Peter Harnik, Innovation, Community, and Parks: Going for the Green

March 26, 2014

Working on the Hidden Garden Steps project in San Francisco and joining the San Francisco Parks Alliance (SFPA) Parks Policy Council recently has, naturally, made me even more of an advocate for accessible and welcoming public spaces than ever before.

Harnik--Urban_GreenMy love for public parks and public spaces is nothing new. Having grown up in a California Central Valley town where one of the most accommodating and appealing resources was a well-maintained park along one of the town’s natural waterways, I’ve appreciated and benefitted from the availability of those areas as places to sit with friends, take a walk, or read and write and think. Visiting and working in a variety of large and small cities throughout the United States and other parts of the world, I consistently find myself drawn to parks and libraries as places that reflect the best of a community’s values and aspirations. They are the places I first turn to in an effort to develop a sense of cohesion or isolation within the communities they serve.

It’s no surprise, therefore, that I was completely fascinated by and immersed in Urban Green: Innovative Parks for Resurgent Cities (2010), an engagingly concise exploration of innovative approaches to developing urban public spaces. Peter Harnik, director of the Center for City Park Excellence at The Trust for Public Land, does a magnificent job, in 160 pages of text and additional resources listed at the end of the book, in exploring two significant themes: issues to consider in discussing the creation, nurturing, and maintenance of urban parks, and how successful parks advocates across the United States are finding ways to create more open space and to better use the current spaces we have.

The table of contents itself serves as a resource for inspiration and a checklist for those of us interested in seeing how well our cities stack up against other’s as we review the list of ideas for “finding park space in the city”: buying it; utilizing urban redevelopment; community gardens; old landfills; wetlands and stormwater storage ponds; rail trails; rooftops; sharing schoolyards; covering reservoirs; river and stream corridors; cemeteries (now there’s  topic worthy of open discussion for all it invokes in terms of our attitudes toward life and death and how normally-separated uses of a space might work in complementary ways); boulevards and parkways; decking highways; closing streets and roads; removing parking; and adding hours rather than acres.

Harnik comes across as both realistic and visionary: “To be fair, none of us can fully comprehend the complexity of the urban labyrinth. It may be possible to construct something visually pleasing with evenly spaced green polygons on a color-coded map or to arrange artful golf courses in a ‘simulated city’ computer game, but real-life cities have too many physical impediments, political interferences, and cultural and economic exceptionalities for simple standards to rule (pp. 1-17),” he writes, then returns later with the idea that “Cities change all the time and every change holds opportunity. If there is room for a single new building, or even a new parking lot, there is room for a new park, as has been seen recently in Kansas City (Ilus Davis Park), Cleveland (Whiskey Island), San Francisco (Visitacion Valley), Washington, D.C. (Canal Park), and Newark, New Jersey (Nat Turner Park)” (p. 71).

He’s a realist, reminding us that dreams have to have concrete foundations including budgets and specific timelines for completion: “The budget elevates the plan from platitude to reality.…A plan without a timeline and a budget should more accurately be called a ‘hope.’” (pp. 57-58). He also is an inspiration as he helps us examine the use of public spaces through a three-way classification system developed in Portland, Oregon: “people-to-people” places, “people-to-nature” places, and “nature-to-nature” places (p. 23).

Trust_for_Public_Land--LogoBut one of Harnik’s most encouraging achievements is his ability to make us look at what he documents and then see our own communities through the framework he provides. Which, for me, produced encouraging results: looking around San Francisco, I see that the incredible collaborations supported by our colleagues in City/County government, local nonprofits including the San Francisco Parks Alliance, neighborhood associations, and thousands of individual volunteers who become engaged in specific projects they adore. I see the innovative approaches fostered by the San Francisco Pavement to Parks program and the San Francisco Department of Public Works/SFPA Street Parks Program collaboration and marvel at how relatively small and underutilized or long-ignored spaces are transformed, piece by piece, into a cohesive pattern of public spaces that bring local and extended communities together in ways that would not otherwise be possible.

We may not be able to “fully comprehend the complexity of the urban labyrinth,” as Harnik has suggested, but through our individual involvement in developing, supporting, and sustaining community collaborations, we make the urban labyrinth less difficult to navigate. And we find yet another opportunity to reduce conflict and divisiveness by working together upon the common ground we find and cherish.

N.B.: For more information about urban parks across the United States, please visit the Trust for Public Land ParkScore® index online.


Hidden Garden Steps: A Community Continuing to Evolve

January 15, 2014

The Hidden Garden Steps ceramic-tile mosaic created and completed by project artists Aileen Barr and Colette Crutcher is in place here in San Francisco, and an ever-expanding community has quickly claimed the site as its own—just as organizing committee members hoped it would.

The Steps as venue for exercise

The Steps as venue for exercise

New resources connecting that community are appearing online with increasing frequency. We have seen our existing website, Facebook page, and Twitter account (all created and maintained by project volunteers) augmented through individual initiatives by those who are falling in love with the Hidden Garden Steps (on 16th Avenue, between Kirkham and Lawton streets in San Francisco’s Inner Sunset District): There are already reviews on Yelp, check-ins on Foursquare (including our first official Hidden Garden Steps Foursquare mayor), favorable mentions in the San Francisco Examiner and on Weekend Sherpa, and wonderful articles on Cindy Casey’s “Art and Architecture – San Francisco” blog and Tony Holiday’s San Francisco park trails and public stairways blog.

A two-fold agenda was always at the heart of the four-year effort to transform the overgrown, ill-tended, graffiti-marred 148-step concrete staircase (originally constructed in 1926) into a neighborhood gem: creating a second ceramic-tiled staircase with community gardens to complement the original steps on Moraga Street, between 15th and 16th avenues, and creating an outdoor variation on the indoor Third Place concept promoted by  Ray Oldenburg in The Great Good Place: Cafés, Coffee Shops, Bookstores, Bars, Hair Salons and Other Hangouts at the Heart of a Community (1989)

The formal opening ceremony on Saturday, December 7, 2013 provided plenty of signs that both goals were being met. Sherry Boschert, a Hidden Garden Steps supporter who remains active in a variety of neighborhood initiatives, worked with Steps organizing committee members to organize and orchestrate a community-based volunteer-driven block party that attracted more than 150 participants. Among those speaking at the event were San Francisco County Supervisor Norman Yee (also serving as acting mayor that day); San Francisco Department of Public Works Community Liaison Jerad Weiner, who remains a conduit of onsite support through the San Francisco Department of Public Works Street Parks Program; DPW structural engineer Ray Lui; San Francisco Parks Alliance Executive Director Matt O’Grady, offering support as head of our fiscal agent; and the artists themselves.

Every one of those brief from-the-heart presentations acknowledged the number of partnerships, donors, and community volunteers needed to produce something of that magnitude, and Supervisor Yee’s own presentation captured the spirit of the endeavor—rather than placing himself at the center of the event, he very generously spent time  acknowledging that he was elected to represent the district as the project was nearing completion and that it was the work of his predecessor (former District 7 County Supervisor Sean Elsbernd) and predecessor’s staff that contributed tremendously to the success of the Steps initiative.

Ribbon-cutting at the Opening Ceremony

Ribbon-cutting at the Opening Ceremony

Organizing committee members had one intentionally brief, wonderfully playful moment in the limelight as we were surrounded by many of our project partners to cut a multi-colored crepe-paper-weave ribbon stretched across the foot of the Steps. We then literally and figuratively stepped aside as dozens of people streamed up the Steps to transform the site from a project facilitated by a core group of community volunteers to one claimed by the larger community that supports it.

By late afternoon, the crowds had dispersed. A sense of tranquility was once again palpable on site. And by mid-evening, the Steps were continuing to quickly evolve into a meeting place for friends as well as for neighbors and complete strangers who otherwise might not be seeing, talking, and dreaming with each other. As I was taking a final look down the Steps just before 10 o’clock that evening, I ended up talking with someone who hadn’t realized the Steps were already completed and open to the public. We chatted about how the project had developed, talked about how he wished he had been available to more actively support and be an active participant in the development and implementation of the project, and talked about other neighborhood projects in development—which made me realize that less than 10 hours after the Steps opened, they were already functioning as an outdoors Third Place that draws people together and creates the possibility of additional collaborations.

A recent spur-of-the-moment sweepathon

Those encounters have continued on a daily basis since that initial day. Several organizing committee members and other neighbors all found ourselves engaged in a wonderful impromptu conversation on the Steps on New Year’s Day. Visitors from San Francisco’s East and South Bay areas have repeatedly come to the Steps and brought friends. Those who supported the project through the purchase of individual tiles interwoven into the completed mosaic with personal inscriptions come, photograph, and bring friends to enjoy the beauty of the site and the spectacular views it provides. Project volunteers continue to participate in the monthly two-hour clean-up and gardening sessions held on the second Saturday of each month from 1 – 3 pm (open to any interested new or returning volunteer), and neighbors, without any formal guidance or call to action, simply show up when they see that the Steps need to be swept or in some other way spruced up a bit to keep the site pristine.

HGS--Third_Place_Clean-up--Al--2014-01-05

Steps volunteer Al Magary engaged in clean-up

Most importantly of all, the spirit of community and collaboration that drove the Hidden Garden Steps to completion is already inspiring a neighbor—Al Magary—to see if he can informally organize a group to sweep and take other actions to clean up the long-ignored even larger set of steps one block away (on 15th Avenue, between Kirkham and Lawton streets). Anyone interested in joining that budding community of interest can contact Al for more information at 15thAveStepsPark@gmail.com. Who knows? Perhaps a third set of ceramic-tiled steps is on its way.

N.B.: This is the twenty-third in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


Hidden Garden Steps: Opening-Day Reflections

January 15, 2014

The following is a slightly-edited version of comments delivered during the opening celebration for the Hidden Garden Steps on Saturday, December 7, 2013; the Steps are located on 16th Avenue, between Kirkham and Lawton streets, in San Francisco’s Inner Sunset District.

We struggle—all of us—so much these days with simple concepts like community, collaboration, cooperation, faith, and love. Hard to define. Even harder to develop. And yet there it is: the Hidden Garden Steps, an example of what community, collaboration, cooperation, faith, and love can produce.

HGS--Opening_Celebration[4]--2013-12-07One of the most beautiful aspects of that spectacular mosaic by Aileen Barr and Colette Crutcher is what it documents. Adam Greenfield, president of the Inner Sunset Park Neighbors, said two nights ago that communities coalesce around the stories they create and share. And there it is. Adam’s idea incarnate. A complex, beautiful, and enticing mosaic capturing a from-the-heart piece of our community’s narrative.

The Steps have more than 600 individual names or inscriptions from donors in California and 14 other states (Alaska, Florida, Hawaii, Idaho, Illinois, Louisiana, Minnesota, New Jersey, New York, North Carolina, Oregon, Pennsylvania, Texas, and Washington), from Washington, D.C., and from four countries outside of the U.S. (Canada, France, Germany, and the United Kingdom). Aileen and Colette have seamlessly woven them into the overall design—a design that is the latest addition to the narrative of the Inner Sunset District, its residents, some of its former residents, and its visitors. It’s also part of the extended narrative of San Francisco and our connections to communities around the world, across decades and centuries. We—all of us, all of you—are living proof of what happens when people set egos aside and come together to create something of lasting value. Something we will enjoy and know that those here long after we are gone will enjoy as well.

You can’t go more than a few steps up that site without seeing the narrative come to life—for example, when you see Edith Johnson’s name. Edith, who is nearly 100 years old and has lived here longer than many of us have been alive.

You go a little farther and maybe you see the name of someone’s pet that is no longer with us. Or you see your own name, or the names of family members, friends, and neighbors.

And about two-thirds of the way up, where the Steps bend to the left around a larger landing, you see a massive passion flower—another reminder of the passion that drives this project and our community. That passion flower is what we call our “Gratitude Element.” It documents our gratitude for the many organizations and businesses that came together to bring the Steps to life.

For those who grumble about government and government workers, there’s the reminder that our partners in the San Francisco Department of Public Works fell in love with this site as they worked on it with us and made it far better than any of us dreamed it could be. It’s not “DPW” as some bureaucratic entity; it’s DPW made of people like Ray Lui, Kevin Sporer, Bill Pressas, Nick Elsner, and all the staff they sent our way.

For those who forget that there were already many community-based organizations active in our neighborhood, there’s the documentation that they came together under the Hidden Garden Steps banner. The San Francisco Parks Alliance supports us as our fiscal agent. The San Francisco Department of Public Works Street Parks Program provides us with tools and other materials to cultivate the gardens. Those gardens initially began to grow from donations from neighbors as well as from volunteers from Nature in the City’s Green Hairstreak butterfly project—which now is a more extended habitat than before because the Hidden Garden Steps site extends it a bit farther north, toward Golden Gate Park. There are our neighborhood associations—SHARP (Sunset Heights Association of Responsible People), the Golden Gate Heights Neighborhood Association, and the Inner Sunset Park Neighbors (ISPN). If you want to see how much ISPN members contribute to the neighborhood, join them—more members of our community—tomorrow on Irving Street between 9th and 10th avenues from 10 am to 6 pm for their final street fair/community gathering of the year, and the community potluck they are hosting next Tuesday evening at St. John of God community center at 5th and Irving.

For those who have little opportunity to interact with our elected officials, think of the people you see here today as well as former District 7 County Supervisor Sean Elsbernd, and those magnificent legislative aides (Alex Volberding and Olivia Scanlon) who so frequently helped connect us to supportive colleagues within City/County government. And Katie Tang, who as a legislative aide to Carmen Chu did all she could to draw positive attention to the Steps—and continues to do so now in her position as a County Supervisor with her fabulously helpful legislative aide Ashley Summers. And going back to Sean Elsbernd: think about how he agreed to use a neighborhood beautification fund to cover more than $7,000 in City/County permits before the project could be brought to completion.

You walk those Steps and you see the names of the members of the project’s core organizing committee—no more and no less visible than the names of others who supported the project. Not set apart, but integrated into the community that we so obviously cherish.

There are local merchants like Majed Fakhouri, who by hosting three events for project organizers and supporters at his Crepevine restaurant on Irving Street, provided a place for us to meet and eat and organize.

There’s Sam and his brothers at the 828 Irving Market, who kept our promotional brochures prominently displayed in the market window for nearly three years as we continued to reach out to the community for financial as well as volunteer support. And there are Chris and Nick at the 22nd and Irving Market who did the same in their part of the neighborhood so no interested neighbor would remain unaware of what we all were proposing to do together.

HGS--Opening_Celebration[2]--2013-12-07

Maya (center), with her mother and a friend

But that’s far from the complete story. The narrative we’re helping extend includes people like Maya, who was born on January 24, 2010—five days before the Hidden Garden Steps project was born as a result of an unplanned meeting in a branch library on the other side of town. Maya is growing up as the Steps are growing up. The mosaic on the Steps is an integral part of her life, and she has a tile that will remind her that she and her parents were here when it all was being built. If we’re lucky enough to keep her here in the neighborhood, she may extend the narrative herself if life leads her to raising her own family in a home not far from the Steps.

One more from the many that could be told: there’s Darren Gee, who as president of the George Washington High School Key Club three years ago brought his Key Club friends back month after month to help pull weeds, paint out graffiti, begin replanting the hill, and revitalize the hill. Because he remembered, in the following words, how menacing the site once felt:

“When I was little, my grandma used to take me up those stairs and I would be dead scared.  The stairs were dirty, dated, and covered with leaves.  I would always be afraid to slip so I’d slowly crawl up them or hold onto my Grandma for dear life.”

So many stories. So many additions to the narrative of our community and connections everywhere. Let’s give credit where credit is due. Please applaud yourselves. All of you. For all you did to make this happen. And remember that in many ways this is neither an ending or a beginning. It’s part of an amazing level of continuity that all of us will help sustain as we continue meeting here on the second Saturday of every month from 1- 3 pm. To sweep. To weed. To plant. To paint out any graffiti placed by those who don’t understand what adds to community as opposed to what detracts from it. But most of all to relish the community we have joined and continue to develop.

Our work together doesn’t have to take place just one time a month. We’re part of a community if we remove litter anytime we find any on the Steps. We’re part of a community if we remove graffiti whenever it appears. We’re part of a community if we come out on our own time and sweep a bit when it is needed. We’re part of a community if we kindly and openly and graciously approach people who may forget that people sleep at night in the buildings next to the Steps and are disturbed by loud conversations or impromptu parties. We’re part of a community if we ask those engaged in any other type of disruptive behavior to join us in making this a warm, welcoming, inclusive area for all who want to be part of our community. It’s up to us to add to that narrative.

We’re all in this together.

N.B.: This is the twenty-second in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


Hidden Garden Steps: Community, Collaboration, Geocaching, and Muggles

August 29, 2013

I’m officially a muggle. At least that’s what “Team512”—known more colloquially as Margo Peterson among her colleagues at the University of California, San Francisco, where she works—playfully confirmed earlier today when I found her on the Hidden Garden Steps here in San Francisco’s Inner Sunset District.

Muggles, as readers of the J.K. Rowling Harry Potter series (or the Wikipedia “Muggle” article) know, are those lacking magical powers and magical blood. They are also, under the rules of the Geocaching game that brought Peterson to the Steps this morning, those not yet initiated into the pleasures of geocaching—whimsical searches that incorporate GPS technology into excursions introducing residents and visitors to places they might otherwise not be inclined to explore throughout the world. Geocachers who are successful at onsite and online searches find a variety of objects—the one on the Steps is a small ceramic turtle containing a metal cylinder with a piece of paper that geocachers use to document that they were there before also documenting their success online at Geocaching.com.

HGS--Geocaching--Margo[1]--2013-08-29

Margo Peterson

Peterson says she has more than 6,000 finds to her credit, including objects found in a cave outside of Livermore (here in the San Francisco Bay Area) and at the end of a “Vampire Empire” search that led her through part of the Chicago subway system. And although geocaching is, in her words, “a little nerdy,” it also offers the same sort of enticements that involvement in the Hidden Garden Steps project itself offers: an opportunity to be part of a playfully engaging—and engaged—community. Peterson says she knows of barbecues, coffee-house gatherings, and many other social events that have drawn geocachers together when they were not actively engaged in their onsite and online searches.

Encountering Peterson and learning about this generally muggle-free endeavor that has led to the creation of more than 2 million caches available to the more than 6 million geocachers who have registered since 2000 is, for me, just the latest unexpected benefit to having been involved in the Hidden Garden Steps project since early 2010. The Steps effort has two explicit goals: to create a second set of ceramic-tile steps, murals, and gardens here in the Inner Sunset District, and to create a community-meeting space that fosters a greater sense of community and collaboration than already exists in one of San Francisco’s great neighborhoods.

HGS--Preview--Mosaic[1]--2013-07-20

Mosaic in progress, at preview (7/20/13)

Discovering that the Steps—“Stairway to Heaven #3”—has become one of the “premium” (available only to paying members of Geocaching.com) searches even before the mosaic that is nearing completion in the studios of project artists Aileen Barr and Colette Crutcher is formally installed onsite on 16th Avenue between Kirkham and Lawton streets is a great sign that the Steps effort continues to attract a community extending far beyond the Inner Sunset District itself. Our fundraising campaign to raise approximately $300,000 in cash and in-kind services successfully concluded in July 2013 with nearly $10,000 in additional individual gifts in 10-day period and a $32,500 grant from the City and County of San Francisco Community Challenge Grant program. Extensive onsite preparation work by City and County of San Francisco Department of Public Works employees is keeping us on track for installation of the mosaic sometime between October 2013 and spring 2014. Visitors drawn to the original tiled steps, on Moraga Street between 15th and 16th avenues, are increasingly finding their way to the new site, where long-hidden views continue to be revealed through the work of volunteers and other supporters. And recent conversations with visitors from other parts of the United States as well as from China, France, and many other countries show that there is a great deal of enthusiasm and excitement about how the project has developed with partnerships and collaborations that include neighborhood associations, the San Francisco Parks Alliance and the San Francisco Department of Public Works (DPW) Street Parks Program, local government representatives, businesses, and more than 500 individuals who purchased tiles that have been incorporated into the mosaic and whose names are still being added to the project website as a sort of snapshot of the levels of support that volunteer-based community-driven efforts can still attract. All of which might have combined to transform me into a muggle-in-transition since I am, through my encounter with Peterson on the Steps, beginning to suspect that the geocache there may not be the last one I encounter.

N.B.: This is the eighteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


Hidden Garden Steps: Dreams Taking Shape

July 22, 2013

When dreams take shape, the communities that helped create them notice—as was obvious last Saturday (July 20, 2013) while 110 of the 148 ceramic-tile step pieces that will eventually be installed on the concrete staircase on 16th Avenue between Kirkham and Lawton streets in San Francisco’s Inner Sunset District were on display for the first time.

HGS--Preview--Mosaic[1]--2013-07-20This, quite literally, was a preview of a dream in the making over a three-and-a-half-year period. Organizing committee members for the community-based volunteer-drive Hidden Garden Steps project have been working to complete this $300,000 volunteer-driven community based effort to create a second set of ceramic-tiled steps along with gardens and murals since January 2010. Project artists Aileen Barr and Colette Crutcher have been building the mosaic, piece by piece, since September 2012, and have included numerous volunteers in the process through two public workshops (December 2012 and March 2013). More than 400 individuals—including a few from the United Kingdom and from Paris—and local businesses have made the contributions that have already provided  nearly two-thirds of the cash needed to complete the project; in-kind (non-cash) donations of materials and services are providing the balance. Our partners at the San Francisco Parks Alliance and the San Francisco Department of Public Works (DPW) Street Parks Program have provided tremendous administrative and onsite support, and our colleagues at the City and County of San Francisco Community Challenge Grant program recently awarded the project an additional $32,500 to bring us very close to our final fundraising goal.

But none of us had seen the entire mosaic-in-progress laid out in its current form before last Saturday—not even the artists, who have been working on this massive permanent community art installation section by section for the past several months. The closest we had come to seeing the project take shape was the continual inspiration provided by the initial Inner Sunset District ceramic-tile mosaic and gardens that continue to serve as a neighborhood gem on Moraga Street, between 15th and 16th avenues and glimpses of smaller, individual segments for the Hidden Garden Steps mosaic.

HGS--Preview--Making_Tile[1]--2013-07-20The results were spectacular. Dozens of community members lingered around the mosaic over a four-hour period, repeatedly commenting on how it was even more beautiful than they had imagined it would be. Many people, realizing that opportunities to add their names or inscriptions to the permanent mosaic would end in less than two weeks (July 31, 2013), made contributions so they would not be left behind on this one. (Onsite tile purchases that day brought in nearly $5,000, and additional online purchases have, as of this morning, raised that total to nearly $7,500 over a 48-hour period. Those who purchased tiles on the spot had the added pleasure of working with the artists to actually inscribe their names into a large tile element in progress. And, most importantly of all, we luxuriated in the visceral evidence that one of our main goals—strengthening the sense of community that already existed in the Inner Sunset District—was reaching fruition as local residents joined out-of-town and out-of-state visitors in a celebration of what volunteers can accomplish when collaborating with a large number of other individuals, nonprofit organizations, and representatives of government agencies.

There is still plenty of work to do. We’re in conversation with companies to obtain the tile that must be placed on top of each step to make this a safe area to walk (the ceramic-tile mosaic itself will be on the outward facing segment of each step so that those walking uphill see it as they ascend the staircase; nothing will be visible to those only looking down); our San Francisco Department of Public Works colleagues are continuing to construct erosion-control barriers and terracing to deal with a decades-old challenge before the mosaic is installed; and, as of this morning, DPW employees were onsite to begin completing repairs on  the numerous chips and cracks on the staircase that must be done before the completed mosaic is installed (sometime between October 2013 and spring 2014).

HGS--Terracing[1]--2013-07-17Anyone interested in seeing community at work doesn’t have to wait that long, however. Walking on the top third of the concrete steps already provides glimpses of the gardens-in-progress that are being installed as quickly as SF DPW employees finish sections of the retaining walls and terracing. Views of San Francisco that were previously obscured by untrimmed trees have been tantalizingly revealed. More and more people are using the stairs as a corridor from one part of the neighborhood to another, as a place to walk or run, or simply as a place to gather and enjoy a tranquil oasis in what at times can feel as if it’s an overwhelmingly busy city.

Conversations now flow on the Steps as neighbors stop to talk. New ideas for community improvement are evolving—for our neighborhood and beyond. And, as I discovered again on a recent morning, the site continues to be transformed into an equally wonderful place for contemplative moments as the number of hummingbirds, scrub jays, and other birds increases as we plant California natives and other drought-tolerant plants near the top of the Steps; breezes gently move newly-installed native grasses in mesmerizing ways; and the succulent gardens continue to thrive and expand at the foot of the Steps as a hint of what is yet to come.

N.B.: This is the seventeenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


Synthesis, Shifting Perspectives, and Storytelling: Hidden Garden Steps and #etmooc

February 12, 2013

Sometimes the slightest shift in perspective reveals the presence of stunningly beautiful interweavings that moments earlier hadn’t been obvious between various elements of our lives. That moment came for me this morning while viewing a colleague’s newly-posted video on YouTube.

etmoocCommunity, collaboration, and creativity in a variety of venues seemed to be coalescing into an incredibly beautiful tapestry as I watched  the video prepared by Hidden Garden Steps organizing committee co-chair Liz McLoughlin. I was initially captivated simply by what Liz had produced: a chronicle of the community collaborations between Steps volunteers, elected officials and civil servants here in San Francisco, and partners including the San Francisco Parks Alliance and the San Francisco Department of Public Works Street Parks Program; cash and in-kind donation successes; and community workshops designed to allow hands-on involvement in the actual construction of the mosaic that is at the heart of the project.

I became even more enchanted and emotionally moved when I shifted my perspective slightly so that the connections between Liz’s work and other elements of my own current explorations in online  and blended learning as well as with building abundant communities became obvious. What made me see that video in the larger context of creative interactions, collaborations, and community-building was the fact that that Liz, as one of many who are pushing this volunteer-driven community based effort to create a second set of ceramic-tiled steps along with gardens and murals  in San Francisco’s Inner Sunset District, had perfectly captured the playful spirit and energy of the Hidden Garden Steps effort. There was also the simultaneous realization that Liz, in the context of documenting successes for the Hidden Garden Steps project, had produced a wonderful example of digital storytelling. By combining enticing music, wonderful images, a set of PowerPoint slides, and an engaging story into a video, Liz had, all at once, produced an attractively positive story of how members of communities work together to bring dreams to fruition; an update to current and prospective project supporters; and a great example of what thousands of us are currently studying in #etmooc, the Education Technology and Media MOOC (Massive Open Online Course) organized by University of Regina professor of educational technology and media Alec Couros and several co-conspirators.”

As I’ve documented in two interrelated posts here on Building Creative Bridges, digital storytelling draws upon archetypal elements at the heart of vibrant, creative communities by enticingly documenting what is most important to us. And the experience of exploring digital storytelling within such a dynamically stimulating community as the one developed by those who have organized and are facilitating #etmooc has certainly been inspiring me to look more deeply about how the stories we tell are at the heart of nearly every successful effort that attracts my attention. I see this in my various roles as a volunteer, in the work I do as a trainer-teacher-learner, and in the writing that puts me in touch with creative colleagues worldwide through our promotion and use of social media tools—including those we routinely use to complete assignments within #etmooc and the Social Media Basics course I just finished facilitating again.

The more I think about the interwoven threads of these various stories that are unfolding in my life (the Hidden Garden Steps project, #etmooc and digital storytelling, the Social Media Basics course, my face-to-face and online interactions with colleagues at conferences and in social media platforms, and my ongoing efforts as a trainer-teacher-learner), the more fascinated I become at how the smallest part of any of them sends out tendrils along the lines of the rhizomatic learning concepts we’ve also been studying in #etmooc.

But then I also realize that I’m falling into the trap of making all of this too complex. What it really comes down to is that we’re incredibly social and interconnected people living in an incredibly interconnected onsite-online world. We live socially, we learn socially, we dine socially, we thrive socially, and we build socially. And, at least for me, one of the key pleasures comes from the leaning that occurs in each of these personal and shared short stories that become the extended stories—the novels—that we are creating by living them.

With that act of circling back to learning as a key element of our individual stories, we find one more thread that ties this all together. Given that learning is a process of responding to an immediate need by engaging in positive transformation, we can all continue learning—and creating the stories that give meaning to our lives—through our involvement with challenges along the lines of nurturing the Hidden Garden Steps project, finding community in #etmooc, and becoming active participants in a variety of other collaborative and community-based efforts. The more we look for and document interweavings between these seemingly disparate endeavors, the better learners—and storytellers—we become.

N.B.: This is the fifteenth in a series of posts responding to the assignments and explorations fostered through #etmooc and the fifteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


Building Abundant Communities (Part 4 of 4): Hidden Garden Steps

November 21, 2012

New community possibilities emerge “when we and other neighbors know of each other’s gifts,” John McKnight and Peter Block suggest in their book The Abundant Community: Awakening the Power of Families and Neighborhoods. And that’s exactly what we continue to see in the Hidden Garden Steps project here in San Francisco’s Inner Sunset District.

As has been abundantly chronicled in this continuing series of articles about the Steps and the overlapping shorter series about fostering abundant communities, an awareness of gifts, resources, and an enthusiastic commitment to collaboration has steadily moved us toward a very exciting phase of our efforts to create a second set of ceramic-tiled steps along with murals and gardens featuring California native and other drought-tolerant plants. Project artists Aileen Barr and Colette Crutcher have, since September 2012, been working in their studios to build the 148-step mosaic that will eventually be installed on the 16th Avenue concrete steps connecting Kirkham and Lawton streets. Community involvement in fundraising, marketing, and hundreds of hours of onsite work cleaning up a terribly ignored pedestrian corridor has drawn together an ever-growing group of volunteers and other supporters inspired by the beauty of the first step of steps (on Moraga Street, between 15th and 16th avenues) completed by the same two artists working with a different group of neighbors and other supporters.

Our next big step forward, at this point, is less than two weeks away: our two artists (on Saturday, December 1, 2012, from 1-5 pm), will lead the first of three community workshops for anyone interested in making hands-on contributions to the construction of the mosaic.

This will be a celebration of community and collaboration in action within a local church meeting hall (Christ Church Lutheran, 1090 Quintara, San Francisco). It’s a chance to learn how projects of this magnitude are literally pieced together. An opportunity to work side-by-side with neighbors on a process that not only will produce a new community gem but also contribute to the already strong sense of community that exists within the Inner Sunset District. And a pre-holiday chance to reflect on what our work together over a three-year period has created and continues to create.

It also is a visceral incarnation of the spirit of “making gifts visible,” as outlined by McKnight and Block in The Abundant Community (pp. 120-122): having members of a community teach and learn from each other; bringing together residents and local business representatives (a couple of our sponsors are donating refreshments for workshop participants); and attracting community members of all ages and backgrounds.

There is plenty to acknowledge and celebrate in projects like the Hidden Garden Steps. These community efforts help build connections between those of us who previously knew little more about our neighbors than what we garnered from hurried waves and cursory greetings as we raced from one personal obligation to another. They attract people from other nearby neighborhoods so that we develop an extended sense of community, support, and simple, pleasurable human interactions that often seem to reach no further than a few feet away from our own homes or apartments. They further connect us to those wonderful third places within our communities—the coffee shops, the libraries, the neighborhood farmers markets, and streets transformed into meeting places by community-operated street fairs. And they remind us—through the collaborations we establish with existing groups like San Francisco’s Inner Sunset Park Neighbors (ISPN), the San Francisco Parks Alliance (our fiscal agent), and the San Francisco Department of Public Works Street Parks Program (supporting our onsite work on City/County property)—that transforming a dream into reality doesn’t necessarily mean that we have to start from scratch in our efforts to organize for success.

“The expression of our gifs and their manifestation through association with our neighbors” is at the heart of abundant communities, McKnight and Block remind us in The Abundant Community (p. 109). “The challenge is to make these gifts visible among all in the neighborhood. These are the means for creating our social fabric. The task is to make more widely available these gifts in service of our core concerns for the child, the land, enterprise, food, health, the vulnerable, and our safety With the consciousness and ability to connect our gifts and make them practical and usable, we experience what we are calling community abundance (p. 120).”

And as Hidden Garden Steps current and prospective supporters move toward the day of our first mosaic-building workshop and continue with our fundraising efforts to bring this $300,000 volunteer-driven community-based effort to a successful conclusion, we all have plenty to celebrate—and to offer others in need of the inspiration we continually find from the families, friends, and other neighbors who are contributing to our own abundant successes.

N.B.: This is the fourteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco and the fourth in a four-part series of articles exploring abundant communities. 


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