If we want to learn at a deeply significant and long-lasting level, we clearly need to keep re-walking familiar paths while remembering, each time we recreate those journeys, to look at them as if we’ve never seen them before this moment.
This becomes more obvious than ever to me earlier today when I have an unexpected opportunity to re-view EDUCAUSE Director Malcolm Brown’s stimulating “Ideas That Matter” presentation from the New Media Consortium Horizon Project Summit on the Future of Education held in Austin, Texas in January 2013. I enjoy the presentation when Brown originally delivers it. I take notes that I reread with fresh eyes a few days later. But it isn’t until I watch the newly-posted video of that discussion of the creative process needed to address wicked problems—those complex and ambiguous problems requiring innovative approaches—that I see how much my perspective on the topic has evolved over the period of a single month.
What makes the viewing of that video transformative is that it places me, in a very visceral way, in two distinct yet interwoven moments and frames of mind. The original moment, environment, and frame of mind is the one created by the act of being part of a summit where all attention is focused on a single, spectacular theme—the future of education. The contemporary moment is the one that is here and now, just one month later, when I continue to be part of a group absolutely transformed by participation in #etmooc, the Educational Technology and Media massive open online course (MOOC) that Alec Couros and others are currently offering through March 2013.
Brown, like Couros and his associates (his “co-conspirators”), lays the foundations for explorations without establishing a clear vision of the outcome. We know we’re going somewhere, we know it’s going to be a journey well worth taking, and we know we’re going to experience unexpected pleasures along the way, but we have no idea what the destination is until we help create it through our own participation. It’s a learning process, and the most successful learning processes are those that the learners themselves—ourselves—help define, create, and complete. We allow for successes far greater and more significant than we can envision at the beginning of the learning process; we create an expectation and acceptance of the possibility and likelihood of failures along the way; and we create the most wonderfully odd juxtapositions that in and of themselves serve as the sandboxes capable of producing results worth seeking.
Brown, at a key point in his presentation, draws our attention to John Cleese’s lecture on creativity—a spectacularly entertaining and thought-provoking presentation that was originally delivered in 1991, yet continues popping up via online links with great regularity and proving itself to be as timely today as it was more than two decades ago. Being onsite with Brown means that we experience Cleese second-hand; watching the video of Brown’s presentation provides the invitation (consider it a command performance) to take the time to actually relive Cleese’s lecture in the moment, in juxtaposition with what Brown is offering. And we’re all the richer for this opportunity to re-walk both those paths again as frequently as we allow ourselves to be drawn to them, just as we’re able to re-walk some of the paths we’re creating, visiting, and revisiting through the various platforms that #etmooc uses (Blackboard Collaborate presentations; blog postings; live tweet chat sessions; postings in a Google+ community; and a variety of other settings limited only by our own imaginations and the amount of time we have to give to our continuing education efforts in a vibrant community of learning).
But let’s stay with a key point that Brown makes by quoting from Cleese’s earlier yet virtually contemporaneous presentation: creativity “is not a talent; it is a way of operating.” Every time we creatively pull ourselves back into an inspiring learning moment by re-reading our notes, or re-viewing an online presentation, or re-reading a blog posting (and, perhaps, adding to what is already there by posting a new comment that draws the original blogger back to what he or she wrote days/weeks/months/years ago), we keep our learning moments alive, productive, and fertile.
Jumping from Brown to Cleese also takes us deeper into that fabulously Cleesian world where he begins by telling his audience (which, thanks to the video, now includes us in the sort of wonderfully synchronously asynchronous moment that I’m attempting to create with this article) that he can more easily explain humor than he can explain the creative process. Then proceeds to do both by talking about creativity while continually interrupting his own presentation with a seemingly endless string of light bulb jokes. Then finds a way to connect the learning dots by helping us understand how the juxtaposition of seemingly unrelated ideas (like creativity and light bulb jokes) can move our minds from a comfortably closed state (that is antithetical to creativity) to one open to unexpected possibilities (which provides a field where seeds of creativity can sprout, grow, and thrive). He makes us laugh repeatedly by reminding us how important these absurd juxtapositions are, and then producing more of them to prove the point. By the time we leave Cleese and Brown, we have strengthened our ability to engage in the process—and even make sense of the sort of juxtapositions I calculatingly create in the headline to this article.