Many of us who write or who spend time with writers are no longer naïve enough to think that it would be wonderful to meet every writer we have ever admired; writers—like anyone else—can be absolutely insufferable when given the opportunity to be full of themselves/ourselves. But when we manage to set our overinflated egos aside for at least a few minutes and listen more than talk, we discover the pleasures of being part of the formal and informal communities we create.
It has been several years since I was briefly and pleasurably part of the Squaw Valley Community of Writers and a smaller fiction-writing group, but I’ve never been far removed from writers as colleagues, friends, and mentors—and yes, in some cases, tormentors. As is the case with so many other communities of interest, formal and informal communities of writers can often be the only means we have of sustaining our creative processes when long hours, days, weeks, or even months of effort seem to produce little of consequence for us or for our readers.
Meeting a variety of first-rate writers promoting their new releases, further marketing the book Lori Reed and I co-wrote last year (Workplace Learning & Leadership), and attending a reception for writers united under a single publishing house (ALA Editions) at the 2012 American Library Association (ALA) Annual Conference last month provided yet another reminder of how important these communities can be for those whose work is largely completed in long stretches of solitary effort. And how far-reaching our connections are even when we do not clearly see them.
At the heart of the reception was ALA Editions’ right-on-target goal of formally and cordially welcoming authors from Neal-Schuman to the ALA Editions stable of writers after ALA Editions acquired Neal-Schuman. More importantly, however, it provided an opportunity for writers and others associated with both publishing houses to sit together, share ideas, and look for the creative opportunities that our unanticipated connections might provide.
It doesn’t take long, when walking into the sort of small and intimate setting ALA Editions provided that evening, to recognize familiar faces: staff from the publishing house; colleagues associated with ALA Editions; and even a few from the latest addition to the ALA family. But the real fun began as we occasionally lined up to retrieve a beverage or small plate of hors d’oeuvres and play the read-that-nametag game to match familiar names with unfamiliar faces.
The winning moment came for me when I looked up from a name tag and found myself unexpectedly eyeball to eyeball with a writer—Esther Grassian—whose work influenced me tremendously while I was earning a Master’s degree and focusing on online learning a few years ago. Because it was an article she co-wrote (“Stumbling, Bumbling, Teleporting, and Flying…Librarian Avatars in Second Life”) that had attracted my attention as a student, I had no idea she also had co-authored two Neal-Schuman books with Joan Kaplowitz and would, therefore, be at the reception. Having met plenty of colleagues who write, I’m far from star struck when I meet a writer whose work I admire—OK, OK, let’s be honest: I’m always star struck when I meet someone whose work I admire, but I was trying (probably unsuccessfully) to not let it show in a setting where Grassian and I were ostensibly colleagues rather than writer-admirer.
She was gracious enough to sit with me and a few of the other attendees as we discussed our work, what we are doing, and what we hope to be doing over the next couple of years. And the magic continued as various people one or the other of us knew joined us at that table and become part of a brief and pleasurable evening when we could learn from each other. Consider possibilities none of us might have stumbled upon without those exchanges. And celebrate the wonderfully sustaining power of communities of writing.