steps project in San Francisco.


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