“The [Street Parks] project was started to enable and assist community members in adopting DPW parcels and then turning them from blighted lots into verdant gardens and community gathering spaces,” Julia Brashares, Director of Street Parks for the Parks Alliance, reminds us in a brief video prepared for the Alliance by students from San Francisco State University. “We, with community members, have seen the development of over 120 gardens in every district of the city.”
Those Street Parks projects are part of an ongoing program that brings City/County elected officials and employees, Parks Alliance staff, and hundreds of volunteers together to “activate” a string of City-owned parcels that, when combined, include approximately 500 acres of potential parkland. It’s an amazingly complex undertaking and, at the same time, it is amazingly simple. The complexity comes from the large number of stakeholders who have to be engaged to bring Street Park Projects to fruition; the simplicity comes from the idea that the projects begin when as few as two or three neighbors see the potential in an unused piece of public property and make the commitment to foster the numerous community collaborations required to produce positive results.
What’s even more fascinating is the obvious interest in transforming unused public land into additional green open space in a city that already has a magnificent, nationally-acclaimed park system, a reclaimed bayside gem in Crissy Field and an equally ambitious counterpart in the Blue Greenway project that is already in progress; the Green Connections project that is also underway as another effort to increase access to green open spaces throughout the City; an effort to create more vibrant plazas throughout the City; and many other local efforts where volunteers work with an amazing network of nonprofit organizations, City/County representatives, neighborhood organizations, local business representatives, and anyone else who sees abundant possibilities for community development and enrichment.
Street Park Program projects are, in many ways, the epitome of individuals setting aside individual interests to collaboratively produce a public good—often something designed to last far longer than the lifetimes of those who initially gather to produce the street park. We see individuals bringing neighbors together to turn a short, blighted cul-de-sac along a freeway into a community garden that attracted a new coffee shop to the block. We see neighbors next to another stretch of land adjacent to a freeway create a dog park where members of the community meet and enjoy each other’s company. A third stretch of blighted land becomes Progress Park—the site where we gathered last weekend to celebrate 10 years of Street Parks progress. A median strip in the Outer Sunset District becomes La Playa Park. Another lot becomes Pennsylvania Garden. And a set of concrete steps originally built in 1926 becomes the Hidden Garden Steps—the second set to be transformed into volunteer-maintained gardens and a beautiful ceramic-tiled mosaic (designed and fabricated by project artists Aileen Barr and Colette Crutcher) in San Francisco’s Inner Sunset District.
Visitors on the Steps
The real payoff for any local or extended community comes when we spend time at any of those sites, as I so often do on the Hidden Garden Steps. I see my neighbors come out every Friday afternoon to sweep the steps so the site looks clean and inviting to weekend visitors. I see volunteers gather onsite monthly to maintain and add to the gardens. I see the results generated by the volunteers who maintain the project website, blog, and Twitter and Facebook accounts. And I see and talk with visitors from all over the world as they enjoy and admire the site, marvel over how the extended community adds to all the site offers, and blurt out wonderful observations such as “It’s like being in a rainbow.”
Working on any Street Park Program project is, in fact like being in a rainbow. It’s inspiring. It’s overwhelmingly beautiful. And it hints at greater aspects of life than most of us would otherwise encounter.
The 10th-anniversary Street Parks Program celebration documents a bit of what that rainbow offers and brought volunteers together to dream of even bigger rainbows—those we can produce during the next 10 years. If we are successful, we will use what we have learned and done to inspire others to seek similar community-based collaborations to positively change our world.
I’m officially a muggle. At least that’s what “Team512”—known more colloquially as Margo Peterson among her colleagues at the University of California, San Francisco, where she works—playfully confirmed earlier today when I found her on the Hidden Garden Steps here in San Francisco’s Inner Sunset District.
Muggles, as readers of the J.K. Rowling Harry Potter series (or the Wikipedia “Muggle” article) know, are those lacking magical powers and magical blood. They are also, under the rules of the Geocaching game that brought Peterson to the Steps this morning, those not yet initiated into the pleasures of geocaching—whimsical searches that incorporate GPS technology into excursions introducing residents and visitors to places they might otherwise not be inclined to explore throughout the world. Geocachers who are successful at onsite and online searches find a variety of objects—the one on the Steps is a small ceramic turtle containing a metal cylinder with a piece of paper that geocachers use to document that they were there before also documenting their success online at Geocaching.com.
Margo Peterson
Peterson says she has more than 6,000 finds to her credit, including objects found in a cave outside of Livermore (here in the San Francisco Bay Area) and at the end of a “Vampire Empire” search that led her through part of the Chicago subway system. And although geocaching is, in her words, “a little nerdy,” it also offers the same sort of enticements that involvement in the Hidden Garden Steps project itself offers: an opportunity to be part of a playfully engaging—and engaged—community. Peterson says she knows of barbecues, coffee-house gatherings, and many other social events that have drawn geocachers together when they were not actively engaged in their onsite and online searches.
Sometimes the slightest shift in perspective reveals the presence of stunningly beautiful interweavings that moments earlier hadn’t been obvious between various elements of our lives. That moment came for me this morning while viewing a colleague’s newly-posted video on YouTube.
I became even more enchanted and emotionally moved when I shifted my perspective slightly so that the connections between Liz’s work and other elements of my own current explorations in online and blended learning as well as with building abundant communities became obvious. What made me see that video in the larger context of creative interactions, collaborations, and community-building was the fact that that Liz, as one of many who are pushing this volunteer-drivencommunity based effort to create a second set of ceramic-tiled steps along with gardens and murals in San Francisco’s Inner Sunset District, had perfectly captured the playful spirit and energy of the Hidden Garden Steps effort. There was also the simultaneous realization that Liz, in the context of documenting successes for the Hidden Garden Steps project, had produced a wonderful example of digital storytelling. By combining enticing music, wonderful images, a set of PowerPoint slides, and an engaging story into a video, Liz had, all at once, produced an attractively positive story of how members of communities work together to bring dreams to fruition; an update to current and prospective project supporters; and a great example of what thousands of us are currently studying in #etmooc, the Education Technology and Media MOOC (Massive Open Online Course)organized by University of Regina professor of educational technology and media Alec Couros and several co-conspirators.”
As I’ve documented in twointerrelated posts here on Building Creative Bridges, digital storytelling draws upon archetypal elements at the heart of vibrant, creative communities by enticingly documenting what is most important to us. And the experience of exploring digital storytelling within such a dynamically stimulating community as the one developed by those who have organized and are facilitating #etmooc has certainly been inspiring me to look more deeply about how the stories we tell are at the heart of nearly every successful effort that attracts my attention. I see this in my various roles as a volunteer, in the work I do as a trainer-teacher-learner, and in the writing that puts me in touch with creative colleagues worldwide through our promotion and use of social media tools—including those we routinely use to complete assignments within #etmooc and the Social Media Basics course I just finished facilitating again.
The more I think about the interwoven threads of these various stories that are unfolding in my life (the Hidden Garden Steps project, #etmooc and digital storytelling, the Social Media Basics course, my face-to-face and online interactions with colleagues at conferences and in social media platforms, and my ongoing efforts as a trainer-teacher-learner), the more fascinated I become at how the smallest part of any of them sends out tendrils along the lines of the rhizomatic learning concepts we’ve also been studying in #etmooc.
But then I also realize that I’m falling into the trap of making all of this too complex. What it really comes down to is that we’re incredibly social and interconnected people living in an incredibly interconnected onsite-online world. We live socially, we learn socially, we dine socially, we thrive socially, and we build socially. And, at least for me, one of the key pleasures comes from the leaning that occurs in each of these personal and shared short stories that become the extended stories—the novels—that we are creating by living them.
With that act of circling back to learning as a key element of our individual stories, we find one more thread that ties this all together. Given that learning is a process of responding to an immediate need by engaging in positive transformation, we can all continue learning—and creating the stories that give meaning to our lives—through our involvement with challenges along the lines of nurturing the Hidden Garden Steps project, finding community in #etmooc, and becoming active participants in a variety of other collaborative and community-based efforts. The more we look for and document interweavings between these seemingly disparate endeavors, the better learners—and storytellers—we become.
N.B.: This is the fifteenth in a series of posts responding to the assignments and explorations fostered through #etmooc and the fifteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.
Our next big step forward, at this point, is less than two weeks away: our two artists (on Saturday, December 1, 2012, from 1-5 pm), will lead the first of three community workshops for anyone interested in making hands-on contributions to the construction of the mosaic.
This will be a celebration of community and collaboration in action within a local church meeting hall (Christ Church Lutheran, 1090 Quintara, San Francisco). It’s a chance to learn how projects of this magnitude are literally pieced together. An opportunity to work side-by-side with neighbors on a process that not only will produce a new community gem but also contribute to the already strong sense of community that exists within the Inner Sunset District. And a pre-holiday chance to reflect on what our work together over a three-year period has created and continues to create.
It also is a visceral incarnation of the spirit of “making gifts visible,” as outlined by McKnight and Block in The Abundant Community (pp. 120-122): having members of a community teach and learn from each other; bringing together residents and local business representatives (a couple of our sponsors are donating refreshments for workshop participants); and attracting community members of all ages and backgrounds.
There is plenty to acknowledge and celebrate in projects like the Hidden Garden Steps. These community efforts help build connections between those of us who previously knew little more about our neighbors than what we garnered from hurried waves and cursory greetings as we raced from one personal obligation to another. They attract people from other nearby neighborhoods so that we develop an extended sense of community, support, and simple, pleasurable human interactions that often seem to reach no further than a few feet away from our own homes or apartments. They further connect us to those wonderful third places within our communities—the coffee shops, the libraries, the neighborhood farmers markets, and streets transformed into meeting places by community-operated street fairs. And they remind us—through the collaborations we establish with existing groups like San Francisco’s Inner Sunset Park Neighbors (ISPN), the San Francisco Parks Alliance (our fiscal agent), and the San Francisco Department of Public Works Street Parks Program (supporting our onsite work on City/County property)—that transforming a dream into reality doesn’t necessarily mean that we have to start from scratch in our efforts to organize for success.
“The expression of our gifs and their manifestation through association with our neighbors” is at the heart of abundant communities, McKnight and Block remind us in The Abundant Community (p. 109). “The challenge is to make these gifts visible among all in the neighborhood. These are the means for creating our social fabric. The task is to make more widely available these gifts in service of our core concerns for the child, the land, enterprise, food, health, the vulnerable, and our safety With the consciousness and ability to connect our gifts and make them practical and usable, we experience what we are calling community abundance (p. 120).”
And as Hidden Garden Steps current and prospective supporters move toward the day of our first mosaic-building workshop and continue with our fundraising efforts to bring this $300,000 volunteer-driven community-based effort to a successful conclusion, we all have plenty to celebrate—and to offer others in need of the inspiration we continually find from the families, friends, and other neighbors who are contributing to our own abundant successes.
It’s more than just the acknowledgement that we’ve raised enough money ($100,000 in cash and approximately $20,000 in services completed or soon to be completed) to begin building the 148-step ceramic-tile mosaic that is at the heart of the project. It’s the gathering of a community that through working on this project is even stronger than it was before, and will be even stronger by the time we finish this project that creates a second set of ceramic-tiled steps along with gardens and murals in the neighborhood. And the celebration itself was completely sponsored and hosted by one of our business supporters: the Crepevine at 624 Irving Street here in San Francisco.
Hidden Garden Steps volunteer Sherry Boschert has once again outdone herself. Working with us to film a playful fundraising video that is now posted on Indiegogo, she is helping us make our current and prospective supporters aware of one of those routine yet essential elements of any successful fundraising campaign: attracting money for something as basic as a set of permits allowing us to carry to the project to completion.
After confirming that we would need nearly $8,000 in application fees from the City/County of San Francisco, Sherry and I met to discuss the latest hoops that project volunteers would have to jump through to create a ceramic-tiled mosaic similar to what exists on the Moraga Steps here in San Francisco’s Inner Sunset District and surround it with attractive gardens and murals.
Appreciative for all the support we have received from colleagues in the San Francisco Department of Public Works as well as in the San Francisco DPW Street Parks Program, City Hall, and the San Francisco Arts Commission, we wanted to emphasize that this particular fundraising effort is grounded in a real need and in full partnership with our City/County colleagues.
“Our $8,000 goal will cover a $3,379 fee set by the San Francisco Planning Commission for permit applications as well as other Department of Public Works fees established by the San Francisco Board of Supervisors based upon the number of hours it takes to process applications for a project of this scale,” we explain on our Indiegogo site. “We don’t begrudge the City this money—we know that these departments provide valuable services, and we couldn’t do this without their help. A small portion of funds raised will go towards Indiegogo and banking fees.”
Efforts to seek fee waivers were unsuccessful—our colleagues in City/County government are, of course, facing the same financial challenges so many of us face—so we’re moving ahead to publicize this particular need in the hope that project supporters will step up to the plate and push us closer to our goal.
Campaigns like this one—drawing from any level of contribution our current and prospective supporters care to offer—obviously rise or fall on our ability to engage the level of community support and collaboration that has been at the heart of all our successful efforts to date. That clearly means we need help raising the funds within the next 60 days to meet our latest campaign deadline, to reach the widest possible audience, and to foster action by everyone who has been touched and inspired by our vision for taking simple steps to create another magnificent set of Steps here in San Francisco—an effort supported not only by neighborhood residents but by donors from seven states beyond California and, as of last week, our first donor from London.
We don’t normally think of a local department of public works (DPW) as a provider of learning opportunities. But that’s exactly what colleagues at the San Francisco DPW created late last month, and it’s completely consistent with what many of us as community-based volunteers here in San Francisco are producing.
Through a day-long Street Parks Program workshop, DPW and San Francisco Parks Alliance colleagues (Sandra Zuniga and Julia Brashares) created an opportunity for local volunteers to learn about funding opportunities and successful projects-in-progress. And, by educating us a bit about what is available in our own community, it inspired community-changing conversations that will continue much longer than the brief workshop lasted.
Designed as a collaborative learning opportunity for participants from the more than 140 Street Parks Program projects formally adopted up to this point by DPW, the workshop attracted a surprisingly small number of program representatives. The four of us from the Hidden Garden Steps project in San Francisco’s Inner Sunset District made up around 15 percent of that group. And yet this wasn’t about numbers; it was a chance for that relatively small group of us to meet each other, prospective project funders, and others involved in neighborhood-based efforts to transform neglected, unsightly pockets of our city into beautiful community meeting places that further contribute to the city’s feeling of City-with-a-big-C.
And by the end of the day, we were already developing ways to nurture the connections the Street Parks program has created between us. We took steps to create our own onsite-online community of learning by setting up a LinkedIn discussion group and a Facebook group as ways to continue sharing resources, suggesting solutions to the challenges many of us face, and fostering an even greater sense of community than already exists here in San Francisco among those involved in Street Parks Program projects.
What really pushed the development of this new community of learning forward was the event organizers’ decision to feature a couple of projects as part of the workshop presentations. Turning to two of us from projects called “Street Park superstars” for our “creative fund-raising ideas” that are building and sustaining community support for greening projects, they asked us to describe the steps we took to reach the levels of success we have already achieved.
Pam Axelson, from the Athens/Avalon Garden project, recalled that the project started because of a murder in the neighborhood: “The crime problem was significant,” she recalled. “The site was a night-time hang-out—a total dump site” where mattresses and other objects were discarded. Neighbors began asking, “Why don’t we make that a better-looking site?” A core group of neighbors came together, found out who owned the property, contacted DPW for approval, and also gained support from a group of planning students at the University of San Francisco.
The short-term result, we noted, was an event that brought us $10,000 closer to our $300,000 fundraising goal; the more significant result, we added, is that we’re continuing to create a sense of community designed to rival the projected longevity of the Hidden Garden Steps themselves once they are completed. And the latest cause for celebration is this newfound opportunity to learn while working together with our Street Parks Program colleagues.
N.B.: This is the ninth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.
Last Saturday was no exception; a couple of new volunteers who learned about us through our participation in the Inner Sunset Street Fair in October and our latest reception at Crepevine joined us to weed around the succulents, California natives, and other drought-tolerant plants we’ve been putting into the ground as part of our effort to support Nature in the City’sGreen Hairstreak (Butterfly) Ecosystem Corridor project. And while all of us were having fun cleaning up and putting a few new plants into the ground—including a small freemontodendron that will eventually be one of the signature elements of the garden near the top of the stairs—more people stopped to chat, offer encouragement, and ask how they could become involved in painting those walls and fences, pulling those weeds, and adding more plants to the garden.
It really is exactly what we all hoped it would be: a community project that thrives on the generosity of other members of our extended community. The initial plantings have been a combination of donations from our colleagues in the Green Hairstreak Butterfly project, neighbors donating cuttings from their own gardens, and nature’s own donations in the form of natives coming up by themselves—ferns, a poppy that was one of the most colorful volunteers to pop up earlier this year, and a newly spotted lupine that broke ground within the past couple of weeks and will eventually add even more color and draw more wildlife to the site.
We’ve had a spectacular year of successes, including $60,000 in cash support and more than $20,000 in donated and promised services to push us toward our $300,000 goal. A colorful mural has already been painted at the foot of the steps by artist/art and mural instructor Angie Crabtree and a few of her Woodside International School students and alums as an example of how the project will beautify the neighborhood. Substantial tree-trimming was completed free of charge by Tree Shapers, LLC to enhance the views toward and from the stairway. The clean-ups and plantings are already transforming the site in ways that are attracting birds, butterflies, other wildlife—we even had a black-and-orange-winged butterfly rest on the hat of one of our volunteers while we were working last Saturday.
Next steps in preparing to tile the stairway will be to fix an off-center section and adjoining small wall at the top of the steps; colleagues at the City/County of San Francisco Department of Public Works are drawing up plans to complete that work at no charge to the project. Then, under the direction of project artists Aileen Barr and Colette Crutcher, the mosaic tile designs will be constructed by volunteers. Under the direction of the artists, professional tile setters will then apply the mosaic risers and grey tread tiles to the steps.
And spending time this afternoon with Crabtree and Itzel, one of the student-muralists, reminded me once again why the entire effort to transform that set of steps on 16th Avenue between Kirkham and Lawton streets was honored with a “Best Community Art—2011” Award in SF Weekly’s 2011 edition of its annual Best of San Francisco issue. Hidden Garden Steps really is, as writer Joe Eskenazi wrote, a project that is “poignant in its sweetness,” and that sweetness was on display while Crabtree, Itzel, and a Woodside alum worked side by side today to continue bringing their colorfully playful mural to life.
Itzel—a Woodside high school student who lives in San Francisco’s Tenderloin district, is about to begin her junior year at Woodside, and dreams of somebody becoming an obstetrician—initially heard about the project while completing her second year as a Woodside student in Crabtree’s mural class before beginning her summer break.
“I love painting. We did a mural at school last year,” she said during our conversation this afternoon. The chance to work on the Hidden Garden Steps mural was tremendously appealing to her, she added: “When you do creative things, you can express yourself through art…you can draw whatever you want. It reduces your stress. It takes all your problems away.”
And while Crabtree herself is already a working artist whose involvement extends to working through the nonprofit Root Division group dedicated to improving appreciation and access to the visual arts by connecting personal inspiration and community participation, she is also finding unexpectedly exciting opportunities in the Hidden Garden Steps mural.
“This is unusual for me in the Sunset District,” she noted. “The [Woodside] students do murals [including a set of five currently in progress on the Woodside buildings themselves to highlight scenes from various San Francisco neighborhoods], but they have never done a community mural.”
Support for her work has been strong at Woodside, she added. School headmaster John Edwards not only has supported the school’s involvement in the mural project since its inception, but also arranged for funding for the class, the materials needed to complete the mural, and the permit fees required to gain approval for the project through the San Francisco Arts Commission.
Transformation of the site along with marketing and fundraising efforts to complete the project, are continuing in collaboration with project partners from the San Francisco Department of Public Works Street Parks Program, who have been providing tools and support for monthly onsite clean-up sessions, and the San Francisco Parks Trust, along with an ever-growing of group of financial supporters and volunteers. The Woodside effort will continue on Mondays, Wednesdays, and Fridays from 1 – 3 pm through the end of July 2011.
N.B.: This is the sixth in an ongoing series to document the Hidden Garden Steps project in San Francisco. Photographs of mural design provided by Gilbert Johnson.
While behind-the-scenes work to obtain funds and permits for the $300,000 Hidden Garden Steps project continues, some very visible transformations are drawing increasing numbers of people to the site.
Anyone walking up or down those concrete steps since mid-April has seen that the structure, which serves as a pedestrian connection of 16th Avenue between Kirkham and Lawton streets in San Francisco’s Inner Sunset District, are much less hidden now. Nearly 20 volunteers participated in the first monthly clean-up and removed weeds, graffiti, small tree limbs, golf balls, old bottles, and an abandoned vacuum cleaner as the literal first step in preparing the site for planting later this year. Tree-trimming services donated by Tree Shapers, LLC one week later created an even more spectacular change: views which had been hidden for decades suddenly reappeared. In fact, the more time we all spend
looking up and down the stairs from various vantage points, the more we realize that a long-unpolished gem is once again beginning to sparkle. And the more we could envision the completion of this effort to create a second set of ceramic tiles steps, along with gardens and murals, in the area.
The second monthly clean-up, completed by volunteers earlier this month, continued the transformation of the site by removing much of the debris left behind when the trees were pruned, and the cleaning of soil and overgrown plants in the entire gutter along the eastern slope of the steps means that water was flowing freely down that conduit during the recent mid-May showers. Our partners from the San Francisco Department
of Public Works Street Parks Program, who have been providing tools and free removal of all that we dig up, completed the removal of the branches earlier this week, so our volunteers will return to the site on the second Saturday of June to continue with weeding, clearing of the drain that parallels the western edge of the steps, and other prep work that will allow for us to proceed with planting after our City/County of San Francisco colleagues finish helping us complete the process of gaining approval for that part of the project—a process which, as most of us understand, requires more time than some might wish since DPW has so many projects underway.
All of this—the work of partners including DPW and the San Francisco Parks Trust, along with an ever-growing of group of financial supporters and volunteers committed to collaboration and community-building—is not going unnoticed. SF Weekly, in its newly published edition of the annual Best of San Francisco issue, lauded Hidden Garden Steps as “Best Community Art—2011,” and writer Joe Eskenazi told his readers that the
project “is poignant in its sweetness.”
Celebrating Life. Making positive connections and collaborating with people from around the world. Living everyday with positive energy, possibility, passion and peace of mind. Learning from a School Counsellor lens. I'm not a Counsellor because I want to make a living. I am a Counsellor because I want to make a difference. Gratitude for ETMOOC roots.
It’s the sort of commitment documented by Peter Block and John McKnight through their Abundant Community book, website, and online discussions. It’s a movement beautifully grounded in Tactical Urbanism. And it’s a sustainable, community-based, volunteer-driven effort that celebrates the work of people we don’t often notice: the people behind the projects that make our communities far more rich than they otherwise would be. Not bad for country where we so often hear about how badly divided we are.
Street Park Program projects are, in many ways, the epitome of individuals setting aside individual interests to collaboratively produce a public good—often something designed to last far longer than the lifetimes of those who initially gather to produce the street park. We see individuals bringing neighbors together to turn a short, blighted cul-de-sac along a freeway into a community garden that attracted a new coffee shop to the block. We see neighbors next to another stretch of land adjacent to a freeway create a dog park where members of the community meet and enjoy each other’s company. A third stretch of blighted land becomes Progress Park—the site where we gathered last weekend to celebrate 10 years of Street Parks progress. A median strip in the Outer Sunset District becomes La Playa Park. Another lot becomes Pennsylvania Garden. And a set of concrete steps originally built in 1926 becomes the Hidden Garden Steps—the second set to be transformed into volunteer-maintained gardens and a beautiful ceramic-tiled mosaic (designed and fabricated by project artists Aileen Barr and Colette Crutcher) in San Francisco’s Inner Sunset District.
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Building Creative Bridges 
