Open Education Week and the Open Movement: A Tribute

March 15, 2013

In writing recently about concepts of time, collaboration, and learning, I could have sought formal publication with payment and traditional copyright protections as I’ve done for some of the other writing I have completed on my own and with colleagues. But I didn’t. I chose, instead, to take an open movement approach: I posted the article, without expectation of financial remuneration, on my blog with Creative Commons licensing—a choice dictated as much by the topic and the way it was developed as by any other consideration.

The amazingly quick, positive, and unanticipated results have been magnificent. And they provide a rudimentary case study well worth documenting—one that viscerally displays the benefits of participating in the open movement, in Open Education Week, and open collaboration in training-teaching-learning and many other endeavors.

etmoocLet’s step back to the identifiable origins of this experience. My initial source of inspiration for that time/collaboration/ learning piece—and this one, in fact—was my continuing participation in a wonderful massive open online course (MOOC)#etmooc, the Educational Technology and Media MOOC that Alec Couros and others are currently offering through March 2013. Because our latest #etmooc field of exploration is the open movement, I’ve been inclined to explore and write about it with MOOCmates in an open rather than pay-per-piece approach. This has facilitated the rapid development and exchange of still-evolving ideas; quickly inspired expansion of our synchronous and asynchronous conversations via a Google+ Hangout, live facilitated chats and other exchanges on Twitter, blog postings, comments in our Google+ community, and email exchanges; and helped us draw others who were not previously affiliated with the course into our platform-leaping exchanges.

A key moment in exploring our changing perceptions of time in collaboration and learning came when Christina Hendricks, a MOOCmate from Canada, posted a link to an article she had not yet read but suspected would contribute substantially to the conversation: “Pointillist, Cyclical, and Overlapping: Multidimensional Facets of Time in Online Learning,” published openly by Pekka Ihanainen (HAAGA-HELIA University of Applied Sciences, Finland) and John Moravec (University of Minnesota, USA) in November 2011. I devoured that piece in one sitting the same evening I received it—three nights ago; wrote about it a couple of days later—yesterday; and sent Moravec a link to my own article so he and Ihanainen would know that their work was continuing to influence others.

Open_Education_Week_2013_LogoNot more than an hour passed before Moravec wrote back, via email, with a brief note of thanks and a follow-up question (yesterday afternoon) that is continuing to expand the conversation as I complete this piece this (Friday) evening at the end of Open Education Week 2013. The conversation shot out additional tendrils this morning: Ihanainen wrote back with additional thoughts; provided a link to an online collaborative document in which he and another researcher are exploring the theme in a way that opens the conversation to anyone—regardless of time or place—who is interested in following and/or participating in it; and included a link to his collaborator’s blog that creates a bridge between the “Pointillist” article and the online collaborative document: “Response to ‘Pointillist, cyclical, and overlapping: Multidimensional facets on time in online education,” posted by Michael Sean Gallagher on November 27, 2011. To read Gallagher’s response and the ensuing exchange of 14 comments appended to that blog posting is to openly eavesdrop in the moment on conversations that originally occurred between November 2011 and January 2012—but remain as alive now as they were when Ihanainen and Gallagher composed them.

This is where we need to further develop what I referred to in my earlier description (yesterday) as “another digital literacy skill: an ability to function simultaneously within a variety of timeframes we don’t normally consider while we’re learning”: we need to take a deep breath, step back a bit, and deconstruct what is happening here so we can build upon it to the benefit of trainer-teacher-learners worldwide.

Here’s that deconstruction and summary: Hendricks and I join approximately 1,600 other learners in #etmooc between mid-January and early February 2013. We start following each other’s work via blogs and other postings and share ideas and resources throughout February and early March—including that link to “Pointillist.” I write about  “Pointillist” on March 14 and immediately connect online to Moravec, who then puts me in contact with Ihanainen, who then leads me to Gallagher’s writing on March 15. We now have a paradoxically in-the-moment asynchronous conversation connecting participants here in San Francisco (me), in Minnesota (Moravec), in Canada (Hendricks), in London (Gallagher), and in Finland (Ihanainen) via postings that at this point extend back to November 2011 and continue into the moment in which you are reading and reacting to these thoughts—yet another example of the sort of rhizomatic learning studied and facilitated in #etmooc and at the heart of the topic of timeless learning—which Ihanainen, Moravec, and Gallagher are calling the “Pedagogy of Simultaneity.”

There’s a real danger here that all this messiness and complexity—these uncontrollable shoots and roots multiplying at a mind-numbing rate from the original #etmooc rhizome—could make the average trainer-teacher-learner run for the hills and never look back. Which would be a real shame. For at the heart of all this is a wonderfully philosophical question that also has tremendous potential repercussions for how we develop, deliver, and facilitate training-teaching-learning in our onsite-online world: what can we do to build upon the best of our traditional models of learning while incorporating the techniques and tools that are quickly becoming available to us, show no sign of slowing down, and may have evolved further by the time you’re actually reading this?

What this comes down to for me personally is that in the moment in which I’m writing this, all these conversations have merged into one vibrant vital moment regardless of when others composed and expressed their thoughts or where they were, physically, when they composed and expressed those thoughts. What it comes down to for you as a reader-learner-participant is that the same moment is as vibrant and vital regardless of the date on your calendar as you read and respond to this and regardless of where you are sitting and what form of technology you are using to read this information. And that, I suspect, is the greatest lesson to be absorbed within this particular moment comprised of what we, as members of a fluid, open, pedagogy-of-simultaneity community, bring to it.

N.B.: This is the twenty-second in a series of posts responding to the assignments and explorations fostered through #etmooc–and the 200th piece I have posted on “Building Creative Bridges.”


Coming Full Circle with Digital Storytelling in #etmooc

February 11, 2013

After dabbling with digital storytelling last week as part of the work I’m doing as a learner in #etmooc, the Education Technology and Media MOOC (Massive Open Online Course) organized by University of Regina professor of educational and media Alec Couros and several “co-conspirators,” I circled back on the theme in a more focused and serious way. And found myself in far deeper emotional waters than expected—as is often the case with any completely engaging learning experience.

etmoocCouros and his colleagues have offered us choices among eight different digital storytelling challenges ranging from simple acts (writing a six-word story and combining it with an emotionally engaging image) to an “ultimate challenge”: “Write a story, and then tell that same story digitally using any number of digital tools and freely available media! For inspiration and story creation guidance, see Alan Levine’s 50+ Web 2.0 Ways to Tell a Story.”

Starting simply, I tackled the six-word stories; saw the emotional depth others were achieving; and went back to the drawing board until I found one that promised to carry me into the level of exploration others had achieved: “Through stories, our departed remain alive.”

One of the departed who remain alive for me is David Moebs, who died from AIDS-related complications in June 1998, yet remains amazingly present. He was a person whose understated generosity made a substantial difference to his friends during his lifetime: at least three different times, he gave substantial amounts of money to friends in need, knowing that the money, if used wisely, would make life-changing differences for them. He had no expectation of receiving anything in return; he simply wanted to take action at the right moment, with people he perceived to be the right people.

It was not a complete surprise to me, therefore, that when I wrote about his spirit of volunteerism and generosity and posted the article online (more than a decade after he left us, in a rudimentary form of digital storytelling long before I ever heard the term), it touched a few people who still carried strong, positive memories that were rooted in his actions.

David_Moebs

David Moebs

I was, in preparation for the #etmooc digital storytelling assignment, already going back to unpublished writing I had completed about David. I was also trying to find the appropriate way and tools to give new life to an old story. Video still felt a little beyond me; blogging felt as if it wouldn’t force me to stretch in ways the assignment was designed to make all of us as learners stretch. So I started looking for tools I hadn’t yet explored—Prezi and Vuvox among them—to see if I could revisit David’s story in my ongoing role as a learner. My starting point was to storyboard the effort using PowerPoint: I actually completed a draft that placed the script into the notes field of each slide; incorporated images licensed through Creative Commons and posted on flickr; began moving the images into Prezi and Vuvox; and recorded the script using Audacity.

That’s when I hit the sort of glitch we expect to find while learning: Vuvox wasn’t cooperating, and Prezi didn’t want to take the audio files in the format that Audacity produced and stored them. I did find an online service that would, for a fee, have transformed the recordings into a format compatible with what I had developed visually in Prezi, but I held myself back with a challenge to either locate a free online tool or find a new way to use existing tools that I already had acquired.

The solution proved simple once I returned to PowerPoint. Using the “sound” function that is under the “insert” tab within the program, I was able to easily re-record the individual elements of the script and insert them into each slide—and even pull in an audio clip from YouTube to pull the story together at a multi-media level.

And while I don’t expect to win any awards for innovations in digital storytelling, the entire exercise not only offered a wonderful opportunity to revisit an old friend, but to benefit further from the learning opportunities that #etmooc is producing at a time when so many of us are exploring what MOOCs are and will continue to offer as part of our overall learning environment. 

N.B.: This is the sixth in a series of posts responding to the assignments and explorations fostered through #etmooc. The digital story described in this posting can be viewed online in “Slide Show” mode; to produce the audio, please click on the audio icons on each slide.


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