Christopher Alexander and the Architecture of Collaboration (Part 2 of 2)

June 20, 2013

While there are numerous wonderful and obvious resources available to anyone interested in building successful collaborations, there are also gems—case studies—that are easily overlooked simply because they are marketed in a way that doesn’t immediately bring them to our attention.

Alexander--Battle_for_Life_and_BeautyAs noted in the first of these two articles, architect Christopher Alexander’s latest book (The Battle for the Life and Beauty of the Earth: A Struggle Between Two World-System) is about far more than architecture; its description of two different building systems—one that is very traditional and cookie-cutter rigid, and one that incorporates flexibility and a firm commitment to collaboration to bring a project to completion—makes it a book with a compelling story as well as an essential guide for anyone involved in project management—including volunteer-driven community-based projects.

The Battle for the Life and Beauty of the Earth is, first and foremost, the story of how Alexander and his colleagues worked with a client in Japan to build a stunningly beautiful campus that continues to serve high school and college students in a unified setting designed to inspire and nurture learning. With plenty of photographs to lead us from start to finish on the project, Alexander describes the process of how a commitment to collaboration at times produced spectacular results and at other times really did create battle-like cultural confrontations between those who wanted to collaborate their way to implementation of a dream (the campus) and those who simply couldn’t move themselves past the formulaic (and lucrative) process that was at the core of their approach to project management.

And that’s where The Battle becomes useful to many of us who are not at all involved in the creation of architectural building, but are deeply immersed in building of another sort: building training-teaching-learning offerings that make a difference to learners and those they serve; artistic endeavors that reach and move appreciative audiences; and the sort of community-based project that the Hidden Garden Steps endeavor in San Francisco’s Inner Sunset District, represents—an effort to create a beautiful neighborhood gathering place which, when completed, will feature a 148-step ceramic-tile mosaic surrounded by gardens and murals to complement the earlier nearby project that inspired it.

HGS--Tile_Images--2013-03-11[1]Where Alexander begins with his standard practice of spending many valuable and highly-productive hours on any site upon which he and his colleagues are going to build, those of us involved in working with artists Aileen Barr and Colette Crutcher on the Hidden Garden Steps project have spent hours walking up and down those 148 concrete steps that were originally installed in 1926. We know, by heart, the number of steps on each flight; we know how light bathes various points on that site throughout the day and how the site feels in sunlight, fog, wind, and rain. By working with colleagues in the San Francisco Department of Public Works—the government agency in charge of the site—as well as with tree trimmers and plenty of volunteers engaged in monthly onsite clean-ups, we have become familiar with the soil, the native vegetation, the erosion-control and onsite structural issues that must be addressed before the ceramic-tile mosaic-in-progress (pictured at left) can be installed later this year (if everything continues on schedule), and even the wildlife that is increasingly drawn to the site as we have worked to erase decades of neglect and create a habitat that supports everything from birds to a species of butterfly (the green hairstreak) that used to be prevalent in the area but had become rare until colleagues in Nature in the City began working to restore habitats throughout the nearby hills. And by working side-by-side with the artists in free public workshops, we’ve even played a hands-on role in creating the 148-step mosaic that is at the heart of the project.

Just as Alexander describes how he worked with numerous collaborators as well as those who were skeptical of his ability to produce the campus he was designing and working to build, we have created an organizing committee that serves as a project management team while reaching out to other existing groups ranging from neighborhood associations to our local elected officials. We’ve been present at neighborhood meetings, street fairs, and other events that have drawn in new partners. And just as Alexander attempted, in every imaginable way, to foster collaboration rather than hierarchical organizational structures, our organizing committee has been and remains the sort of partnership where the only real titles (co-chairs) exist so that those interested in joining us have a point of contact and so that we have what in essence serves as an executive committee tasked with keeping the project on schedule rather than offering top-down decrees as to how the project will be completed.

Alexander’s description of how the high school/college campus was completed comes across as an honest meditation on the joys and challenges of bringing a collaborative project to fruition, and those of us involved in the Hidden Garden Steps project have certainly had our moments of joy as well as moments of disappointment along the way. But what we all share in common is a start-to-finish commitment to working together as inclusively as possible to create something tangible (the campus, the Steps, or a training-teaching-learning opportunity) as well as something intangible and equally compelling: the sense of community that comes from building something together.

N.B.: This is the second of two articles applying “The Battle” to non-architectural settings, and the sixteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco. A final free public workshop for volunteers interested in helping construct small parts of the overall mosaic will be held indoors in the St. John of God community hall in San Francisco’s Inner Sunset District (5th Avenue and Irving Street) on Saturday, July 20, 2013 from 1-5 pm.


Synthesis, Shifting Perspectives, and Storytelling: Hidden Garden Steps and #etmooc

February 12, 2013

Sometimes the slightest shift in perspective reveals the presence of stunningly beautiful interweavings that moments earlier hadn’t been obvious between various elements of our lives. That moment came for me this morning while viewing a colleague’s newly-posted video on YouTube.

etmoocCommunity, collaboration, and creativity in a variety of venues seemed to be coalescing into an incredibly beautiful tapestry as I watched  the video prepared by Hidden Garden Steps organizing committee co-chair Liz McLoughlin. I was initially captivated simply by what Liz had produced: a chronicle of the community collaborations between Steps volunteers, elected officials and civil servants here in San Francisco, and partners including the San Francisco Parks Alliance and the San Francisco Department of Public Works Street Parks Program; cash and in-kind donation successes; and community workshops designed to allow hands-on involvement in the actual construction of the mosaic that is at the heart of the project.

I became even more enchanted and emotionally moved when I shifted my perspective slightly so that the connections between Liz’s work and other elements of my own current explorations in online  and blended learning as well as with building abundant communities became obvious. What made me see that video in the larger context of creative interactions, collaborations, and community-building was the fact that that Liz, as one of many who are pushing this volunteer-driven community based effort to create a second set of ceramic-tiled steps along with gardens and murals  in San Francisco’s Inner Sunset District, had perfectly captured the playful spirit and energy of the Hidden Garden Steps effort. There was also the simultaneous realization that Liz, in the context of documenting successes for the Hidden Garden Steps project, had produced a wonderful example of digital storytelling. By combining enticing music, wonderful images, a set of PowerPoint slides, and an engaging story into a video, Liz had, all at once, produced an attractively positive story of how members of communities work together to bring dreams to fruition; an update to current and prospective project supporters; and a great example of what thousands of us are currently studying in #etmooc, the Education Technology and Media MOOC (Massive Open Online Course) organized by University of Regina professor of educational technology and media Alec Couros and several co-conspirators.”

As I’ve documented in two interrelated posts here on Building Creative Bridges, digital storytelling draws upon archetypal elements at the heart of vibrant, creative communities by enticingly documenting what is most important to us. And the experience of exploring digital storytelling within such a dynamically stimulating community as the one developed by those who have organized and are facilitating #etmooc has certainly been inspiring me to look more deeply about how the stories we tell are at the heart of nearly every successful effort that attracts my attention. I see this in my various roles as a volunteer, in the work I do as a trainer-teacher-learner, and in the writing that puts me in touch with creative colleagues worldwide through our promotion and use of social media tools—including those we routinely use to complete assignments within #etmooc and the Social Media Basics course I just finished facilitating again.

The more I think about the interwoven threads of these various stories that are unfolding in my life (the Hidden Garden Steps project, #etmooc and digital storytelling, the Social Media Basics course, my face-to-face and online interactions with colleagues at conferences and in social media platforms, and my ongoing efforts as a trainer-teacher-learner), the more fascinated I become at how the smallest part of any of them sends out tendrils along the lines of the rhizomatic learning concepts we’ve also been studying in #etmooc.

But then I also realize that I’m falling into the trap of making all of this too complex. What it really comes down to is that we’re incredibly social and interconnected people living in an incredibly interconnected onsite-online world. We live socially, we learn socially, we dine socially, we thrive socially, and we build socially. And, at least for me, one of the key pleasures comes from the leaning that occurs in each of these personal and shared short stories that become the extended stories—the novels—that we are creating by living them.

With that act of circling back to learning as a key element of our individual stories, we find one more thread that ties this all together. Given that learning is a process of responding to an immediate need by engaging in positive transformation, we can all continue learning—and creating the stories that give meaning to our lives—through our involvement with challenges along the lines of nurturing the Hidden Garden Steps project, finding community in #etmooc, and becoming active participants in a variety of other collaborative and community-based efforts. The more we look for and document interweavings between these seemingly disparate endeavors, the better learners—and storytellers—we become.

N.B.: This is the fifteenth in a series of posts responding to the assignments and explorations fostered through #etmooc and the fifteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


Building Abundant Communities (Part 4 of 4): Hidden Garden Steps

November 21, 2012

New community possibilities emerge “when we and other neighbors know of each other’s gifts,” John McKnight and Peter Block suggest in their book The Abundant Community: Awakening the Power of Families and Neighborhoods. And that’s exactly what we continue to see in the Hidden Garden Steps project here in San Francisco’s Inner Sunset District.

As has been abundantly chronicled in this continuing series of articles about the Steps and the overlapping shorter series about fostering abundant communities, an awareness of gifts, resources, and an enthusiastic commitment to collaboration has steadily moved us toward a very exciting phase of our efforts to create a second set of ceramic-tiled steps along with murals and gardens featuring California native and other drought-tolerant plants. Project artists Aileen Barr and Colette Crutcher have, since September 2012, been working in their studios to build the 148-step mosaic that will eventually be installed on the 16th Avenue concrete steps connecting Kirkham and Lawton streets. Community involvement in fundraising, marketing, and hundreds of hours of onsite work cleaning up a terribly ignored pedestrian corridor has drawn together an ever-growing group of volunteers and other supporters inspired by the beauty of the first step of steps (on Moraga Street, between 15th and 16th avenues) completed by the same two artists working with a different group of neighbors and other supporters.

Our next big step forward, at this point, is less than two weeks away: our two artists (on Saturday, December 1, 2012, from 1-5 pm), will lead the first of three community workshops for anyone interested in making hands-on contributions to the construction of the mosaic.

This will be a celebration of community and collaboration in action within a local church meeting hall (Christ Church Lutheran, 1090 Quintara, San Francisco). It’s a chance to learn how projects of this magnitude are literally pieced together. An opportunity to work side-by-side with neighbors on a process that not only will produce a new community gem but also contribute to the already strong sense of community that exists within the Inner Sunset District. And a pre-holiday chance to reflect on what our work together over a three-year period has created and continues to create.

It also is a visceral incarnation of the spirit of “making gifts visible,” as outlined by McKnight and Block in The Abundant Community (pp. 120-122): having members of a community teach and learn from each other; bringing together residents and local business representatives (a couple of our sponsors are donating refreshments for workshop participants); and attracting community members of all ages and backgrounds.

There is plenty to acknowledge and celebrate in projects like the Hidden Garden Steps. These community efforts help build connections between those of us who previously knew little more about our neighbors than what we garnered from hurried waves and cursory greetings as we raced from one personal obligation to another. They attract people from other nearby neighborhoods so that we develop an extended sense of community, support, and simple, pleasurable human interactions that often seem to reach no further than a few feet away from our own homes or apartments. They further connect us to those wonderful third places within our communities—the coffee shops, the libraries, the neighborhood farmers markets, and streets transformed into meeting places by community-operated street fairs. And they remind us—through the collaborations we establish with existing groups like San Francisco’s Inner Sunset Park Neighbors (ISPN), the San Francisco Parks Alliance (our fiscal agent), and the San Francisco Department of Public Works Street Parks Program (supporting our onsite work on City/County property)—that transforming a dream into reality doesn’t necessarily mean that we have to start from scratch in our efforts to organize for success.

“The expression of our gifs and their manifestation through association with our neighbors” is at the heart of abundant communities, McKnight and Block remind us in The Abundant Community (p. 109). “The challenge is to make these gifts visible among all in the neighborhood. These are the means for creating our social fabric. The task is to make more widely available these gifts in service of our core concerns for the child, the land, enterprise, food, health, the vulnerable, and our safety With the consciousness and ability to connect our gifts and make them practical and usable, we experience what we are calling community abundance (p. 120).”

And as Hidden Garden Steps current and prospective supporters move toward the day of our first mosaic-building workshop and continue with our fundraising efforts to bring this $300,000 volunteer-driven community-based effort to a successful conclusion, we all have plenty to celebrate—and to offer others in need of the inspiration we continually find from the families, friends, and other neighbors who are contributing to our own abundant successes.

N.B.: This is the fourteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco and the fourth in a four-part series of articles exploring abundant communities. 


Hidden Garden Steps: Celebrating Our Moments of Transformation

September 16, 2012

There have been plenty of transformative moments since the Hidden Garden Steps project in San Francisco’s Inner Sunset District began in early 2010. But none have been so encouraging and rewarding than what we saw earlier this month at a community celebration centered around the signing of contracts with Steps artists Aileen Barr and Colette Crutcher—pictured here working on the life-size design they have begun creating in their homes and studios.

It’s more than just the acknowledgement that we’ve raised enough money ($100,000 in cash and approximately $20,000 in services completed or soon to be completed) to begin building the 148-step ceramic-tile mosaic that is at the heart of the project. It’s the gathering of a community that through working on this project is even stronger than it was before, and will be even stronger by the time we finish this project that creates a second set of ceramic-tiled steps along with gardens and murals in the neighborhood. And the celebration itself was completely sponsored and hosted by one of our business supporters: the Crepevine at 624 Irving Street here in San Francisco.

The Inner Sunset District, like so many of San Francisco’s individual neighborhoods, is a surprisingly vibrant combination of businesses; cultural (e.g., the de Young Museum, the California Academy of Sciences, the Conservatory of Flowers, and the San Francisco Botanical Garden, just to mention a few) and educational (the University of California, San Francisco) organizations; physical beauty (the numerous paths through Golden Gate Park and the hills that are in the heart of the district; and residents and visitors who cherish the area and sustain a variety of organizations including the Inner Sunset Park Neighbors to continually foster collaboration.

As members of the Hidden Garden Steps organizing committee have repeatedly acknowledged, we’re drawn not only by the sense of immediate community that exists here, but by the extended community that is interwoven into all we do. The Steps project alone has partners including the San Francisco Parks Alliance; the San Francisco DPW Street Parks program; Nature in the City’s Green Hairstreak [Butterfly] Corridor; administrators, an art instructor, and art students from the nearby Woodside International School; members of the Inner Sunset Lesbian, Gay, Bisexual, and Transgender community; and the Golden Gate Heights Neighborhood Association, with more partners expressing interest in joining us so we can bring this $300,000 community project to a successful conclusion. We’ve also had tremendous support from City/County Supervisor Sean Elsbernd and his legislative aide, Alex Volberding; the San Francisco Arts Commission; and members of the San Francisco Department of Public Works who have announced that onsite repairs will be underway in the very near future.

With all that support in place, it was tremendously gratifying not only to have coverage of the Crepevine event by KCBS radio reporter Anna Duckworth the following morning, but to also find the Steps featured on the cover of our neighborhood newspaper—the Sunset Beacon this month—and in a prominently-displayed letter to the editor in the San Francisco Chronicle Insight section recently.

As we move into the production phase on the ceramic-tile mural, we’ll continue to rely on the efforts of volunteers who help us do onsite clean-up on the second Saturday of each month, from 1 – 3 pm on 16th Avenue between Kirkham and Lawton here in San Francisco; donations from individuals, community groups, businesses, and other supporters that now extend not only across the United State but also include a couple of people from the U.K.; and those who can help us build relations with other prospective donors drawn to the mission of creating a new, sustainable community meeting place in a city known for its commitment to communities. For additional information in how you can become part of our community, please visit our website at http://hiddengardensteps.org.

N.B.: This is the thirteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco. 


Communities of Learning: SF DPW Street Parks and Hidden Garden Steps

February 25, 2012

We don’t normally think of a local department of public works (DPW) as a provider of learning opportunities. But that’s exactly what colleagues at the San Francisco DPW created late last month, and it’s completely consistent with what many of us as community-based volunteers here in San Francisco are producing.

Through a day-long Street Parks Program workshop, DPW and San Francisco Parks Alliance colleagues (Sandra Zuniga and Julia Brashares) created an opportunity for local volunteers to learn about funding opportunities and successful projects-in-progress. And, by educating us a bit about what is available in our own community, it inspired community-changing conversations that will continue much longer than the brief workshop lasted.

Designed as a collaborative learning opportunity for participants from the more than 140 Street Parks Program projects formally adopted up to this point by DPW, the workshop attracted a surprisingly small number of program representatives. The four of us from the Hidden Garden Steps project in San Francisco’s Inner Sunset District made up around 15 percent of that group. And yet this wasn’t about numbers; it was a chance for that relatively small group of us to meet each other, prospective project funders, and others involved in neighborhood-based efforts to transform neglected, unsightly pockets of our city into beautiful community meeting places that further contribute to the city’s feeling of City-with-a-big-C.

And by the end of the day, we were already developing ways to nurture the connections the Street Parks program has created between us. We took steps to create our own onsite-online community of learning by setting up a LinkedIn discussion group and a Facebook group as ways to continue sharing resources, suggesting solutions to the challenges many of us face, and fostering an even greater sense of community than already exists here in San Francisco among those involved in Street Parks Program projects.

What really pushed the development of this new community of learning forward was the event organizers’ decision to feature a couple of projects as part of the workshop presentations. Turning to two of us from projects called “Street Park superstars” for our “creative fund-raising ideas” that are building and sustaining community support for greening projects, they asked us to describe the steps we took to reach the levels of success we have already achieved.

Pam Axelson, from the Athens/Avalon Garden project, recalled that the project started because of a murder in the neighborhood:  “The crime problem was significant,” she recalled. “The site was a night-time hang-out—a total dump site” where mattresses and other objects were discarded. Neighbors began asking, “Why don’t we make that a better-looking site?” A core group of neighbors came together, found out who owned the property, contacted DPW for approval, and also gained support from a group of planning students at the University of San Francisco.

Identifying a similarly depressing yet potentially beautiful area in our own neighborhood, those of us who initiated the Hidden Garden Steps project saw it as an opportunity to transform an overgrown, poorly maintained set of 148 concrete steps into a neighborhood gem and community meeting place similar to the ceramic tiled steps completed on Moraga, between 15th and 16th avenues. And in describing the success we had in raising $10,000 during a very simple two-hour fundraising effort in December 2011—selling some of the tiles that will become part of the ceramic-tiled Hidden Garden Steps—we told our colleagues that it was a two-hour event backed up with two years of effort similar to what was developed in the Athens/Avalon Garden project: building a strong and collaborative organizing committee; attracting an increasingly large, enthusiastic, and reliable group of volunteers; creating a visible presence for the project both onsite and online (a website, a Twitter account, a Facebook page, blog postings like this one, and, most recently, a YouTube channel); and an ever-growing set of partners from existing groups with goals that are complementary to our own (the Inner Sunset Park Neighbors, Nature in the City’s Green Hairstreak [Butterfly] Corridor, the San Francisco Parks Alliance and DPW Street Parks Program, Woodside International School, and others where our work together makes every group much stronger).

The short-term result, we noted, was an event that brought us $10,000 closer to our $300,000 fundraising goal; the more significant result, we added, is that we’re continuing to create a sense of community designed to rival the projected longevity of the Hidden Garden Steps themselves once they are completed. And the latest cause for celebration is this newfound opportunity to learn while working together with our Street Parks Program colleagues.

N.B.: This is the ninth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


Hidden Garden Steps: Volunteerism, Partnership, Community—and Success!

December 6, 2011

It’s magnificent to watch a community develop. It’s even more rewarding to be part of the group of volunteers contributing to that growth. So those of us involved in nurturing the Hidden Garden Steps project, designed to create a second ceramic-tile staircase surrounded by gardens (with  murals thrown in for good measure) in San Francisco’s Inner Sunset District, are feeling absolutely giddy at the sense of community that is springing up around us.

Working with an ever-growing group of individual and organizational partners including the San Francisco Parks Alliance and the City and County of San Francisco Department of Public Works Street Parks Program, we managed to obtain another $10,000 toward our $300,000 project goal during a two-hour onsite fundraising event that drew generous and enthusiastic supporters to the Steps last Saturday. We attracted our 100th donor (organizing committee member Barbara Meli, pictured here) contributing to the individual tiles that will be installed up and down the entire stairway. We have also received donations to support installation of five of the 22 multi-tile elements that are a key part of project artists Colette Crutcher and Aileen Barr’s stairs design, with another two sets of donors committing to underwriting additional multi-tile elements.

And, the day before, we met with our colleagues in Nature in the City’s Green Hairstreak [Butterfly] Corridor project to explore ways we can work even more closely together to restore and extend a little of the area’s natural beauty and wildlife habitats throughout those Inner Sunset District hills.

Our monthly organizing committee meeting Saturday morning, furthermore, gave us a chance to catch up with each other briefly as we continued outlining our plans for more events, more onsite improvements, and additional steady growth toward completing the project. And we even took a few minutes to relish the increased sense of collaboration each new volunteer brings to this endeavor at long-term community-building.

Encouraging signs are springing up nearly everywhere we look. The trimming of the trees by Tree Shapers, LLC last spring and our efforts to remove considerable amounts of graffiti, debris and overgrown brush allowed us to begin installing the first a series of gardens combining California native plants, succulents, and other treasures. Our work is attracting an increasing number of birds and animals—including a squirrel that was sunning itself from the top of a telephone pole on a particularly sunny morning a few days ago hours after we added nearly two dozen Monkey Flower bushes–to that garden-in-progress at the top of the steps.

We’re continuing to work toward having structural repairs to the stairs completed as soon as possible so we can further prepare the habitat for the Green Hairstreak butterflies next spring and begin creating the tiles and tile elements that will adorn the steps. In the meantime, we continue to welcome interested members of our extended community to join us at the monthly plantings and clean-ups (second Saturday of each month from 1-3 pm if rain doesn’t prevent us from working), jump into the myriad volunteer opportunities available, or simply walk the Steps and join us in celebrating our accomplishments to date.

For information about purchasing a tile or becoming involved in the Hidden Garden Steps project, please visit our website at http://hiddengardensteps.org or write to us at hiddengardensteps@gmail.com. You’ll also find us on Facebook and Twitter (@gardensteps).

N.B.: This is the eighth in an ongoing series to document the Hidden Garden Steps project in San Francisco.


Hidden Garden Steps: Growth

November 14, 2011

Who would have thought that Mark Twain’s timeless story of Tom Sawyer convincing others to paint a fence for him would find a parallel in San
Francisco’s Inner Sunset District? And yet, that’s what has been happening among the ever-growing group of dedicated, creative community volunteers collaborating on the Hidden Garden Steps project at 16th Avenue between Kirkham and Lawton streets.

Those of us who have been involved in monthly clean-ups (second Saturday of each month, from 1 – 3 pm) since April 2011—painting walls and fences marred by graffiti, pulling weeds, sweeping steps, and planting the first small sections of what will eventually be a splendid set of community gardens around a ceramic-tiled stairway—are finding our ranks growing each time we spend a couple of hours on the stairs.

Last Saturday was no exception; a couple of new volunteers who learned about us through our participation in the Inner Sunset Street Fair in October and our latest reception at Crepevine joined us to weed around the succulents, California natives, and other drought-tolerant plants we’ve been putting into the ground as part of our effort to support Nature in the City’s Green Hairstreak (Butterfly) Ecosystem Corridor project. And while all of us were having fun cleaning up and putting a few new plants into the ground—including a small freemontodendron that will eventually be one of the signature elements of the garden near the top of the stairs—more people stopped to chat, offer encouragement, and ask how they could become involved in painting those walls and fences, pulling those weeds, and adding more plants to the garden.

It really is exactly what we all hoped it would be: a community project that thrives on the generosity of other members of our extended community. The initial plantings have been a combination of donations from our colleagues in the Green Hairstreak Butterfly project, neighbors donating cuttings from their own gardens, and nature’s own donations in the form of natives coming up  by themselves—ferns, a poppy that was one of the most colorful volunteers to pop up earlier this year, and a newly spotted lupine that broke ground within the past couple of weeks and will eventually add even more color and draw more wildlife to the site.

We’ve had a spectacular year of successes, including $60,000 in cash support and more than $20,000 in donated and promised services to push us toward our $300,000 goal. A colorful mural has already been painted at the foot of the steps by artist/art and mural instructor Angie Crabtree and a few of her Woodside International School students and alums as an example of how the project will beautify the neighborhood. Substantial tree-trimming was completed free of charge by Tree Shapers, LLC to enhance the views toward and from the stairway. The clean-ups and plantings are already transforming the site in ways that are attracting birds, butterflies, other wildlife—we even had a black-and-orange-winged butterfly rest on the hat of one of our volunteers while we were working last Saturday.

Next steps in preparing to tile the stairway will be to fix an off-center section and adjoining small wall at the top of the steps; colleagues at the City/County of San Francisco Department of Public Works are drawing up plans to complete that work at no charge to the project. Then, under the direction of project artists Aileen Barr and Colette Crutcher, the mosaic tile designs will be constructed by volunteers. Under the direction of the artists, professional tile setters will then apply the mosaic risers and grey tread tiles to the steps.

For information about purchasing a tile or becoming involved in the Hidden Garden Steps project, please visit our website at http://hiddengardensteps.org or write to us at hiddengardensteps@gmail.com. You’ll also find us on Facebook and Twitter (@gardensteps).

N.B.: This is the seventh in an ongoing series to document the Hidden Garden Steps project in San Francisco.


%d bloggers like this: