Synthesis, Shifting Perspectives, and Storytelling: Hidden Garden Steps and #etmooc

February 12, 2013

Sometimes the slightest shift in perspective reveals the presence of stunningly beautiful interweavings that moments earlier hadn’t been obvious between various elements of our lives. That moment came for me this morning while viewing a colleague’s newly-posted video on YouTube.

etmoocCommunity, collaboration, and creativity in a variety of venues seemed to be coalescing into an incredibly beautiful tapestry as I watched  the video prepared by Hidden Garden Steps organizing committee co-chair Liz McLoughlin. I was initially captivated simply by what Liz had produced: a chronicle of the community collaborations between Steps volunteers, elected officials and civil servants here in San Francisco, and partners including the San Francisco Parks Alliance and the San Francisco Department of Public Works Street Parks Program; cash and in-kind donation successes; and community workshops designed to allow hands-on involvement in the actual construction of the mosaic that is at the heart of the project.

I became even more enchanted and emotionally moved when I shifted my perspective slightly so that the connections between Liz’s work and other elements of my own current explorations in online  and blended learning as well as with building abundant communities became obvious. What made me see that video in the larger context of creative interactions, collaborations, and community-building was the fact that that Liz, as one of many who are pushing this volunteer-driven community based effort to create a second set of ceramic-tiled steps along with gardens and murals  in San Francisco’s Inner Sunset District, had perfectly captured the playful spirit and energy of the Hidden Garden Steps effort. There was also the simultaneous realization that Liz, in the context of documenting successes for the Hidden Garden Steps project, had produced a wonderful example of digital storytelling. By combining enticing music, wonderful images, a set of PowerPoint slides, and an engaging story into a video, Liz had, all at once, produced an attractively positive story of how members of communities work together to bring dreams to fruition; an update to current and prospective project supporters; and a great example of what thousands of us are currently studying in #etmooc, the Education Technology and Media MOOC (Massive Open Online Course) organized by University of Regina professor of educational technology and media Alec Couros and several co-conspirators.”

As I’ve documented in two interrelated posts here on Building Creative Bridges, digital storytelling draws upon archetypal elements at the heart of vibrant, creative communities by enticingly documenting what is most important to us. And the experience of exploring digital storytelling within such a dynamically stimulating community as the one developed by those who have organized and are facilitating #etmooc has certainly been inspiring me to look more deeply about how the stories we tell are at the heart of nearly every successful effort that attracts my attention. I see this in my various roles as a volunteer, in the work I do as a trainer-teacher-learner, and in the writing that puts me in touch with creative colleagues worldwide through our promotion and use of social media tools—including those we routinely use to complete assignments within #etmooc and the Social Media Basics course I just finished facilitating again.

The more I think about the interwoven threads of these various stories that are unfolding in my life (the Hidden Garden Steps project, #etmooc and digital storytelling, the Social Media Basics course, my face-to-face and online interactions with colleagues at conferences and in social media platforms, and my ongoing efforts as a trainer-teacher-learner), the more fascinated I become at how the smallest part of any of them sends out tendrils along the lines of the rhizomatic learning concepts we’ve also been studying in #etmooc.

But then I also realize that I’m falling into the trap of making all of this too complex. What it really comes down to is that we’re incredibly social and interconnected people living in an incredibly interconnected onsite-online world. We live socially, we learn socially, we dine socially, we thrive socially, and we build socially. And, at least for me, one of the key pleasures comes from the leaning that occurs in each of these personal and shared short stories that become the extended stories—the novels—that we are creating by living them.

With that act of circling back to learning as a key element of our individual stories, we find one more thread that ties this all together. Given that learning is a process of responding to an immediate need by engaging in positive transformation, we can all continue learning—and creating the stories that give meaning to our lives—through our involvement with challenges along the lines of nurturing the Hidden Garden Steps project, finding community in #etmooc, and becoming active participants in a variety of other collaborative and community-based efforts. The more we look for and document interweavings between these seemingly disparate endeavors, the better learners—and storytellers—we become.

N.B.: This is the seventh in a series of posts responding to the assignments and explorations fostered through #etmooc and the fifteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


High Tech at Tyger’s: Resistance Is Futile

January 19, 2013

Seeing someone wearing and using a Google Project Glass product at a neighborhood diner here in San Francisco was not among the experiences I expected to have over brunch this morning. Like so many other people, I’ve been fascinated by reports of the continuing development of this latest foray into the world of augmented reality. I have also been wondering when we would have a chance to play with what Google has been developing and start seeing how it will affect the world of training-teaching-learning. It’s been my long-standing assumption that my first face-to-face encounter with a Google Glass device would be at a tech or educational conference.

But there I was, taking in the familiar faces of the Saturday morning crowd at Tyger’s (in San Francisco’s Glen Park Village), when my eyes froze at the sight of someone obviously wearing one of the devices that has been so prominently featured in so many articles over the past several months.

Google_GlassesThe stunning thing about this sighting is that Tyger’s is far from a hotbed of technology. It actually feels as if it sprang full-blown from the pages of Ray Oldenberg’s The Great Good Place and continues to be a living example of a vibrant, dynamic Third Place—a place where you can walk in whenever it’s open, know that you’re going to find a familiar face, sit with friends over a nice relatively inexpensive meal, and participate in conversation rather than being surrounded by people more engaged with smartphones and tablets than with face-to-face exchanges. It’s the sort of place where candidates in local board of supervisors races drop in to talk one-on-one with residents of their district, and where strangers don’t stay strangers if they patronize the place more than a couple of times.

Because Tyger’s is set up to foster conversation—the tables are set very close to one another, and it’s impossible not to overhear bits and pieces of nearby conversations—I didn’t feel the slightest reticence about immediately walking over to the table where the Google Glass user was sitting with his family. It also helps that a) I assume anyone wearing a new piece of technology is going to be far from shy about talking about it, and b) I’m hopelessly curious and socially inept enough to think that chatting up a total stranger is part of what fosters learning and nurtures new connections.

Our brief conversation quickly confirmed that the device actually was a fully-functioning Google Glass device; that it is not yet available to the general public and probably won’t be available to most of us for “quite a while”; that he didn’t find it at all difficult to interact with those with whom he was dining while also taking advantage of what the device offers; and that he was in possession of the device because he (of course) works at Google.

Returning to the people with whom I was sitting (“you really are a geek,” one friend lovingly admonished me), I took advantage of the fact that I was far enough away from him to not be an obvious nuisance, but was close enough to get a first-hand look at how someone wearing a Google Glass product would function in what is overwhelming an onsite Third Place rather than an extension of a virtual community.

What I noticed was impressive. He was sitting with his wife and one other adult, and was holding an infant in his lap. There was no visible sign that he was anything other than completely engaged with his child and the other people present at that table throughout the entire meal. And the way the device was positioned on his head (a small silver band with the tiniest of cameras positioned near his left eye without appearing to obscure his vision) made it relatively unobtrusive. In fact, he seemed far more present than most people who use smartphones and tablets appear to be—which, for me, raises some interesting questions about all I’ve read over the past few years regarding our overrated ability to multitask.

In our snarkier moments, many of us have reacted negatively to the sight of people with their Bluetooth devices plugged into their ears, and have suggested that we appear to be one step away from becoming part of a Borg collective. We’ve also suggested that, like the Borg, we’re falling into a frightening pattern of sheepishly accepting that “resistance is futile.”

Yet when I watched that Google staffer behaving no differently than anyone else at Tyger’s was behaving, and noticed that no one else at Tyger’s was even reacting to the presence of someone with a new tech device that is not yet available for purchase by most members of the general public, I found my attitude shifting just a bit. I no longer feel as if “resistance is futile” is a completely negative reaction to the sight of someone wearing a Google Glass product; I’m now a step closer to understanding the appeal of the wearable technology that colleagues and I have been exploring through work on the 2013 New Medium Consortium Horizon Project Higher Education Report. And I’m even more curious about what it will be like to try on a Google Glass device myself to see what it will bring to the entire field of training-teaching-learning.

N.B.: The photo accompanying this article is a generic Google Glass image.


Building Abundant Communities (Part 4 of 4): Hidden Garden Steps

November 21, 2012

New community possibilities emerge “when we and other neighbors know of each other’s gifts,” John McKnight and Peter Block suggest in their book The Abundant Community: Awakening the Power of Families and Neighborhoods. And that’s exactly what we continue to see in the Hidden Garden Steps project here in San Francisco’s Inner Sunset District.

As has been abundantly chronicled in this continuing series of articles about the Steps and the overlapping shorter series about fostering abundant communities, an awareness of gifts, resources, and an enthusiastic commitment to collaboration has steadily moved us toward a very exciting phase of our efforts to create a second set of ceramic-tiled steps along with murals and gardens featuring California native and other drought-tolerant plants. Project artists Aileen Barr and Colette Crutcher have, since September 2012, been working in their studios to build the 148-step mosaic that will eventually be installed on the 16th Avenue concrete steps connecting Kirkham and Lawton streets. Community involvement in fundraising, marketing, and hundreds of hours of onsite work cleaning up a terribly ignored pedestrian corridor has drawn together an ever-growing group of volunteers and other supporters inspired by the beauty of the first step of steps (on Moraga Street, between 15th and 16th avenues) completed by the same two artists working with a different group of neighbors and other supporters.

Our next big step forward, at this point, is less than two weeks away: our two artists (on Saturday, December 1, 2012, from 1-5 pm), will lead the first of three community workshops for anyone interested in making hands-on contributions to the construction of the mosaic.

This will be a celebration of community and collaboration in action within a local church meeting hall (Christ Church Lutheran, 1090 Quintara, San Francisco). It’s a chance to learn how projects of this magnitude are literally pieced together. An opportunity to work side-by-side with neighbors on a process that not only will produce a new community gem but also contribute to the already strong sense of community that exists within the Inner Sunset District. And a pre-holiday chance to reflect on what our work together over a three-year period has created and continues to create.

It also is a visceral incarnation of the spirit of “making gifts visible,” as outlined by McKnight and Block in The Abundant Community (pp. 120-122): having members of a community teach and learn from each other; bringing together residents and local business representatives (a couple of our sponsors are donating refreshments for workshop participants); and attracting community members of all ages and backgrounds.

There is plenty to acknowledge and celebrate in projects like the Hidden Garden Steps. These community efforts help build connections between those of us who previously knew little more about our neighbors than what we garnered from hurried waves and cursory greetings as we raced from one personal obligation to another. They attract people from other nearby neighborhoods so that we develop an extended sense of community, support, and simple, pleasurable human interactions that often seem to reach no further than a few feet away from our own homes or apartments. They further connect us to those wonderful third places within our communities—the coffee shops, the libraries, the neighborhood farmers markets, and streets transformed into meeting places by community-operated street fairs. And they remind us—through the collaborations we establish with existing groups like San Francisco’s Inner Sunset Park Neighbors (ISPN), the San Francisco Parks Alliance (our fiscal agent), and the San Francisco Department of Public Works Street Parks Program (supporting our onsite work on City/County property)—that transforming a dream into reality doesn’t necessarily mean that we have to start from scratch in our efforts to organize for success.

“The expression of our gifs and their manifestation through association with our neighbors” is at the heart of abundant communities, McKnight and Block remind us in The Abundant Community (p. 109). “The challenge is to make these gifts visible among all in the neighborhood. These are the means for creating our social fabric. The task is to make more widely available these gifts in service of our core concerns for the child, the land, enterprise, food, health, the vulnerable, and our safety With the consciousness and ability to connect our gifts and make them practical and usable, we experience what we are calling community abundance (p. 120).”

And as Hidden Garden Steps current and prospective supporters move toward the day of our first mosaic-building workshop and continue with our fundraising efforts to bring this $300,000 volunteer-driven community-based effort to a successful conclusion, we all have plenty to celebrate—and to offer others in need of the inspiration we continually find from the families, friends, and other neighbors who are contributing to our own abundant successes.

N.B.: This is the fourteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco and the fourth in a four-part series of articles exploring abundant communities. 



Hidden Garden Steps: Celebrating Our Moments of Transformation

September 16, 2012

There have been plenty of transformative moments since the Hidden Garden Steps project in San Francisco’s Inner Sunset District began in early 2010. But none have been so encouraging and rewarding than what we saw earlier this month at a community celebration centered around the signing of contracts with Steps artists Aileen Barr and Colette Crutcher—pictured here working on the life-size design they have begun creating in their homes and studios.

It’s more than just the acknowledgement that we’ve raised enough money ($100,000 in cash and approximately $20,000 in services completed or soon to be completed) to begin building the 148-step ceramic-tile mosaic that is at the heart of the project. It’s the gathering of a community that through working on this project is even stronger than it was before, and will be even stronger by the time we finish this project that creates a second set of ceramic-tiled steps along with gardens and murals in the neighborhood. And the celebration itself was completely sponsored and hosted by one of our business supporters: the Crepevine at 624 Irving Street here in San Francisco.

The Inner Sunset District, like so many of San Francisco’s individual neighborhoods, is a surprisingly vibrant combination of businesses; cultural (e.g., the de Young Museum, the California Academy of Sciences, the Conservatory of Flowers, and the San Francisco Botanical Garden, just to mention a few) and educational (the University of California, San Francisco) organizations; physical beauty (the numerous paths through Golden Gate Park and the hills that are in the heart of the district; and residents and visitors who cherish the area and sustain a variety of organizations including the Inner Sunset Park Neighbors to continually foster collaboration.

As members of the Hidden Garden Steps organizing committee have repeatedly acknowledged, we’re drawn not only by the sense of immediate community that exists here, but by the extended community that is interwoven into all we do. The Steps project alone has partners including the San Francisco Parks Alliance; the San Francisco DPW Street Parks program; Nature in the City’s Green Hairstreak [Butterfly] Corridor; administrators, an art instructor, and art students from the nearby Woodside International School; members of the Inner Sunset Lesbian, Gay, Bisexual, and Transgender community; and the Golden Gate Heights Neighborhood Association, with more partners expressing interest in joining us so we can bring this $300,000 community project to a successful conclusion. We’ve also had tremendous support from City/County Supervisor Sean Elsbernd and his legislative aide, Alex Volberding; the San Francisco Arts Commission; and members of the San Francisco Department of Public Works who have announced that onsite repairs will be underway in the very near future.

With all that support in place, it was tremendously gratifying not only to have coverage of the Crepevine event by KCBS radio reporter Anna Duckworth the following morning, but to also find the Steps featured on the cover of our neighborhood newspaper—the Sunset Beacon this month—and in a prominently-displayed letter to the editor in the San Francisco Chronicle Insight section recently.

As we move into the production phase on the ceramic-tile mural, we’ll continue to rely on the efforts of volunteers who help us do onsite clean-up on the second Saturday of each month, from 1 – 3 pm on 16th Avenue between Kirkham and Lawton here in San Francisco; donations from individuals, community groups, businesses, and other supporters that now extend not only across the United State but also include a couple of people from the U.K.; and those who can help us build relations with other prospective donors drawn to the mission of creating a new, sustainable community meeting place in a city known for its commitment to communities. For additional information in how you can become part of our community, please visit our website at http://hiddengardensteps.org.

N.B.: This is the thirteenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco. 


Hidden Garden Steps: Community, Collaboration, Volunteerism, and Benches

August 23, 2012

I hope I won’t offend anyone if I offer the heartfelt hope that you’ll just sit on it. The bench, I mean. The one now at the foot of the Hidden Garden Steps, where Kirkham Street and 16th Avenue intersect in San Francisco’s Inner Sunset District.

And while you’re sitting on it, I hope you’ll reflect on how that one little bench—one of more than a dozen now spread throughout the neighborhood—says so much about the spirit of community, collaboration, and volunteerism that is at the heart of any dream that starts with one or two people and quickly becomes a self-seeding endeavor that makes our world considerably better—and a lot more visually interesting and playful.

The innovators, in this case, are Adam Greenfield and Chris Duderstadt, two wonderful neighborhood activists who are key players in the Inner Sunset Park Neighbors; love the idea of nurturing public spaces and “maximizing personal interactions”; and are slowly but surely adding to San Francisco’s vibrant street scene though their playful Public Bench Project.

Their idea is simple, as they note on their website: “We will give a bench to anybody who wants to put a bench outside their building in the public realm. Contact us and we’d be happy to give you a bench.” The results are exquisite and inspiring; from the initial bench, which features a wonderful design by artist Devin Keller, to the latest bench, added this week and featuring a beautiful display of sunflowers, you can’t walk by without involuntarily having a smile find its way onto your face. And, more importantly, even the most hurried of us feel the invitation to stop, sit, and enjoy our neighborhood a bit more rather than simply racing through it on our way to our next appointment.

Which is exactly what we’re hoping will happen with the bench now at the foot of the Hidden Garden Steps—and which will become even more colorful when a group of our supporters return to make the bench even more colorful by connecting it visually to the mural painted onsite by art instructor Angie Crabtree and students from the Woodside International School. Ever since we began making the onsite improvements that are creating the foundation for the 148-step ceramic-tile mosaic that will eventually cover the concrete steps, we’ve noticed more neighbors and visitors spending time lingering onsite rather than hurrying past what was formerly a somewhat secluded and less-than-inviting space. The volunteers who gather on the second Saturday of each month from 1 – 3 pm to sweep the steps, continue adding to the garden that is beginning to take shape on a few parts of the site, and enjoy the growing sense of camaraderie, talk openly about how our work together is creating a greater sense of community. And the bench now provides yet another gathering place for conversation, idea exchanges, and friendship.

With the addition of the bench, we’re hoping you and many others will join us there. To help create the vision. To strengthen the sense of community that already exists. And to simply enjoy one of the many lovely settings that make life worth living.

For more information about the Public Bench Project, please contact Greenfield and Duderstadt at publicbenchproject@gmail.com. For more information about the Hidden Garden Steps project, please visit our website at http://hiddengardensteps.org, follow us on Facebook and Twitter (@gardensteps), check out the videos on our YouTube channel, or look for us on the Steps.

N.B.: This is the twelfth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


Training, Technology, and Grand Juries

August 10, 2012

A grand jury’s conclusion that “San Francisco’s City Technology Needs a Culture Shock” inadvertently points toward opportunities for those of us involved in workplace learning and performance (staff training) endeavors regardless of where we are living.

“Déjà Vu All Over Again,” the recently-released City and County of San Francisco Civil Grand Jury report, documents the deplorable state of technology coordination and usage at the local government level. And this clearly is not a new or local issue; those of us who follow tech news have seen numerous examples of how our colleagues in government struggle—or don’t even attempt—to effectively incorporate the use of available technology into the workplace to better serve constituents. Think of the situation that led to the formation of the United States Department of Homeland Security when it was clear that the FBI, CIA, and others were far from up to date in their use of effective communication tools and practices. Or think of the sort of reports that have consistently documented the need for tech upgrades at the national level over the past decade or two. And think of what we see among our own workplace learning and performance colleagues if they still haven’t begun to build upon the practices documented by Tony Bingham and Marcia Conner in The New Social Learning, in the American Society for Training & Development (ASTD) Social Media Toolkit for ASTD Chapter Leaders, or the other resources that continue to come our way on a regular basis.

While the San Francisco Civil Grand Jury report deals primarily with the situation here in San Francisco at a high-level administrative level (the fact that seven different email systems are in use among City/County departments, for example), it also speaks to anyone involved in training-teaching-learning through its occasional—and, unfortunately, infrequent—references to the need for staff training. The fact is, the report is heavy on identifying and criticizing political leaders and chief information officers throughout the City and County of San Francisco for not working more cohesively and collaboratively to meet the tech challenges that face many of us on a daily basis, but is light on acknowledging the role teacher-trainer-learners might be playing in remedying the problems identified within the report and better preparing managers and employees to use the tech tools at their disposal.

Sparse references to providing training or staffing help desks means that the focus here remains on the acquisition of tech systems while underplaying the importance of assuring that those tasked with using those systems are prepared to fully incorporate them into the work of serving constituents.

And this is where I believe we can all be doing better in being part of the solution. We need to continue carving out the time to be technologically literate. We need to be playing more of a leadership role in our organizations to help determine the learning course of those organizations rather than just working to implement what others have, for better or for worse, determined are our workplace learning and performance priorities. We need to be collaborating even more effectively than we already are through our professional associations, through the onsite and online learning opportunities that we often ignore because we just can’t seem to make the time to take advantage of them. And we need to be positioning ourselves—to the benefit of our organizations and those they serve, not just for self-promotion—in ways that show we should and can be key players in making decisions that help resolve the sort of tech (and learning) deficiencies that are at the center of that grand jury report.

If we continue advocating for creative, cost-effective ways to support our colleagues to meet their learning needs, we provide the foundations for the sort of tech-savvy workforce that, as ASTD so often says, creates a world that works better. If, through our own training-teaching-learning efforts, we provide examples of how this can be accomplished, we become part of the solution. And, if we’re lucky, we help nurture exactly the sort of culture shock that San Francisco and other municipalities so clearly need in a world where change and learning are constant.


Hidden Garden Steps: Hoops and Hopes and Aspirations

July 12, 2012

Hidden Garden Steps volunteer Sherry Boschert has once again outdone herself. Working with us to film a playful fundraising video that is now posted on Indiegogo, she is helping us make our current and prospective supporters aware of one of those routine yet essential elements of any successful fundraising campaign: attracting money for something as basic as a set of permits allowing us to carry to the project to completion.

After confirming that we would need nearly $8,000 in application fees from the City/County of San Francisco, Sherry and I met to discuss the latest hoops that project volunteers would have to jump through to create a ceramic-tiled mosaic similar to what exists on the Moraga Steps here in San Francisco’s  Inner Sunset District and surround it with attractive gardens and murals.

Appreciative for all the support we have received from colleagues in the San Francisco Department of Public Works as well as in the San Francisco DPW Street Parks Program, City Hall, and the San Francisco Arts Commission, we wanted to emphasize that this particular fundraising effort is grounded in a real need and in full partnership with our City/County colleagues.

“Our $8,000 goal will cover a $3,379 fee set by the San Francisco Planning Commission for permit applications as well as other Department of Public Works fees established by the San Francisco Board of Supervisors based upon the number of hours it takes to process applications for a project of this scale,” we explain on our Indiegogo site. “We don’t begrudge the City this money—we know that these departments provide valuable services, and we couldn’t do this without their help. A small portion of funds raised will go towards Indiegogo and banking fees.”

Efforts to seek fee waivers were unsuccessful—our colleagues in City/County government are, of course, facing the same financial challenges so many of us face—so we’re moving ahead to publicize this particular need in the hope that project supporters will step up to the plate and push us closer to our goal.

Campaigns like this one—drawing from any level of contribution our current and prospective supporters care to offer—obviously rise or fall on our ability to engage the level of community support and collaboration that has been at the heart of all our successful efforts to date. That clearly means we need help raising the funds within the next 60 days to meet our latest campaign deadline, to reach the widest possible audience, and to foster action by everyone who has been touched and inspired by our vision for taking simple steps to create another magnificent set of Steps here in San Francisco—an effort supported not only by neighborhood residents but by donors from seven states beyond California and, as of last week, our first donor from London.

If you can help us by forwarding information to those you know, please do. If you can donate any amount to help us raise funds for the application fees, even better. And if you’re inspired by the sense of community and collaboration the project is helping to create, we hope you’ll join us in our efforts to clean up the site (second Saturday of each month, from 1 – 3 pm on 16th Avenue between Kirkham and Lawton here in San Francisco), prepare it for the structural repairs our DPW colleagues are about to begin, and continue helping us reach the current and prospective volunteers who are making this project soar.

N.B.: This is the eleventh in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco. 


Hidden Garden Steps: Clean-ups, Collaboration, and Volunteers

March 15, 2012

We had the most wonderful of problems last week as we prepared for our monthly Hidden Garden Steps project onsite clean-up: the possibility of having more volunteers than could be effectively put to work for the two-hour Saturday afternoon event.

And we quickly found a winning solution for everyone by invoking one of our main vision statements for the project: collaborating with as many partners as possible to complete a $300,000 volunteer-driven community art and garden project.

Our monthly efforts to remove graffiti, sweep the 148 steps on 16th Avenue between Kirkham and Lawton streets, develop gardens with donated plants (please see our online wish list for more information about specific donations needed for those gardens), clean clogged gutters and drains, and prepare the site for installation of a ceramic-tiled mosaic similar to what exists on the Moraga Steps here in San Francisco’s Inner Sunset District has steadily gained attention, support, and recognition since our first clean-up event was held less than a year ago and trees were trimmed free of charge by a generous donation of time and services from Tree Shapers, LLC.

Promotions through our San Francisco DPW Street Parks Program and San Francisco Parks Alliance partners (particularly Nancy Wong from DPW, who routinely delivers the gloves, tools, and other supplies needed, and Maria D’Angelico and Julia Brashares at the Alliance) help draw new volunteers to us each month. And a photo and blurb in San Francisco City/County Supervisor Carmen Chu’s latest newsletter inspired Elvina Fan (pictured here) and her fellow Lincoln High School Change SF members to contact us less than two days before the March clean-up to see how they could help.

This created a bit of a dilemma since nearly 10 members of Better Homes & Gardens Mason-McDuffie Realty here in San Francisco (pictured above, left) had already promised to join us for work that required no more than 15 people. But it was a dilemma quickly resolved through early-morning email exchanges with Andrea Jadwin, co-president of the Inner Sunset Park Neighbors board. She had a perfect project in place—and was willing to make arrangements with the Change SF volunteers on short notice.

“ISPN won a Community Challenge Grant in 2010 to make improvements to the parking lot in the heart of the Inner Sunset commercial district,” Jadwin recalled during a recent exchange. “The parking lot is home every Sunday to the Inner Sunset Farmers’ Market and other community events throughout the year.  Volunteers planted native and climate-adapted plants and painted the surrounding walls with coordinating colors and a simple design. Community Challenge Grants award funding is based on volunteer hours, so we try to organize several maintenance projects throughout the year—cleaning trash, weeding, replanting, and covering graffiti”—exactly what the Change SF students were offering to do for Hidden Garden Steps.

“It was great to have the students from Lincoln High’s Change SF service club come out and provide some much needed plant care and graffiti abatement. The neighbors, merchants and farmers will be so pleased with the results,” Jadwin concluded.

We sometimes hear, from those who are misinformed, that people are too busy to volunteer and that organizations need to compete rather than collaborate in attracting great volunteers and other supporters. But we certainly aren’t seeing either of those issues here in San Francisco’s Inner Sunset District. Volunteers from the Hidden Garden Steps project, the Inner Sunset Park Neighbors, Nature in the City’s Green Hairstreak [Butterfly] Corridor project, and other groups are working together toward our common goal of nurturing a sense of community that makes our neighborhood a place where we all belong. And we have the volunteers and other partners to prove it.

N.B.: This is the tenth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco. 


Communities of Learning: SF DPW Street Parks and Hidden Garden Steps

February 25, 2012

We don’t normally think of a local department of public works (DPW) as a provider of learning opportunities. But that’s exactly what colleagues at the San Francisco DPW created late last month, and it’s completely consistent with what many of us as community-based volunteers here in San Francisco are producing.

Through a day-long Street Parks Program workshop, DPW and San Francisco Parks Alliance colleagues (Sandra Zuniga and Julia Brashares) created an opportunity for local volunteers to learn about funding opportunities and successful projects-in-progress. And, by educating us a bit about what is available in our own community, it inspired community-changing conversations that will continue much longer than the brief workshop lasted.

Designed as a collaborative learning opportunity for participants from the more than 140 Street Parks Program projects formally adopted up to this point by DPW, the workshop attracted a surprisingly small number of program representatives. The four of us from the Hidden Garden Steps project in San Francisco’s Inner Sunset District made up around 15 percent of that group. And yet this wasn’t about numbers; it was a chance for that relatively small group of us to meet each other, prospective project funders, and others involved in neighborhood-based efforts to transform neglected, unsightly pockets of our city into beautiful community meeting places that further contribute to the city’s feeling of City-with-a-big-C.

And by the end of the day, we were already developing ways to nurture the connections the Street Parks program has created between us. We took steps to create our own onsite-online community of learning by setting up a LinkedIn discussion group and a Facebook group as ways to continue sharing resources, suggesting solutions to the challenges many of us face, and fostering an even greater sense of community than already exists here in San Francisco among those involved in Street Parks Program projects.

What really pushed the development of this new community of learning forward was the event organizers’ decision to feature a couple of projects as part of the workshop presentations. Turning to two of us from projects called “Street Park superstars” for our “creative fund-raising ideas” that are building and sustaining community support for greening projects, they asked us to describe the steps we took to reach the levels of success we have already achieved.

Pam Axelson, from the Athens/Avalon Garden project, recalled that the project started because of a murder in the neighborhood:  “The crime problem was significant,” she recalled. “The site was a night-time hang-out—a total dump site” where mattresses and other objects were discarded. Neighbors began asking, “Why don’t we make that a better-looking site?” A core group of neighbors came together, found out who owned the property, contacted DPW for approval, and also gained support from a group of planning students at the University of San Francisco.

Identifying a similarly depressing yet potentially beautiful area in our own neighborhood, those of us who initiated the Hidden Garden Steps project saw it as an opportunity to transform an overgrown, poorly maintained set of 148 concrete steps into a neighborhood gem and community meeting place similar to the ceramic tiled steps completed on Moraga, between 15th and 16th avenues. And in describing the success we had in raising $10,000 during a very simple two-hour fundraising effort in December 2011—selling some of the tiles that will become part of the ceramic-tiled Hidden Garden Steps—we told our colleagues that it was a two-hour event backed up with two years of effort similar to what was developed in the Athens/Avalon Garden project: building a strong and collaborative organizing committee; attracting an increasingly large, enthusiastic, and reliable group of volunteers; creating a visible presence for the project both onsite and online (a website, a Twitter account, a Facebook page, blog postings like this one, and, most recently, a YouTube channel); and an ever-growing set of partners from existing groups with goals that are complementary to our own (the Inner Sunset Park Neighbors, Nature in the City’s Green Hairstreak [Butterfly] Corridor, the San Francisco Parks Alliance and DPW Street Parks Program, Woodside International School, and others where our work together makes every group much stronger).

The short-term result, we noted, was an event that brought us $10,000 closer to our $300,000 fundraising goal; the more significant result, we added, is that we’re continuing to create a sense of community designed to rival the projected longevity of the Hidden Garden Steps themselves once they are completed. And the latest cause for celebration is this newfound opportunity to learn while working together with our Street Parks Program colleagues.

N.B.: This is the ninth in an ongoing series of articles to document the Hidden Garden Steps project in San Francisco.


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